Explore Artists

Suman Shrestha is a Nepali singer, live performer, music video director, event director, and former Managing Director at Reeyaz Music Pvt. Ltd., active in the Nepali music industry for more than two decades. Known for his versatile creative roles, he has contributed to Nepal’s modern music scene through vocals, visual direction, artist development, and event production.Beginning his career in the early 2000s, Suman became widely recognized for his work at Reeyaz Music, where he served as Managing Director from 2005 onward, helping shape the label’s catalog, artist roster, and music video output during a key era of Nepali pop and modern music. As a music video director, he has crafted visually engaging projects for emerging and established artists, while his work as an event director includes concerts, album launches, and cultural programs in Nepal and abroad.As a singer and performer, Suman continues to appear on stage, collaborate with musicians, and contribute to the creative ecosystem through production, direction, and mentorship.

Anup Prakash (अनुप प्रकाश) is a legendary Nepali photographer celebrated for his timeless visual storytelling, masterful composition, and decades‑long contribution to documenting Nepal’s people, culture, and artistic heritage. Known for his signature ability to capture emotion with simplicity and precision, he remains one of the most respected names in Nepali photography, influencing generations of visual artists.

Ryan Karki is a Nepali singer, music‑video director, and media host active since 2010, known for his work across modern Nepali music and digital entertainment. As a vocalist and creative director, he has contributed to numerous music videos and collaborated with a wide range of artists in Nepal’s pop and commercial music scene. Alongside his direction and musical projects, Ryan is also recognized for his presence as a host, engaging audiences through interviews, artist features, and entertainment programs. His consistent involvement in performance, direction, and hosting highlights his versatility and growing influence in Nepal’s contemporary music and media landscape.

Sadichha Shrestha is a Nepali media figure, emcee, and Miss Nepal World 2010, recognized for her poised communication style, professional hosting, and leadership in public events. She represented Nepal at Miss World 2010, where she earned multiple subtitles including Miss Personality, Miss Best Walk, and Miss Photogenic, the highest number won by a single contestant in Miss Nepal history.Born on 23 November 1991 in Kathmandu, she completed her schooling at N.K. Singh Memorial EPS Secondary School and later graduated from St. Xavier’s College. She holds an MBA from the Asian Institute of Technology, Bangkok, where she was awarded the Nepal Bidhya Bhusan for academic excellence.Beyond pageantry, Sadichha has built a strong career as a television host, corporate trainer, and event emcee, frequently leading high‑profile programs, brand events, and social campaigns. Her TikTok presence highlights her active work as an emcee, along with content on innovation, entrepreneurship, and lifestyle.She has served as the Young Conservation Ambassador for WWF Nepal and as the Goodwill Ambassador for Nepal Tourism Year 2011, contributing to environmental and tourism initiatives.Known for her articulate stage presence, grounded personality, and professional versatility, Sadichha continues to be one of Nepal’s most respected Miss Nepal titleholders and a leading figure in event hosting and public speaking.

Mampi Ghosh is a Nepali broadcast journalist and television host known for her celebrated Kantipur TV persona “Pawankali” and for hosting Nepal Idol Season 3 on AP1 Television. As Pawankali, she entertained audiences with her humorous, lively, and distinctly typical gaule‑style voice, conducting interviews in a playful, down‑to‑earth manner that became widely loved by viewers across Nepal. Active across television, radio, and print, she built a reputation for bold interviewing, social‑issue storytelling, and multilingual communication. After earning recognition as a multi‑awarded journalist in Nepal, she expanded her career in the United States, where she works in immigration advocacy and legal services while remaining a prominent voice in the Nepali diaspora community.

Lokesh Bajracharya is a senior Nepali editor, director, and post‑production leader with a career spanning more than two decades. He is best known for serving as Chief, Editing & Graphics and Production Head at AP1 TV from September 15, 2015 to December 30, 2020, where he shaped the visual identity of major national television programs, including Nepal Idol Seasons 2–3.

Binod Katuwal is a Nepali bansuri flutist, multi‑instrumentalist, and music teacher from Kathmandu, currently based in Barcelona, Spain. With 17–20 years of professional experience, he performs Nepali and Indian bamboo flute across world‑fusion, spiritual, folk, and contemporary styles, collaborating with local and international musicians.A versatile instrumentalist, he also plays percussions, didgeridoo, ukulele, and practices overtone singing, blending these elements into his global fusion sound. His work spans live performances, studio recordings, sound‑healing sessions, and independent album releases. His digital catalog includes albums such as Breath of Bansuri, Nepali Alaap, Didge Therapy, and the 2026 release SINGARY.Katuwal’s music is featured on platforms like YouTube, Bandcamp, and his official website, where he continues to expand his repertoire through collaborations and cross‑cultural projects.

Anup Das is a Nepali guitarist and bass guitarist active in studio recordings, live performances, and session work across Kathmandu’s music scene. His playing appears in multiple recording studios—including Mahol Studio, Studio Sangam, and Studio King—where he is frequently featured in bass‑guitar sessions, rhythm‑guitar recordings, and instrumental projects.He is known for his versatile guitar work, performing everything from acoustic covers to bass‑driven Nepali folk, pop, and contemporary arrangements. His presence across numerous studio videos and recording sessions highlights his role as a reliable session instrumentalist, contributing to the sound of many artists behind the scenes.With a growing digital footprint through studio features and performance clips, Anup Das represents the class of dedicated Nepali instrumentalists whose craft supports both emerging and established singers in Nepal’s evolving music industry.

Pramod Pradhan is a Nepali guitarist and music instrumentalist known for his work in live concerts, studio sessions, and pop music performances. Active across numerous stages, he has supported many Nepali pop singers as a live guitarist and contributed to recordings in various music studios. His versatile playing and dependable stage presence have made him a trusted musician in Nepal’s live and studio music scene.

Avash Joshi is a Kathmandu‑based Nepali musician, arranger, composer, vocalist, and guitarist active in Nepal’s independent rock and metal scene. His work is characterized by self‑produced compositions, where he frequently handles lyrics, music, vocals, arrangement, recording, mixing, and mastering himself — a rare full‑stack production approach in Nepali music.His early work includes the track “Pretatma”, where he is credited for lyrics, music, vocals, arrangement, recording, mixing, and mastering . He maintains a presence on ReverbNation as a metal artist from Kathmandu, Nepal, showcasing his identity within the heavier genres of Nepali music .Joshi continues to release original music through A&J Studio, where he performs as vocalist, guitarist, and arranger. His 2026 release “Baal Metal Geet” features him on vocals, guitar, and arrangements, supported by a full band and produced at A&J Studio in Tahachal .

Vishal Poudel is a singer, musician, sound producer, arranger, and songwriter who has been active in the Nepali music industry for nearly 20 years. His career spans studio production, live performance, composition, and genre‑blending experimentation. He is the founder of the progressive‑rock and social‑issue–focused band Kalpavriksha, formed four years ago, where he serves as vocalist, instrumentalist, composer, and arranger. Musical Identity & StylePoudel’s musical foundation comes from intense self‑training—he recalls practicing guitar up to 16 hours a day, learning by ear from bands like Iron Maiden, whose influence shaped his vocal tone and performance energy. His personal affinity for jazz and his band’s focus on progressive rock give his work a hybrid, modern sound. Career HighlightsFounder of Kalpavriksha, a band dedicated to music about social justice, political issues, mental health, spiritualism, and transgender rights.Released the band’s debut track “Lyang Bho”, a progressive‑rock piece addressing corruption and youth frustration in Nepal.Preparing the next release, “Kalpavriksha”, a storytelling music video centered on transgender experiences in Nepal.Has worked for nearly two decades as a music arranger, sound producer, and instrumentalist, collaborating with major Nepali vocalists including Nabin K. Bhattarai and Hemanta Rana.

Sanjog Rasaili (born 31 May 1995 in Janakpur, Nepal) is a Nepali actor, assistant director, and choreographer known for his multi‑disciplinary contribution to contemporary Nepali cinema. Beginning his career in 2009 as a side dancer in films, he transitioned into choreography and later trained formally in acting at Kantipur Film Academy, followed by short acting courses in Bhopal and Russia. His early work behind the camera as an assistant choreographer and assistant director shaped his understanding of cinematic language, eventually leading him toward acting roles that highlight his grounded screen presence and versatility. Rasaili made his lead‑actor debut in the feature film Mah (म) and has since appeared in films such as Chiso Maanchhe, Premganj, The Great Mukhiya, Ma Rajesh Hamal, and Ek Bhagavad Ra Ek Geeta, along with his role in Pashupati Prasad 2: Bhasme Don. His expanding filmography reflects a blend of commercial and character‑driven roles, supported by his continued involvement in choreography and second‑unit direction for films like Parastree, Chiso Maanchhe, and Pashupati Prasad 2. Known for his disciplined work ethic and multi‑department experience, Rasaili represents a new generation of Nepali artists who bridge performance and technical craft, contributing to the evolving professionalism of the industry.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.

Jaya Kisan Basnet is a Nepali film actor, director, and action choreographer, known for his long‑standing contribution to commercial Nepali cinema. Beginning his career in the late 1998s, he first entered the industry through action direction, later transitioning into acting and establishing himself as a strong screen presence in action‑drama and social‑themed films.Basnet is part of the influential Basnet filmmaking family, and over the years he has built a reputation for portraying intense, authoritative, and emotionally grounded characters. His performances often highlight themes of justice, social struggle, and rural Nepali life—making him a recognizable figure in mainstream Nepali films.As an action director, he has contributed to numerous feature films, helping shape the visual style of Nepali action cinema during the 2000s and 2010s. His shift into acting expanded his creative identity, and he continues to work across both acting and direction.

Mukunda Mainali is a Nepali film and television actor known for his strong presence in social‑themed TV serials and his consistent contribution to Nepali screen acting. He is widely recognized for his role in the popular social serial “Juthe”, where he appears as one of the principal cast members alongside Rabi Giri, Bidhya Karki, Rambabu Regmi, Sarmila Sharma, and others.Mainali’s work in Juthe-a serial centered on the Dalit emancipation movement and social justice has made him a familiar face in contemporary Nepali television. The series airs on Himalaya Television and is directed by Raju Poudel and Marichman Shrestha.He is also credited as part of the cast of the iconic Nepali sitcom “Tito Satya”, one of Nepal’s longest‑running and most‑watched comedy‑drama series. The show featured a large ensemble cast, including Deepak Raj Giri, Deepa Shree Niraula, Gopal Dhakal, Prem Pandey, and others, with Mukunda Mainali listed among the recurring actors.

Gaurav Darpan is a talented Nepali singer, composer, lyricist, and music producer born on December 12 in Pathari Shanishchare, Morang, Nepal. Active in the music industry since 2011, he has made a significant mark with his distinct blend of folk-pop and contemporary Nepali music. His debut album Paila introduced him to the industry, and since then, he has captivated audiences with popular songs like "Purbai Ramailo," "Jamuna Pataima," "TT Dai(Dhilo Aayo Kada Aayo)," "Timro Yaad," and Pashina Ko Kamai." Gaurav's artistic approach combines traditional melodies with modern arrangements, appealing to both young and older generations. As the founder and managing director of Tune & Tone Entertainment Pvt. Ltd., he has also played a vital role in promoting independent music in Nepal. He is actively involved as a composer and coordinator at Sur Sangam Recording Studio and has served as a Pre- judge and mentor on the music reality show Nepal Idol, Nepal Star And Mero Voice Universe S2. Gaurav is widely respected for his humble nature and dedication to authentic Nepali sounds. His work continues to influence the evolving Nepali music scene, and his legacy lies in both his soulful creations and his efforts to nurture new talent.

Shovit Basnet is a leading Nepali film director, actor, and producer, widely recognized for shaping the commercial mainstream of Nepali cinema from the 1990s onward. Known for his energetic direction style, mass‑appeal storytelling, and strong command over action‑romance‑drama formats, he remains one of the most consistent and bankable filmmakers in the industry.Beginning his journey as an actor, Basnet transitioned into direction where he discovered his signature voice—films built for broad audiences, emotional engagement, and box‑office success. Over the decades, he has directed numerous hit films that strengthened the commercial film market and helped define the tone of modern Nepali entertainment.

Laxman Bikram Basnet is a Nepali film and television actor known for his natural performance style and his ability to portray grounded, emotionally relatable characters across cinema and serials. Active in both Nepali films and TV dramas, he represents the generation of artists who helped bridge the gap between traditional Nepali cinema and the growing television storytelling culture.Basnet has contributed to a range of feature films, social‑themed dramas, and family‑oriented TV serials, earning recognition for his sincerity, discipline, and strong ensemble presence. His roles often reflect everyday Nepali life—portraying fathers, mentors, community figures, and character roles that add depth to the narrative.

Sailesh Acharya is a Nepali writer known for his work in story, screenplay, and dialogue across contemporary Nepali cinema. He brings a grounded narrative style shaped by character‑driven storytelling and emotional realism, crafting scripts that balance commercial appeal with thematic depth. Acharya’s writing reflects a strong command of structure and pacing, allowing him to shape compelling arcs from concept to final screenplay. Active in Nepal’s evolving film landscape, he continues to collaborate with directors and producers on feature films and emerging digital projects, contributing to the growth of modern Nepali storytelling.

Praku Pandey is a Nepali film director, writer, and visual storyteller active in the Nepali film industry since 2013. He began his career as an associate director and writer, contributing to narrative development and on‑set creative execution across multiple projects before transitioning into full‑fledged direction.He made his directorial debut with the rural‑romance feature Malati Mangale, a film he also wrote, produced by singer‑actor Ram Krishna Dhakal.

Mahesh Paudel is a Nepali cinematographer and Director of Photography known for his versatile visual style and his contributions to both Nepali and Indian film industries. His career began with a passion for visual storytelling, and his early works such as Nirankush (2013) and Manjari (2013) showcased his ability to create emotionally resonant imagery through light, composition, and grounded realism.Over the years, Paudel has collaborated with leading Nepali filmmakers and steadily built a reputation as one of the industry’s most reliable and visually expressive cinematographers. His acclaimed work in Ranveer (2019) earned praise for elevating the film’s emotional and cinematic impact through refined visual aesthetics.He continues to expand his portfolio with major projects including Rann (2022), Prema (2023), Chitra (2024), and the upcoming Balidan (2025), where he took over as the lead cinematographer for the final schedule.Mahesh Paudel has also worked extensively in India, serving as Director of Photography for multiple Mumbai‑based production houses between 2005–2018, further strengthening his technical range and industry experience.Known for his disciplined craft, adaptability across genres, and strong command of camera language, Paudel remains one of the prominent cinematographers shaping the visual identity of contemporary Nepali cinema.

Ganesh Dev Pandey is a Nepali film director, writer, and screenwriter known for his socially rooted storytelling and his contribution to modern independent Nepali cinema. He made his directorial debut with Malati Ko Bhatti (2012), followed by the romantic drama Manjari (2013), both of which helped establish his reputation as a filmmaker with a distinct narrative voice.He gained wider recognition with Gaja Baja (2018), Nepal’s first stoner‑comedy, which sparked national debate after the Film Development Board initially refused registration due to its title. Pandey challenged the decision in the Supreme Court and won after a two‑year legal battle, marking a landmark moment for freedom of expression in Nepali cinema.His later works include Julebi (2023), a multi‑narrative urban romance praised for its authentic portrayal of modern relationships. He has also written and produced Chini Kam Rang Kada (2020), further showcasing his versatility.

Anamika Malla is a Nepali singer known for her soft, emotional vocal style and her contribution to modern Nepali sentimental and melodic music. She gained recognition through her popular songs “Feri Kina Antim Palta”, “Ki Farki Aau”, and “Ek Chimti Sindur”, which remain her most‑viewed works on digital platforms. Her music often blends simplicity, heartfelt expression, and clean melodic phrasing, making her a familiar voice in Nepali modern music.

Kumar Shah is a Nepali film and music‑video director, editor, and VFX artist known for his technical versatility and behind‑the‑scenes contribution to Nepal’s modern visual production scene. Active across direction, post‑production, and visual effects, he has worked on multiple music videos and independent film projects, building a reputation for clean editing style and strong visual storytelling.In 2014, he officially announced his action feature film “Kartik”, a project that generated industry attention for its ambitious action‑drama concept. The film was partially shot but remained unfinished due to production challenges, leaving it as one of Nepal’s notable incomplete film projects of the decade.Despite the halted project, Kumar Shah continues to be recognized for his multi‑disciplinary skill set in direction, editing, and VFX, contributing to various Nepali visual productions and maintaining a respected presence in the technical side of the industry.

Prakriti Shrestha (born 10 September 1992, Dolakha) is a Nepali model and film actress best known for her breakout performance in the hit youth‑romance film Hostel (2013). She first gained public attention as a model after appearing in the viral music video “Ko Hola Tyo” and the popular “Idea Honey Bunny” adaptation, which expanded her visibility across Nepal and even in India.Her modeling career began after winning the Miss Modern title during her college years, followed by becoming the First Runner‑Up of Mega Model Season 2, which opened doors to magazine shoots, brand campaigns, and dozens of music videos.Prakriti made her film debut opposite Anmol K.C. in Hostel, a commercial success that earned her the Kamana Film Award and the National Box Office Award for Best Debut Actress. She went on to appear in films such as Utsav (2014), Zindagi Rocks (2015), Aavash (2015), and later made her return to cinema with Bihe Pass (2023).Known for her natural screen presence, relatable youth‑centric roles, and strong fan following, Prakriti remains one of the most recognizable faces of Nepal’s 2010s film and modeling era. Since 2014, she has been based in Australia with her husband, Sudeep Neupane, while continuing selective film work and maintaining a strong digital presence.

Sudip Giri (born April 25, 1982, Chitwan) is a Nepali pop singer, songwriter, and composer known for his emotional modern‑pop style and widely loved hits such as Timi Aaja Bholi, Tutnu Thiyo Tutyo Mutu, Sannani Ko, Na Bijaune Phool, and Ma Ta Timrai Ho Ni. He began his musical journey in the early 2000s, first performing with the Chitwan‑based band Octave‑C before moving to Kathmandu for formal vocal and harmonium training.His debut album CANVASS (2000) became one of the successful pop albums of its time, followed by FRENZ (2005) and KATHA (2009). Many of his songs from these albums—especially Timi Aaja Bholi, Tutnu Thiyo Tutyo Mutu, Katha, and Sannani Ko—remain among the most streamed Nepali pop tracks on digital platforms.Sudip’s music blends heartfelt lyrics, soft‑rock influences, and melodic phrasing, making him a recognizable voice in Nepal’s 2000s–2010s pop era. His EP Canvass (2019 re‑release) and later singles such as Thikai Vo and Pritiko Mala Gaser continue to keep his catalog active across YouTube Music, Apple Music, and Deezer.He has received multiple honors including the Image Award (Best New Artist, 2004), Kalika Awards (Best Vocal 2004, Best Composer 2006), Dhuk Dhuki Award (2004), and nominations at Hits FM Music Awards. He has toured internationally in the USA, Hong Kong, Qatar, India, and Nepal.

Pranil L. Timalsena is a Nepali singer, rapper, and songwriter best known as one half of the pioneering hip‑hop duo Girish–Pranil (GP), whose work in the 1990s laid the foundation of NepHop, Nepal’s earliest hip‑hop movement. He began his musical journey with Girish Khatiwada, releasing Ma Yesto Chhu with rapper DA69, a track widely recognized as the first major breakthrough of rap music in Nepal .As part of Girish–Pranil, he contributed to several influential early rap songs including Timi Jaha Pani Jaanchhau, Malai Bhot Deu, Hami Dherai Sana Chhu, Meaningless Rap, Diyeko Maya Samhali, Dream, Gaarho Bho, Zoom Zoom Boom Boom, Seto Ghoda, and Yesari . His collaborative hit Aankha Bhari with DA69 further strengthened his presence in the emerging hip‑hop scene .Pranil later expanded into melodic and modern Nepali music, working with major artists including Nabin K. Bhattarai, most notably featuring in the popular composition Yehi Ho Ta Maya from the album May 18 . His solo works include emotional and modern tracks such as Ajiyo Mutu Bhanchhu, Aashu Yo Jharcha, Eklo Yatra, Sabai Naacha, and Chan Maya Yo Timilai .Recognized as one of the earliest voices to bring rap, rhythm, and modern lyrical expression into Nepali mainstream music, Pranil remains an influential figure whose contributions helped shape the identity of Nepali hip‑hop and early fusion‑rap culture.

Visan Yonjan is a Nepali rock and pop‑rock singer, songwriter, and composer known for his powerful vocals and modern melodic style. Beginning his musical journey in the mid‑2000s, he rose to prominence as the frontman of Stoned Amp and later Visan N’ The Groovers, contributing significantly to Nepal’s evolving rock scene. His works blend emotional storytelling with glam‑rock and soft‑rock influences, making him a distinctive voice in contemporary Nepali music.Over the years, he has released notable songs such as Kaaran, Chaahanna Ma, Jiwan Ko Paanama, Adrishya, Dui Thopa Seet, and Bhulnu Cha, along with collaborations across Nepal’s mainstream music industry. Beyond performing, he has also worked as a music director, songwriter, and creative contributor for various artists and projects.Today, Visan continues to remain active through recordings, digital releases, and creative production, maintaining his reputation as one of Nepal’s consistent and influential modern rock vocalists.

Shrijan Lwagun is a Nepali singer whose musical journey began as a participant in Nepali Tara Season 1 (2005), where he emerged as one of the promising young voices of the early reality‑show era. From 2005 to 2015, he remained actively involved in Nepal’s modern and soft‑pop music scene, contributing through studio recordings, stage performances, and digital releases.Known for his youthful tone, clean phrasing, and sentimental modern style, he gradually built a loyal listener base during his active decade in Nepali music.After 2015, Shrijan moved to Sydney, NSW, where he has temporarily paused his musical career to focus on family responsibilities and work. Despite the break, his passion for music remains intact, and there is strong hope among listeners and well‑wishers that he will return to Nepali music with renewed energy and present his melodious songs once again.

Pushpa Poudel is a Nepali singer whose musical journey began as a Top 10 Finalist in Nepali Tara Season 1 (2005), one of Nepal’s earliest and most influential singing reality shows. Her participation in the inaugural season introduced her as a promising modern vocalist with a soft, expressive tone.She continued her artistic growth with the release of her 2010 studio album Saath under Reyaz Music, showcasing her melodic sensibility and emotional delivery. Over the years, she has contributed to Nepali modern and sentimental music through recordings, stage performances, and cultural events.Her popular song “Sani Sani Naani” remains one of her most recognized works, reflecting her ability to blend sweetness, clarity, and modern Nepali musical aesthetics.

Jhuma Niraula is a Nepali singer whose musical journey began in Nepali Tara Season 1 (2005), where she first stepped into the national spotlight as part of Nepal’s earliest reality‑show generation of emerging vocalists. Known for her expressive, folk‑infused modern singing style, she has since built a steady presence in Nepali music through emotional, festival, and contemporary folk songs.Her popular works include Aama Timi Mero Bhagawan, Dancema Ma Ek Number, Tihar Aayo Jhilimili, A Dada (Mushahar Jaati), and heartfelt modern tracks like Mero Sirr Ko Sindur, Timinai Po Hau Ki, and Bachna Deu, which continue to circulate widely across Nepali music platforms.

Mahesh Mukhiya Sunuwar (born May 24, 1992) is a Nepali singer known for his lok‑pop and modern melodic style. He entered the Nepali music industry in 2065 BS (2008/2009 AD) with the songs ‘Kehi Din Ma Tadha’ and ‘Tyo Pari Gaunma’, both later included in his debut album ‘Aash’ (2067 BS ≈ 2010/2011 AD) — a four‑song collection rooted in lok‑pop flavors.In 2070 BS (2013/2014 AD), Sunuwar released his second album ‘Promise’, featuring six songs blending lok‑pop and sugam sangeet. Tracks such as ‘Sanile Chhodchha Baru’, ‘Oh Gori Oh Gori’, ‘Pathibhara Devi Kasam’, and especially ‘Mathi Mathi Lekma’ helped expand his popularity. He also collaborated with renowned singer Milan Amatya on Pathibhara Devi Kasam.Initially treating music as a hobby, Sunuwar now pursues it seriously. Having begun by singing in his mother tongue, he is currently active with concerts and preparing his third album, where he will write and compose his own songs.

Deepak Swopnil Shrestha is a versatile Nepali singer, composer, and music educator with over 2 decade of contribution to the Nepali music industry. With more than 100 recorded songs, he has released two pop‑adhunik albums, ‘Result’ and ‘Obtain’, and has composed a Newari album, a bhajan album, and two children’s music albums. Born in Dolakha Bazaar, he grew up inspired by his father’s singing and began performing in local competitions from a young age. He started his professional journey in 2054 BS, later moving to Kathmandu to study Eastern Classical Music at Lalit Kala Campus, earning a BMus degree. In 2060 BS, he represented Nepal at Zee TV’s ‘Saregama World Series’ in Dubai, gaining exposure to musical legends such as Ghulam Ali and Jagjit Singh. A dedicated teacher, he now teaches music in multiple schools.

Ramesh Shrestha, popularly known as Melody, is a Nepali singer and composer recognized for his versatile musical style and melodious vocal presence. Born in 2043 BS, he entered the Nepali music industry in 2012 with his debut album ‘Aankha’, featuring six songs that showcased his abilities as a singer, composer, and lyricist. The album includes notable tracks such as ‘Maile Maya Gare Timilai,’ ‘Ropi Diyau Yo Dilma,’ and ‘Aankha Aankha Judyo Kyare,’ with lyrics by Prem Bharati, Basanta Rai, Shankar Adhikari, and Hari Krishna Gauli. Originally from Dolakha, Shrestha holds a diploma in Eastern classical music, yet his compositions span semi‑classical, lok‑pop, and adhunik styles. Beyond his own albums, he has composed for other artists, including the contemporary hit ‘Haat Ma Puja Ko Thali’ sung by Shiva Pariyar. Inspired by legendary musician Narayan Gopal, Shrestha continues to expand his musical journey. His second album ‘Aankhi Jhyal’ is underway, with the music video for ‘Aankhijhyalai Maa’ already released.

Surath Pradhan is a Nepali music producer, arranger, programmer, and recording/mixing engineer known for his extensive work across modern Nepali music. His credits span folk, adhunik, romantic, and contemporary fusion songs, collaborating with leading singers, composers, and studios.He is a core music arranger and engineer at Sur Sangam Recording Studio, where he has contributed to numerous high‑profile projects. His work includes music arrangements, programming, recording, and mixing for songs by artists such as Udaya Sotang, Arpana Acharya, Mukunda Paudel, Dhan Kiran Gurung, Shanti Thatal, Ramita Bhandari, and others.Surath has arranged and engineered music for multiple official releases, including romantic, folk, and Newari songs, and has been credited in studio sessions featuring instruments like violin, flute, guitar, and modern digital production. His arrangements appear in projects such as “Mayale Ruwauchha,” “Yeti Dherai Maya,” and various duet collections by Dhan Kiran Gurung.He is also credited as a composer on major Nepali music platforms, with works featured on Gaana’s catalog of Nepali songs.Through consistent studio output, refined arrangement skills, and collaborations with respected musicians, Surath Pradhan has established himself as a reliable and versatile music producer in Nepal’s contemporary music industry.

Paras Gazmer was a respected Nepali musician, composer, lyricist, and singer from Darjeeling, celebrated for his emotionally powerful songwriting and his unique ability to translate personal struggle into deeply moving music. Despite losing his eyesight at the age of one and a half due to measles, he rose to become one of the most influential musical voices of the Darjeeling hills.Born in Tindharey, Kurseong in 1962, Paras studied at the Kalimpong Blind School, where he learned guitar and developed his musical foundation. Entirely self‑taught, he composed, wrote, and arranged his own songs, drawing inspiration from lived experience, inner emotion, and the philosophy that “our sweetest songs are those that tell of saddest thought.”He gained widespread recognition with his acclaimed albums Sanjha Ko Gham (1993) and Mero Bhagya (1999), both of which left a lasting mark on Nepali music. His compositions often explored themes of longing, hardship, and the inner world of the differently‑abled, resonating deeply with audiences across Nepal, Darjeeling, Sikkim, and the Nepali diaspora.Paras Gazmer performed extensively across the hills and neighboring regions and was honored by various cultural organizations for his contributions. His legacy continues to be remembered as that of a musical icon who transformed adversity into art.

Prasanna Poudyal is a Nepali film director and music video director best known for directing the feature film Swor – The Melody of Dreams (2011), a project recognized for introducing several new faces to Nepali cinema and for its fresh, experimental approach within the mainstream film landscape.Before entering feature films, he built his reputation as a well‑known music video director, contributing to Nepal’s modern music scene with visually expressive storytelling.His directorial debut Swor remains his most recognized work, praised for its casting choices and its attempt to break away from formulaic filmmaking. He later directed Mero Best Friend and has worked on upcoming projects including Kamaleko Bihe.

Raj Bahadur Sane, born on April 14 in Jumla, Nepal, is a Nepali writer and director known for his contribution to socially grounded and character‑driven cinema. Beginning his career in 2012, he has worked on films such as Pathshala, The Return Hero, Lati, Vrindavan, Birangana, Doli, Good Friend, Silly Pho, Bulaki, Juna, and Sitamol. Sane earned national recognition after winning the National Film Award for Best Screenplay for Bulaki, establishing himself as a distinct creative voice in contemporary Nepali filmmaking.

Bidur Pandey is a self-taught director of photography who has made critically acclaimed movies and more than 1,500 music videos. The prolific artist has done it all—commercials, documentaries and feature films; but his litmus test came in the form of Kagbeni, the first film in South Asia to be shot in digital camera. The movie went on to set benchmarks in the Nepali film industry.

Jharana Thapa (born 28 March, Pyuthan) is a leading Nepali actress, producer, and director whose career has shaped mainstream Nepali cinema for more than two decades. Beginning her journey with the film Daijo in 1996, she quickly rose to prominence through her expressive screen presence and her acclaimed performance in Dharam Sankat, which established her as one of the defining actresses of the late 1990s and 2000s. Over the years she became a central figure in commercial Nepali films, appearing in more than seventy titles and becoming known for emotionally grounded roles in films such as Muglan, Jeevan Sathi, Purnima, Takdir, and the original A Mero Hajur. Her long career in front of the camera naturally evolved into filmmaking, and she transitioned into direction with A Mero Hajur 2 in 2017, later continuing the franchise with its third and fourth installments while introducing her daughter, Suhana Thapa, as a new-generation lead. She further expanded her directorial identity with Ek Bhagavad Ra Ek Geeta (2023), blending social themes with emotional storytelling. Married to producer Sunil Kumar Thapa since 1998, she has also been active behind the scenes as a producer, contributing to several successful films. Today, Jharana Thapa stands as one of the few Nepali women to achieve long-term stardom as an actress and then successfully transition into a commercially influential director, maintaining her position as a respected and enduring figure in Nepali cinema.

Born Jharana Bajracharya Rashid in Kathmandu, she grew up in a multicultural household with a Hindu mother, Lalana Bajracharya, and a Muslim father, Rashid. She completed her schooling at Siddhartha Vanasthali Institute and later earned a degree in Sociology, while also developing herself as a painter and potter.At 16, she was crowned Miss Nepal 1997, becoming Nepal’s representative at Miss World 1997 in Seychelles, marking a major milestone in Nepali pageantry.Her acting debut came with Hatiyar (1999) opposite Rajesh Hamal and Karishma Manandhar. She gained further recognition with Pareni Maya Jalaima (2004), which won Best Story at the Nepali Film Awards. Her career expanded into Bollywood, where she appeared in the Hindi film Love in Nepal (2004) and several commercial advertisements.Returning to Nepal, she continued acting in films and became a prominent face in music videos, including “Laija Re,” “Priye Timi,” “Dubna Deu,” and “Panchhi.” Her final Nepali film was Kohi Mero (2010). She also performed at the Fem Botanica KTV Film Awards in 2008.In 2003, she became the brand ambassador for Lux Nepal, further solidifying her status as a leading public figure.Jharana married Rahul Agrawal in 2015 and later settled in Kuala Lumpur, Malaysia, where they welcomed their son, Ishaan, in 2016.

Uttam Pradhan is an Indian‑Nepali actor from Singtam, Sikkim, best known for his leading roles in Nepali cinema’s landmark films Darpan Chhaya, Pyari Bahini, Pareni Maya Jalaima, Basain, and Letter. A former model and television actor, he entered films after winning major modeling titles in the mid‑1990s and quickly became one of the most recognizable romantic and dramatic actors of the 2000s.Active since 2000, Pradhan has appeared in more than two dozen Nepali films and has been honored with multiple acting awards, including recognition from Nepal’s royal family and the Sikkim Kala Samman, the highest civilian honor of Sikkim. He also served as the Founder Chairman of the Sikkim Film Development Board, contributing significantly to cross‑border cultural exchange and the growth of Nepali‑language cinema.

Sumina Shrestha is a Nepali film actress active from 2002 to 2005, known for roles in Chakravyu, Indreni, Meri Aama, Pyari Bahini, and Kheladi. Her work reflects the family‑drama and social‑story tradition of early‑2000s Nepali cinema.

Shekhar Chapagain is a Nepali film artist recognized for his naturalistic acting style and his steady presence across contemporary Nepali cinema. He first gained attention through his supporting roles in critically noted films such as Soongava: Dance of the Orchids (2012), where he appeared as an inspector, and Maun (2013), portraying Barsha’s father.His recent work includes a featured role in Degree Maila M.A 3rd Class (2024), directed by Ram Babu Gurung, further establishing him among the reliable character actors of his generation. Chapagain has also appeared in short films like Late Night (2023) and the social short Pralobhan, expanding his range across digital and independent storytelling.

Sahara Sharma is an independent Nepali filmmaker, writer, producer, and media entrepreneur recognized for her socially grounded narratives and youth‑focused storytelling. After completing her Master’s of Science in Communication from Bangalore University, she founded Gauthali Entertainment in Kathmandu, where she began shaping her voice as a director and media creator.Starting her career as a journalist with Nepal Republic Media, Sahara transitioned into filmmaking with several short films before directing her first television film, Chasing Rainbows (2013) — a bold exploration of sexuality, migration, and depression among Nepali youth. The film opened the Kathmandu International Mountain Film Festival (KIMFF 2013), won the Nepal Panorama Award, and later received the Critics’ Award at the Toronto Nepali Film Festival (2014).She has since produced and directed two television series — Gauthali ka Kathaharu (2017–18) and Maya Bhanne Cheez Estai Ho (2018–19) — and hosts Gauthali Talks (2020–), a roundtable show on cinema and media. Her new feature‑length project, Ek Mutthi Badal, marks her return to narrative filmmaking.

Nischal Basnet is a celebrated Nepali director, actor, writer, and playback singer known for revolutionizing modern Nepali cinema. Born on January 17, 1980, in Birtamod, Jhapa, he studied film at Oscar International College. His directorial debut Loot (2012) became a cult hit, followed by acclaimed films like Talakjung vs Tulke (2014) and Loot 2 (2017). As an actor, he starred in Kabaddi Kabaddi, Dui Rupaiyan, and Prasad. Known for blending realism, dark humor, and social commentary, Basnet is married to actress Swastima Khadka. His work continues to shape the narrative and technical evolution of Nepali cinema.

Bina Basnet (Budhathoki) is a Nepali film actress active since the mid‑1980s, known for her expressive performances across social dramas, romantic films, and character‑driven roles. With a career spanning more than two decades, she has appeared in over 20 feature films, including notable titles such as Basudev (1984), Deuki (1993), Kasam (1992), Aadhi Beri (1992), Saugat (1992), Jhuma (1991), Mohani (1994), Ragat (1997), and Sukumbasi (2000).

Narendra Thapa is a Nepali film actor best known for his villainous and character roles across more than three dozen feature films, making him one of the recognizable antagonistic faces of the 1990s Nepali cinema era. Active from the late 1980s onward, Thapa appeared in several major commercial and socially themed films, often portraying antagonists, corrupt officials, or powerful enforcers. His screen presence, sharp dialogue delivery, and intense expressions made him a frequent casting choice for negative roles.His filmography includes notable titles such as Yug Dekhi Yug Samma (1991), Kasam (1992), Prem Pinda (1993), Nata (1994), Balidan (1997), Aandolan (1997), Dautari (1998), Chhahaari (1998), Thuldai (1999), Hatya (1999), Namaste Nepal (2015), Destination Kathmandu (2018), and Chhakka Panja 5 (2024).In addition to acting, Thapa has also worked behind the camera as the director and story writer of the film Desh Dekhi Bidesh (2008).Across his career, he became known for portraying villains who were not just violent but layered—reflecting the political, social, and emotional tensions of the era. His roles in films like Balidan, Aandolan, and Prem Pinda placed him within some of the most culturally significant Nepali films of the 1990s.

Santosh Shrestha (born February 3, 1981, Ghorahi, Dang) is a celebrated Nepali music director, composer, singer, and songwriter, widely recognized for his extraordinary linguistic versatility and prolific contribution to Nepali music. He is a Guinness World Record holder, honored for composing music in 12 world languages and later breaking his own record by writing music in 50 languages.Shrestha has composed over 700 film tunes and hundreds of folk songs, making him one of Nepal’s most recorded music directors. His works have been recorded in 14 languages, including Nepali, Hindi, Chinese, Japanese, English, Russian, Korean, French, Spanish, Italian, German, and Thai.His popular songs include “Timile Parai Thane Pachhi,” “Aauchhi Bhani Nisthuri Le,” “Timile Bhulna Sake Pani,” and “Timro Dilma Chot Lagda.”Shrestha has released numerous albums such as Chinaari (2062 BS), Sadhana (2066 BS), Sangam (2067 BS), Garima (2067 BS), Jhalak (2067 BS), Miteri (2068 BS), Gunjan (2070 BS), and Surakshya (2078 BS).

Sharmila Gurung is a senior Nepali folk and dohori singer known for her powerful, earthy vocal style and her mastery of traditional genres such as salaijo, kauda, roila, and lok‑dohori. Born in Syangja, Iladi, she began her musical journey after passing the Radio Nepal vocal test in 2056 BS, recording her first song “Nilo Pachauri”, which became a widely recognized hit of its time.Over the years, Sharmila has recorded over 1,000 folk songs, including enduring favorites such as “Ballai Bho Bheta,” “Kali Ganga Taren,” “Farka Muglani,” “Rani Ghataima,” and numerous salaijo and Gurung cultural songs. She has also released her solo album Gahana, showcasing her versatility across Nepali folk traditions.Sharmila is celebrated for her national and international stage presence, performing across the UK, Japan, Belgium, Singapore, Brunei, Hong Kong, Malaysia, Korea, Bahrain, Qatar, Portugal, and India.

Rajan Thakuri is a Nepali folk and dohori singer, lyricist, and composer known for his expressive vocal style and long-standing contribution to lok‑geet and live dohori culture. Active since the late 2000s, he is recognized for popular songs such as “Sansar Ghati Chha,” “Eauta Chitthi Lekhna Manlachha,” “Timrai Jhalko Timrai,” “Simsim Pani,” and “Haatma Lagyo Sunya.” His work spans studio recordings, panchebaja performances, and extensive live dohori shows in Nepal and abroad. Thakuri frequently collaborates with leading artists including Bishnu Majhi, Sirjana Birahi Thapa, Laxmi Neupane, and Phanindra Thakuri, making him a consistent voice in modern Nepali folk music.

Krishna Devkota is a Nepali folk and dohori singer, songwriter, and composer known for his expressive vocal delivery and commitment to authentic lok‑dohori traditions. Active through his official YouTube channel, he has released popular songs such as “Jor Dharako Pani”—where he contributed both lyrics and music—and collaborative hits including “Ma Ta Lahure Gorkha Paltan Ko,” “Ramdi Jharera,” and “Kasko Dil Thulo.” His works often feature leading artists like Shanti Shree Pariyar, Laxmi Neupane, Khuman Adhikari, and Devi Gharti. Devkota’s catalog reflects a blend of heartfelt storytelling, melodic clarity, and dedication to preserving Nepal’s folk musical heritage.

is a Nepali folk and dohori singer, lyricist, and composer known for his strong vocal presence and contribution to modern lok‑geet. Active since the early 2008s, he has delivered major hits such as “Himal Setai Chha,” “Butte Rumal,” “Dulchhu Ranaban,” “Rani Ghataima,” “Chhaldi Ra Panah,” and several lok‑bhajan releases. His albums include 108 Naam Shiva, Darke Paanile, Jhandi Langur Burja, and Gahun Khayo Ghunaile. Chhetri frequently collaborates with leading artists like Bishnu Majhi, Laxmi Neupane, Jhabindra Paudel, and Shanti Shree Pariyar, establishing himself as a consistent voice in contemporary Nepali folk and dohori music.

Nawin K. Khadka is a Nepali Purbeli folk singer, composer, and cultural documentarian known for preserving Eastern Nepal’s Jhyaure, Khyali, and traditional dance‑based musical heritage. Active through the Arun Valley Cultural Research Center, he has performed and composed major works such as “Chha Salam Kasari Bolau,” “Hou Bari Lai Lai,” “Hunna Ma Bhane Ram Saili,” and “Ama Jyu Ko Butte Ma Choli.” Khadka frequently serves as singer, music composer, videographer, editor, and director, making him one of the few multi‑disciplinary creators in Purbeli folk. His projects highlight authentic Sankhuwasabha–Arun Upatyaka rhythms, traditional dance forms, and community‑based cultural preservation.

Anil Budha Magar is an award‑winning Nepali film director, writer, and independent filmmaker known for his powerful storytelling rooted in the socio‑cultural and political realities of Nepal’s remote regions. Born in Taksera, Eastern Rukum, he represents a new generation of filmmakers bringing authentic rural narratives to national and international audiences.Active since 2012, Magar began his career with the acclaimed short film Lomba (The Leadership), which won five awards and received nominations at seven international film festivals. His work is characterized by deep research, cultural sensitivity, and a commitment to telling stories of marginalized communities.

Kamali Kanta Bhetuwal is a renowned Nepali folk singer, lyricist, and composer celebrated for his evergreen contribution to lok‑geet and traditional village‑style melodies. Best known for the iconic classic “Jhamke Guleli”—which he wrote, composed, and performed—Bhetuwal has produced multiple acclaimed albums under the Jhamke Guleli series, including Parts 1, 2, 3, and 4, all released through Music Nepal. His catalog features long‑form narrative folk songs such as “Jhim Jhim Pareli,” “Khorunga Shirma,” “Himal Takuri,” and “Rani Rumalma.” His distinctive vocal texture and poetic writing have made him a defining figure in Nepal’s modern folk heritage.

Harisha Baniya is a Nepali model, dancer, and film artist active since around 2010, known for her expressive performances in music videos, stage shows, and television. She rose to wide recognition through the popular comedy serial Meri Bassai, where her portrayal of the Terai‑origin character “Bhuniya” became highly appreciated by audiences. Alongside television, she has acted in nearly three dozen telefilms and several Nepali films, expanding her presence across visual media.Harisha also worked in Bhojpuri cinema as a leading actress, further showcasing her versatility across regional industries. In 2065 BS, she earned the title of Purwanchal Top in Bhojpuri dance, highlighting her strong foundation in performance and movement. After marrying in 2075 BS, she gradually stepped away from the entertainment field and is currently not active in acting or modeling.

Shobita (Sovita) Simkhada is a Nepali actress known for her early 2000s–2010s film roles, later becoming an Osho sannyasin and re‑emerging as a spiritual content creator and performer. She began her film career with projects such as Sandesh (2009), Gangajal (2010), Timi Binako Jivan (2010), and a series of 2011 releases including Aafnai Manlai Sodhi Hera, Birtako Chino, Maryo Ni Mayale Maryo, and Kasam.After stepping away from mainstream cinema to pursue a deep spiritual path at Osho Tapoban, she returned to acting more than a decade later through the film Great, directed by Manoj Pandit—publicly announcing her comeback in 2026.Beyond films, Shobita is active as a meditator, author, devotional performer, and host of “The Jogini Show”, where she interviews spiritual figures and artists. Her digital presence includes devotional music, reflective content, and spiritual discourse.

Bhagawan Bhandari is a Nepali lok‑dohori singer, lyricist, and composer known for his strong vocal tone, emotional delivery, and consistent presence in modern folk music. Active since the early 2008s, he has written and performed notable songs such as “Jhyalaima Aina,” “Aafnai Parama,” “Saili,” “Galbandi Khasyo,” “Jau Babu Nabhannu Aama,” and “Sakchhyau Ra Man Dina.” His works span lok‑dohori, teej songs, panchebaja, and modern folk collaborations with leading artists including Laxmi Khadka, Shanti Bhandari, Sita Lamichhane BK, and Krishna KC. Bhandari is also active as a lyricist, arranger, and producer, shaping contemporary Nepali folk sound.