Rajan Thakuri

Sushila Kansakar is a revered Nepali singer whose graceful voice left a lasting mark on modern and Newari music. Born to Nil Ratna and Harsha Devi Kansakar, she gained early fame through Radio Nepal’s anniversary program in 2018 BS (1961 AD), where she won a gold medal presented by King Mahendra. With a voice both powerful and tender, she recorded memorable songs like “Malai Marnu Na Bachnu Banayo Piratile”. Although her recorded output was limited, her influence endures through timeless broadcasts and cultural tributes. Kansakar balanced her artistic passion with academic excellence, earning a Master’s in Economics and serving in the Nepal Government, where she rose to Vice Secretary. After marriage, she withdrew from music, yet her legacy continues to resonate with fans and younger generations who celebrate her unique contribution to Nepal’s golden musical era.

Surya Thulung is a renowned Nepali singer and music composer, celebrated for his significant contributions to the country's music industry. Born on June 27 in Ilam, Nepal, he has been active in the music scene since 1989. Career Highlights: Throughout his career, Surya Thulung has released several albums and singles that have resonated with audiences. Notable works include: Albums: Spandan (1991) Shrenkhala (1992) Sungabha (2011) Surya Thulung Ka Geet (2010) Surya Thulung Ka Geet-2 (2010) Popular Songs: "Machhi Marana" (featuring Nabin Dhungel, Tirtha Kumari Thapa and Hira Devi Rai) "Ma Geet Bhaye" "Yo Nepali Thito" "Yati Tadha" "Sarai Paryo" "Mero Mann" "Baduli Bho" "Badalu Ko" Collaborations: Surya Thulung has collaborated with various artists, including Nabin Dhungel, Tirtha Kumari Thapa, Hira Devi Rai, and Chandra Kumar Moktan, enriching the Nepali music landscape with diverse and melodious compositions. Surya Thulung's dedication and artistry have left an indelible mark on Nepali music, inspiring both audiences and emerging artists alike.

Sundar Shrestha is a veteran Nepali folk singer and lyricist best known for co-performing the iconic song “Resham Firiri” in 1969. Alongside Dwarika Lal Joshi, his rendition helped popularize the song across Nepal, making it a staple of street music and cultural gatherings. Active since the 1970s, Shrestha contributed to numerous folk recordings and live performances, preserving traditional melodies and rhythms. He also collaborated on songs like Chautariko Majhaima and worked with artists such as Chandra Kumar Moktan and Hira Devi Rai. His legacy lies in promoting Nepali folk music through Radio Nepal and live platforms for over four decades.

Brata Gandarva, a renowned folk singer and Sarangi player, was born on 25th Poush, 2043 BS, in Jarayotar, Palpale, Bhojpur. She is the fourth daughter of Dambar Gandharba and Chija Maya Gandharba. Growing up in a large family with two brothers and six sisters, Brata's childhood was marked by a deep connection to music, especially Sarangi. Her father, a professional Sarangi player, and her mother, who also played the instrument, were her primary sources of inspiration. Though Brata was initially shy and quiet as a child, her love for Sarangi and singing gradually grew as she accompanied her mother around the village, performing and learning the traditional craft. The family's financial struggles further motivated Brata to continue the musical tradition, as it was both a means of sustenance and a way of life. Education and Musical Journey: Unlike many musicians, Brata didn’t receive formal schooling during her early years in the village. However, her connection with music was solidified when she met Gopal Siwakoti Chintan, a renowned figure who inspired her to pursue formal education and music training. Upon moving to Kathmandu, Brata joined Tri-Ratna Cooperative School, where she completed her S.L.C. and later went on to study at Lalit Kala Campus, earning her I.A. degree. She is currently in her B.A. 2nd year at the same institution. Her musical journey began under the mentorship of her parents, with her father being a significant influence on her playing technique. After moving to Kathmandu, she continued her training at Nepal Sangh Vidhalaya, under the guidance of Shyam Nepali, and started recording her songs in Music Nepal around 2053 BS. Brata’s contributions to folk music extend beyond her own performances; she is also a dedicated teacher, sharing her knowledge of Sarangi with students six days a week at various institutions.