Shovit Basnet

Ramesh Koirala is a Nepali film director recognized for his grounded approach to storytelling and his focus on emotional realism. Active in Nepal’s evolving film landscape, he has contributed to projects that highlight social themes, personal journeys, and relatable Nepali experiences. Koirala’s direction emphasizes clarity, performance‑driven scenes, and strong narrative structure, establishing him as a thoughtful voice in modern Nepali filmmaking.

Suraj Pandey is a Nepali film director and actor born on 7 July 1997 in Kathmandu, recognized for his directorial work in Parastree (2023) and his involvement in notable Nepali films such as Aama (2020) and Love Love Love (2017). His growing body of work positions him among Nepal’s new‑generation filmmakers contributing to contemporary cinema.

Narayan Puri is a veteran Nepali film director known for his contributions to the golden era of Nepali cinema. Born on January 15, 1968, in Syangja, Nepal, he has directed several acclaimed films that span genres from drama to action. His notable works include Shankar (1997), Ragat (1997), Mamaghar (2002), and Aago (2000), all of which are remembered for their storytelling and emotional depth. Puri’s directorial style often blends social realism with strong character arcs, and he played a key role in shaping the narrative tone of 1990s and early 2000s Nepali films. His film Mero Hajur (2002) also gained popularity for its romantic elements and musical appeal.

Kishor Rana was a veteran Nepali film director active from 1994 until his passing in 2019, known for shaping the visual and narrative style of several influential Nepali films. Beginning his directorial career with Karja (1994), he went on to direct notable works such as Raanko (1995), Karodpati (1997), Sima Rekha (1997), Gham Chaya (1998), and Ek Number Ko Pakhe (1999). His film Raanko is recognized as Nepal’s first cinemascope movie, and Sima Rekha is regarded as a historically significant film in Nepali cinema. Rana passed away on August 21, 2019, at Nidan Hospital, Lalitpur, at the age of 64, following long‑term kidney complications. His disciplined direction, technical innovation, and contribution to Nepali storytelling remain respected within the industry.