Pranil L. Timalsena

Ramana Shrestha is a Nepali playback singer known for her expressive, melodious voice that became a defining presence in the popular film‑song era of the 2050s. As cinema halls promoted films through hit songs, her vocals played a central role in shaping audience appeal and elevating the emotional tone of Nepali films. Her duets and playback performances became staples of the period, contributing to some of the most memorable soundtracks of the decade.She rose to prominence through collaborations with leading composers and singers of the time, most notably her celebrated duets with Umesh Pandey. Together, they delivered evergreen hits such as “Rato Tika Nidharma Talkyo…”, a song that remains deeply rooted in Nepali musical memory. Her voice also enriched major film projects, including Nirmaya, Allare, and several other productions where her tonal clarity and emotive delivery stood out.Throughout the 2050s, Ramana Shrestha became one of the most recognized female playback voices, contributing to numerous film soundtracks that continue to resonate with audiences today. Her work represents a significant chapter in the golden era of Nepali film music, marking her as one of the era’s defining playback artists.

Yaman Shrestha is a Nepali singer, lyricist, music composer, and performer known for his early start in music and his creative roots in a legendary comedy family. The son of iconic comedian Madan Krishna Shrestha, Yaman began composing music as a pre‑teen for telefilms such as “Ra” and “Laxmi”, where classical maestro Nararaj Dhakal performed his compositions. His musical catalog includes albums like U & Me (1998) and popular songs such as “Yi Aankhale,” “Udi Gayo,” “Hamro Desh Nepal,” and “2081 Gaijatra”.He has also contributed to Nepali cinema, with credits in films including Chhakka Panja 3 (2018), Daal Bhat Tarkari (2019), and Karma (2022).

Sunil Upreti is a prominent Nepali pop singer and guitarist whose career emerged in the 1990s, gaining recognition as one of the defining voices of Nepal’s early pop era. He began as the vocalist and guitarist of the Prism Band and later performed with The Legend Band before establishing himself as a solo artist known for his expressive singing style and melodic guitar work. His signature hit “Sagar Jhai Gahiro” became a cultural milestone of the decade, followed by several well‑loved songs that strengthened his presence in the Nepali pop scene. Even after moving abroad, Upreti remained closely connected to Nepali music through interviews, retrospectives, and continued creative engagement, maintaining his influence as both a vocalist and a guitarist within Nepal’s modern pop history.

Suresh Kumar Chhetri is a noted Nepali singer, songwriter and  Author from Darjeeling, admired for his romantic and melodious style. His songs such as “Gajalu Le Aankhai Chhope,” “Jharana Ko Chiso Pani,” and “Timi Mero Jindagi” have become beloved hits among Nepali listeners, especially across the Darjeeling hills and diaspora communities. Beyond singing, he is also an accomplished lyricist, penning many of his own popular numbers. As an author, he has documented his creative and personal journey in the book Geet Bhitra Ko Suresh Kumar, offering intimate reflections on music, memory, and identity. His dual legacy as a performer and writer has made him a distinctive and enduring voice in contemporary Nepali music.