Raj Bahadur Sane

Subrat Raj Acharya is a Nepali media personality and director. He was associated with Kantipur Weekly for a long time. He has directed many music videos. He has also acted in movies and music videos. The first film he directed was ADHKATTI. The second film is Sushree Sampatti.

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.

Om Prateek Gurung is a versatile Nepali filmmaker known for his multi‑disciplinary contributions as a director, actor, writer, and production designer. Born in Khungri‑2, Rolpa, he entered Nepali cinema in the mid‑1990s and steadily built a reputation for emotionally grounded storytelling and strong visual sensibility.As a director, his notable works include Timro Maya 99 Mero Maya 100 (2002), Farki Aau (2011), Yo Katha Ho Timro Mero (2014), Butterfly (2018), and the upcoming Mohar (2025). His long-running collaboration with leading actors and his ability to handle story, screenplay, lyrics, and production design make him one of the industry’s most adaptable creative forces.

Yadav Kharel (born 23 February 1943 in Kavrepalanchowk) is a veteran Nepali film director, writer, lyricist, and producer, widely regarded as one of the most influential creative figures in Nepali cinema. He was among the first Nepali filmmakers to earn a formal diploma in Film Direction and Production from the London Film School in 1971, establishing a new professional standard in the industry . Kharel began his career at Radio Nepal before transitioning into filmmaking, where he became known for directing genre‑defining works, including Nepal’s first major comedy‑satire, historical drama, historical biopic, and mythological film . He also served as the founding chairperson of the Film Development Board (2000–2002), shaping national film policy and institutional growth .