Subrat Raj Acharya

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.

Deependra Gauchan is a renowned Nepali film director, screenwriter, and producer who has made significant contributions to the film industries of both Nepal and Cambodia. Contributions in Nepal "Ujeli: A Child Bride in Nepal": This social tragic drama, directed by Deependra Gauchan and produced by UNICEF, highlights the issue of child marriage in Nepal. The film portrays the life of a 10-year-old girl forced into an arranged marriage, shedding light on the sharp distinctions between the roles of boys and girls in Nepal. Other Works: Deependra has also worked on various other projects, including "Sneh Svaikun 4" and "Viplas/Rachana," showcasing his versatility and dedication to the Nepali film industry. Contributions in Cambodia "Love 2 the Power of 4": Deependra co-directed this Khmer-language romantic comedy alongside Cambodian co-director and co-writer Sothea Ines. The film explores the relationships of four young, middle-class Cambodian couples as they navigate their professional and romantic aspirations. It addresses sensitive issues such as relationships between transgender people, trauma, suicide, and abortion, making it a significant contribution to Cambodian cinema. Deependra Gauchan's work in both Nepal and Cambodia has been instrumental in addressing social issues and promoting cultural narratives through film. His dedication to storytelling and his ability to tackle complex themes have made him a respected figure in the film industry.

Nabin Bhatt is a Nepali film and theatre artist, known for his work as a director, actor, and creative storyteller across stage and screen. Emerging from Nepal’s contemporary theatre movement, Bhatt developed his artistic foundation through acting, ensemble work, and script‑driven performance before transitioning into filmmaking.Active in theatre productions, workshops, and character‑based stage performances, he is recognized for his grounded acting style and his ability to shape emotionally layered narratives. His theatre background strongly influences his directing approach — emphasizing realism, character psychology, and performance‑centered storytelling.In film, Bhatt works as a director and creative contributor, developing stories that blend social themes, human relationships, and dramatic structure. His dual experience in theatre and cinema positions him among the new generation of Nepali creators who bridge stage discipline with visual storytelling.Bhatt continues to expand his presence in Nepal’s creative landscape through directing, acting, writing, and collaborative artistic projects.

Marichman Shrestha, widely known by his iconic character “Balchi Dhurbe,” is a Nepali actor, writer, director, and producer celebrated for his sharp comedic style and socially rooted storytelling. He rose to national fame through the hit television series “Meri Bassai,” where his character became a cultural phenomenon. Expanding his creative journey, Shrestha has worked across television, stage, and digital platforms as a scriptwriter and director, blending humor with social commentary. He is also the producer and lead actor of the feature film “Gobar Ganesh” (2026), marking a significant milestone in his cinematic career