Explore Artists

(Film Director • Music Video Director • Choreographer • Founder – Mycall Entertainment House) Mycall Chand (also credited as Michael Chand) is a Nepali film director, music video director, and choreographer who has built his career in the Nepali music‑video industry and is now transitioning into feature films. Active since 2016, he is known for directing numerous Nepali music videos with strong visual pacing, dance‑driven storytelling, and youth‑focused aesthetics. Chand officially announced his feature‑film directorial debut with the contemporary drama “Ram Naam Satya: Behind the Curtain”, produced in both Nepali and Hindi and featuring a high‑profile cast including Biraj Bhatta, Sushil Shrestha, and Sunil Thapa. The film is produced under Mycall Entertainment House, further establishing his identity as a filmmaker expanding from music videos into mainstream cinema.

Sher Bahadur Lama is a Nepali cinematographer known for his work on acclaimed feature films such as “Talakjung vs Tulke”, “Chhakka Panja 3”, “Black Dairy”, “Pitambar”, “Thooli”, and “Mutu.” Active since 2007, he has contributed to Nepali cinema in multiple capacities, including cinematographer, script analyst, production manager, assistant cinematographer, operative cinematographer, and light man, building a solid reputation as a technically skilled and dependable visual craftsman. His filmography spans commercial hits and character‑driven dramas, often collaborating with leading directors and choreographers. Credits listed on major Nepali film databases show his involvement in projects like “Jaun Hida Pokhara,” “Teacher,” “Bardaan,” “Agni Jwala,” “Lappan Chhappan 2,” “Hello Jindagi,” and others, reflecting a steady, long‑term presence in the industry.

(DOP • Cinematographer • Camera & Electrical Department • Nepali Film Industry) Maan Krishna Maharjan is a Nepali Director of Photography (DOP) and cinematographer known for his work on major Nepali feature films, including Pitaambar (2025), Pradeshi 2 (2023), Prem Geet (2022), Sanglo (2020), Chhakka Panja 3 (2018), Tshering (2018), Rani (2017), and Bato Muniko Phul 2 (2016). Active since 2011, he has contributed to the industry as a cinematographer, media consultant, script analyst, and camera & electrical department specialist, making him one of the most versatile visual technicians in modern Nepali cinema. Known for his clean visual framing, controlled lighting, and emotionally grounded camera language, Maharjan works across commercial blockbusters, romantic dramas, action films, and music videos. His upcoming project Sydney Blues (pre‑production) further expands his portfolio into international‑themed storytelling.

Uma Giri is a Nepali actress and producer active in the Nepali film industry since 2007, known for her steady contribution to commercial and character‑driven cinema. Originally from Sikkim, she began her artistic journey as a young actor, dancer, and model before moving to Nepal, where veteran filmmaker Tulsi Ghimire introduced her to the film industry. Over the years, Uma has worked across acting and production, building a reputation for discipline, emotional performance, and strong on‑set collaboration. Her industry credibility led to her selection as a jury member for the Dadasaheb Phalke Film Foundation Awards representing Nepal, reflecting her respected standing in the creative community. Active in films, production work, and cultural events, Uma Giri continues to contribute to Nepali cinema with experience, commitment, and a cross‑border artistic background.

Aasha Poudel is a Nepali and Bhojpuri film actress active since 2008, known for her work across commercial and family‑drama cinema. She began her career with the Nepali film Trinetra (2008) and went on to appear in titles such as Sasu Nanda Bhauju (2010), Daiko Sasurali (2010), Jindagi (2011), Timro Mayama (2012), and Karja Ragatko (2013), establishing herself as a consistent on‑screen performer. Alongside acting, she has also contributed professionally as a legal advisor in films like Tadap (2012), reflecting her dual expertise within the industry. Known for her expressive performances and grounded screen presence, Aasha Poudel continues to work across Nepali and Bhojpuri film circuits, representing a versatile generation of actresses who balance artistic craft with professional discipline.

Ankeet Khadka is a Nepali film and theatre artist known for his versatile performances across cinema, television, and stage. A long‑time member of Mandala Theatre, he built his foundation through years of stage work before transitioning to film, earning recognition for his role as Assistant Inspector Kamal Prasad Adhikari in Gham Pani, his debut feature. He has since appeared in acclaimed films and series including Ghampani (2017), Damaru Ko Dandibiyo (2018), Gopi (2019), Basenji (2023), Nango Gaun (2023), and the series Kathmandu Connection (2022), along with roles in Tandavam (2024) and IC 814: The Kandahar Hijack (2024). Known for his grounded acting style, disciplined craft, and strong theatre roots, Ankeet represents a new generation of Nepali performers who bridge stage and screen with equal command, steadily establishing himself as a prominent talent in contemporary Nepali cinema.

Arun Regmi is a Nepali actor and film professional active since 1996, known for his long-standing contribution to Nepali cinema through both acting and production work. As an actor, he has appeared in notable films such as Darpan Chhaya (2000), Bato Muniko Phul (2010), Rhythm (2013), Zhigrana (2015), Resham Filili (2015), Bhairav (2015), and Rajja Rani (2018), establishing himself as a familiar on‑screen presence across commercial and dramatic genres. Alongside acting, he has built a respected parallel career as a production manager, contributing to major films including Kagbeni, Rato Tika Nidharma, Hajar Juni Samma, Yatra, Rudrapriya, How Funny, and Sungava, earning industry recognition including the Gopikrishna National Film Award for Best Production Manager. Known for his reliability, discipline, and deep understanding of filmmaking logistics, Arun Regmi remains an important figure in Nepali cinema, balancing performance and production with equal professionalism.

Khem Sharma is a Nepali comedian and film artist active since 1992, known for his expressive comic timing and memorable supporting roles across classic and commercial Nepali cinema. Beginning his career in the early ’90s, he appeared in films such as Saugat (1992), Jhajhalko (1994), Ghar Aangan (1997), Karodpati (1997), Dushman (1998), Dharma (1998), Gham Chhaya (1998), Filim (1999), Apsara (2000), Beimani (2001), Yestai Huncha Pirati (2001), and Kanchi Nani (2005), establishing himself as a familiar comedic presence in Nepali films. Alongside acting, he has also contributed professionally as a legal advisor in cinema, including the film Akaal (2014). His long-running involvement in Nepali entertainment, including comedy videos and stage performances, has made him a recognizable figure whose humor, character roles, and industry versatility continue to be appreciated by audiences.

Sabin Bastola is a Nepali film actor and assistant director active since the late 1990s, known for his steady presence across commercial cinema and contemporary social‑themed films. As an actor, he has appeared in projects such as Numbari Sun (2024), Nango Gaun (2023), Chhakka Panja 4 (2023), Mahapurush (2022), and Chha Maya Chhapakkai (2019), while earlier contributing behind the camera as Chief Assistant Director in films like Angalo Angaloma (2000) and Parai Ghar (1998). His career reflects a blend of on‑screen performance and technical craft, making him a versatile contributor to modern Nepali cinema.

Biraj Bhatta, born Bhojraj Bhatta in Dhangadhi, is one of Nepal’s most commercially successful action actors, celebrated for his commanding screen presence and cross‑industry impact in Nepali, Bhojpuri, and Tharu cinema. Active since the early 2000s, he has appeared in over 200 films, earning the titles “Action Star” and “Action Tiger” for his signature socio‑drama and action roles.He received the National Film Award for Best Actor for Khal Nayak (2008) and remains one of the highest‑paid actors in Nepali film history. His recent work includes directing and starring in the 2024 action‑drama 12 Gaun, which strengthened his reputation as a bankable star and filmmaker.With a career spanning two decades, Biraj continues to shape Nepal’s mainstream action cinema.

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Tara Thapa, popularly known as “Kimvhey” or “Kimbhe,” is a senior Nepali film editor active since 1999 and credited in more than 100 feature films. One of the most prolific editors in the industry, he has shaped the post‑production of major commercial, social‑drama, and action films across two decades. His notable works include Satya (2024), Tulki (2023), Jiwan Kanda Ki Phool (2019), Kale Dai (2019), Dr. Khatey (2017), Refugee (2016), Sushree (2015), Loafer (2013), Kina Kina (2013), and Jaya Hos (2012). Known for his speed, precision, and narrative clarity, Thapa remains one of Nepal’s most trusted editors in mainstream cinema.

Arjun Kaushal is a seasoned Nepali singer, composer, and lyricist originally from Palpa. His journey into music is as heartfelt as it is inspiring. After a difficult childhood marked by his parents’ separation, he moved with his mother to Gulmi and later to Delhi at just 11 years old, where he worked in a mechanic shop. It was there that his love for music blossomed—he bought a harmonium with his earnings and began teaching himself to play by ear. Returning to Nepal at 15, he enrolled in a singing school in Palpa and eventually made his way to Kathmandu to pursue music more seriously. Despite lacking formal training, Kaushal immersed himself in the craft, learning through practice and collaboration with fellow musicians like Laxmi Neupane and Durga Gurung. His debut album Aaune Dashain Ma (2054 BS) was self-produced but didn’t gain much traction. However, his second album Manai Ta Ho became a regional hit in mid- and far-western Nepal.  

Binod Manandhar is a Nepali film actor and producer known for his steady contributions to both commercial and romantic Nepali cinema. Active since the early 1990s, he has worked across acting, production, executive production, and audiography, shaping several notable films over three decades. He produced the hit romantic drama Dhukdhuki (2000) and later co‑produced Bagan (2023), while also appearing as an actor in films such as Janma Janma (1994) and Gunyu Cholo (1997). Recognized for his versatility and long-term industry presence, he remains a respected figure in Nepali filmmaking.

Shanti Shree Pariyar is one of Nepal's most celebrated folk singers, songwriters, and composers, renowned for her powerful voice and significant contribution to Nepali folk and modern music. Born in Rolpa, Nepal, in 1989, she overcame a challenging childhood and pursued her dream of becoming a singer from an early age.At the age of sixteen, she moved to Kathmandu to build her musical career and spent several years performing in various Dohori establishments. To strengthen her musical foundation, she received formal vocal training under Guru Chandan Kumar Shrestha at Gandarbha Kala Kendra and successfully passed Radio Nepal's vocal examination in 2009.Shanti Shree began her professional recording career with the album Ghar Chha Tin Tale in 2011. She rose to nationwide prominence through a series of hit songs, including Bola Maya, Galbandi, Chauka Dau, Areli Kadaile Malai, Baseu Alakkai, and many others. Over the years, she has recorded thousands of songs, establishing herself as one of the most influential voices in contemporary Nepali folk music.Her talent and popularity have earned her numerous prestigious honors, including Kantipur National Music Awards, Image Awards, National Folk and Duet Awards, Bindabasini Music Awards, and several other recognitions for her outstanding contribution to Nepali music.Today, Shanti Shree Pariyar is regarded as one of Nepal's leading folk artists, admired for her expressive singing style, dedication to preserving Nepali musical traditions, and ability to connect with audiences across generations.

Starting from his early creative journey in the 1990s, Akash Adhikari (born January 5, 1970) is a prominent Nepali actor, director, producer, writer, and lyricist, recognized for his strong and dignified presence in the Nepali film industry. He has released 19 feature films in Nepal and abroad, establishing himself as one of the most versatile and influential figures in contemporary Nepali cinema.Adhikari made a glorious directorial debut with Ranabhoomi (1998), winning Best Director and Best Movie awards. Since then, he has acted in and directed several acclaimed films, including Panchhi (2001), Daag (2001), Krodh (2006), Shasan (2011), Kathmandu (2010), Kohinoor (2014), and Kanchhi (2018).He is also the founder and CEO of The Sky Movies Pvt. Ltd., established in 1999 A.D., through which he has produced and directed numerous successful films. His contributions extend to screenwriting, story writing, research, production design, and lyric writing, making him one of the most multi‑disciplinary creators in Nepali cinema.Adhikari has been honored with several prestigious awards, including the Dadasaheb Phalke Film Foundation Award 2023 for Best Actor/Director, the Prawal Jana Sewa Padak 2019, and the National Professional Achievement Award 2021.

Barsha Siwakoti is a versatile Nepali actress and model recognized for her natural charm, graceful performances, and strong presence in both commercial and critically acclaimed films. Born on 6 April 1993, she entered the industry through modeling and music videos before making her film debut in Nai Nabhannu La 2 (2014). Her breakthrough came with Pashupati Prasad (2016), earning her a FAAN Award nomination for Best New Actress.She has since appeared in a wide range of genres—from action‑comedy to drama—solidifying her reputation as a dependable and expressive performer. Beyond films, she is active in brand endorsements, music videos, and social campaigns, maintaining a strong public following.

Everest Surya Bohara (born 15 October 1971, Dailekh, Nepal) is a prominent Nepali film director, writer, actor, and lyricist, known for combining strong social themes with mainstream storytelling. He began his artistic journey at 17 in Kathmandu’s theatre scene, where his talent earned him a prestigious one‑year government scholarship at the Royal Nepal Academy to formally study acting and theatre.After becoming one of the busiest stage actors, writers, and directors in Kathmandu, Bohara transitioned into screen work, initially focusing on socially conscious telefilms and low‑budget video projects dealing with issues like tuberculosis, leprosy, and HIV/AIDS. He made a powerful entry into feature films with Agni Parikshya (1990s), a major commercial success that ran over 51 days in cinemas across Nepal, followed by another hit, Kanchha, further cementing his reputation as a bankable and socially aware filmmaker.Over the years, Bohara has directed notable films such as Mutu, Thooli, Bhaire, Hello Jindagi, Shree, and Chameliko Poi, often contributing as writer and lyricist as well. His work has received multiple awards and festival recognitions, including a Best Director nomination at the D Cine Awards for Shree. Today, he is regarded as one of the key creative voices in contemporary Nepali cinema, balancing commercial appeal with human‑centered stories that reflect social realities.

Anshu Maharjan is a Nepali film and television actress who began her career in the mid‑2000s, appearing in popular comedy serials such as Maha Chautari, other comedy shows, music videos, TV commercials, and the hit series Meri Bassai, where she performed alongside Jitu Nepal’s character “Mundreko Sauteni Aama.” Her early work in these widely loved programs established her as a natural performer with strong comedic timing and expressive acting.After building a solid foundation in television, she transitioned into films, appearing in projects such as Jatrai Jatra, Ganapati, Bar and Badhu, and Chameliko Poi. Her ability to shift effortlessly between comedy, drama, and character roles has made her a familiar and respected presence in both TV and cinema.

Pradeep Rawat is a distinguished Indian film actor celebrated for his commanding screen presence and intense villain portrayals across South Asian cinema. With a career spanning Hindi, Tamil, Telugu, Malayalam, and Bhojpuri films, he has earned a reputation for versatility, depth, and unforgettable character work.Rawat holds a special creative bond with Nepal. During the making of his first Nepali film, “Hrashwo Deergha,” he expressed heartfelt gratitude, saying, “I am thankful for being made a Nepali artist.” His second Nepali feature, AA BATA AAMA, further strengthens his connection to Nepali cinema and its audiences.He is best known internationally for his iconic antagonist role in Ghajini, widely regarded as one of the most powerful villain performances in Indian film history. With decades of experience and a cross‑industry portfolio, Pradeep Rawat continues to be admired for his intensity, craft, and lasting contribution to South Asian film culture.

Gajit Bista (Nepali: गजित बिष्ट) is a Nepali film actor and model known for his leading and supporting roles across more than 20 feature films, along with an extensive presence in Nepali music videos. Born in Bhojpur, Nepal, he entered the public eye through the national TV reality show Khoji Pratibhako before making his film debut with Maya’s Bar—a performance that earned him the D‑Cine Award for Best Debut Actor (Male). Over the past decade and a half, he has built a versatile screen career with notable roles in Love You Baba, Love Forever, Dhauli, Adhakatti, Tori Lahure, and Hairaan. He is also a decorated music‑video performer, winning multiple national awards for his work in modern Nepali songs. Gajit Bista continues to be recognized as a dynamic on‑screen presence in contemporary Nepali cinema.

Saigrace Pokharel (Nepali: साईग्रेस पोखरेल) is a celebrated Nepali storyteller, filmmaker, and video producer whose emotionally charged narratives have reshaped Nepal’s digital storytelling landscape. Born as Santosh Pokharel in Dhading and raised in Kathmandu, he later pursued higher studies abroad, completing a Post‑Graduate degree in Strategy Management from De Montfort University, Denmark, followed by a Master’s in Digital Marketing in Spain.He began storytelling publicly in 2012, gradually building a devoted audience through live events and digital platforms. His breakthrough came during the 2020 global lockdown, when his video “90’s Kid” went viral, establishing him as one of Nepal’s most influential digital creators. Today, he is widely recognized for his audio novels, especially Mero Adhuro Prem, one of the world’s most‑viewed Nepali audio novels on YouTube.Saigrace has also served nearly a decade as a civil service officer for the Government of Nepal and collaborates with global organizations including the United Nations and Save the Children to produce social‑impact content. He currently operates Saigrace Production from Barcelona, Spain, creating films, audio stories, and international storytelling events.

Gambir Bista is a versatile Nepali choreographer, model, and performer known for his dynamic work across films, music videos, and stage productions. Active since 2006, he has contributed choreography to major Nepali films including Loot, Talakjung vs Tulke, Hairaan, Ranveer, and Aa Bata Aama, earning recognition such as the D‑Cine Award for Best Choreographer. His creative range extends to conceptual music videos, production design, and on‑screen performance, establishing him as one of Nepal’s most adaptable and influential dance‑based artists.

Babul Giri is a respected Nepali music director, singer, lyricist, and composer known for his melodic, culturally rooted sound and consistent contribution to modern Nepali cinema. Active since 2014, he has directed music for major films including Chhakka Panja 4, Lakka Jawan, Ek Bhagavad Ra Ek Geeta, Upahaar, Cetamol, Dalle Le Entry Maryo, and the 2026 release Aa Bata Aama. His songs—such as the popular “Maya Kehi Ta Bolana”—showcase his signature blend of emotional vocals and refined arrangements. With credits across more than 15 feature films and a growing digital presence, Giri stands among Nepal’s most versatile and in‑demand contemporary music directors.

Shahil Khan (born Khalid Khan, 5 July 1987) is an award‑winning Nepali film editor known for introducing modern, high‑impact editing techniques to Nepali cinema. Active since 2007, he has edited major films such as Dreams, Bhairav, Nai Nabhannu La 2, and Aabeg, earning honors including the LG Film Award 2016 for Best Trailer Editor and Best Film Editor. As the founder of Movie Factory Pvt. Ltd., he has shaped the post‑production landscape of Nepal, working on more than 170 films and becoming one of the country’s most in‑demand editors.

Sarita Giri is a prominent Nepali theatre actor and film artist known for her powerful performances and strong foundation in stage acting. She began her artistic journey shortly after completing her School Leaving Certificate (SLC), initially entering theatre without prior intention but later continuing due to overwhelming audience appreciation for her early performances.A trained theatre professional, Sarita Giri holds a diploma in theatre studies from Gurukul and has participated in various national and international workshops, including Alternative Theatre in India, Physical Theatre in New York, and Puppet Theatre in the Philippines. Her dedication to the craft has established her as one of the refined performers emerging from Nepal’s theatre movement.Transitioning from stage to screen, she has played significant roles in Nepali cinema, appearing in films such as Machha Machha (2019), Aama (2020), Kagaz Patra, Lappan Chhappan 2 (2020), Changa Chet, Sungava, and Red Monsoon. Her performance in Gurudakshina earned her the Best Actress award at the Dcine Awards, highlighting her versatility across both theatre and film mediums.Recognized as one of the finest theatre artists in Nepal, Giri has consistently emphasized the importance of theatre as a strong foundation for acting. She has actively participated in discussions and festivals, advocating for the growth of theatre and cinema in Nepal while continuing to contribute to both mediums with impactful roles.

Rajendra Nepali, popularly known as “लट्टे (Latte)”, is a Nepali comedian and actor from Pokhara. He gained nationwide recognition through his memorable character in the popular television show Mundre Ko Comedy Club, where his unique expressions and comic timing made him a fan favorite.Before rising to television fame, he worked at Machhapuchchhre FM as a radio personality, which helped shape his communication skills and performance style.Today, Rajendra Nepali is known for his engaging comedy performances in television and live stage shows, establishing himself as a notable comedic artist in Nepal’s entertainment industry.

Rishma Gurung (born 6 June 1994, Pokhara) is a Nepali actress and model who entered the Nepali film industry with the critically acclaimed film Kabaddi (2014), where she portrayed Maiya, a role that immediately established her as a recognizable face in contemporary Nepali cinema.She continued her presence in the franchise with Kabaddi Kabaddi (2015) and later appeared in Kabaddi Kabaddi Kabaddi (2019) in a cameo, maintaining her association with one of Nepal’s most successful film series.Beyond the Kabaddi universe, Rishma starred in Jhumkee (2016) as Dewaki, showcasing her ability to carry emotionally grounded roles. She has also been featured in earlier films such as Karma and Sairbe Mhi, which contributed to her early visibility even before her mainstream breakthrough.

Prakash Tuladhar is a veteran Nepali video editor, ad/film editor, and senior television editor, widely respected for his long‑standing contribution to Nepal’s broadcast and visual media industry. With a career spanning major national television networks—including Image Channel, Kantipur TV, and other leading media houses—he has shaped the visual identity of countless programs, promos, advertisements, and long‑form productions.Known for his precision, narrative sense, and technical mastery, Prakash has edited a wide range of content: TV shows, commercials, documentaries, music videos, and feature‑film projects. His work is recognized for its clean pacing, strong storytelling rhythm, and ability to elevate the emotional impact of any production.Across more than two decades in the industry, he has become one of Nepal’s trusted senior editors, contributing to the growth of modern broadcast standards and mentoring younger editors entering the field.

Bishwo Pradhan, known professionally as BL Pradhan, is a Nepali music artist and singer recognized for his contributions to modern Nepali music through studio recordings and digital releases. His work appears in Nepali music archives and streaming platforms, where he is credited for songs such as “Aakhako Maya,” “Natak Aba,” and “Timi Mai Suru Din Mero.” These credits are listed in Nepali music databases including TunesNepal, confirming his active presence as a recording artist.BL Pradhan’s musical style leans toward melodic modern Nepali compositions, often centered on emotional themes and expressive vocal delivery. His songs have been featured on Nepali digital music channels and lyric platforms, helping him reach listeners in Nepal and among the global Nepali diaspora. While detailed biographical data is not publicly available, his verified song credits establish him as a consistent contributor to Nepal’s contemporary music scene.

Mukesh Acharya is a Nepali film actor known for his steady presence in early‑2010s Nepali cinema, appearing in a range of romantic, social, and dramatic films. He gained recognition through roles in Nai Nabhannu La (as Kiran), Timi Matra Timi, Ma Birsu Kasari, Rang, Urbashi, Kohi Ta Cha, Mutu, and Santrash, showcasing a calm, character‑driven acting style. Active across both lead and supporting roles, Acharya contributed to several narrative‑focused projects during this period, and also worked as a Legal Advisor in films such as 9 O’Clock and The Plan, reflecting his multi‑disciplinary involvement in the Nepali film industry.

Mukesh Dhakal is a Nepali film actor known for his consistent presence in commercial Nepali cinema throughout the 2010s, appearing in action‑drama and social‑themed films. His career includes roles in Heroz (2018), Parinam (2018), Surya: The Power (2016), Dhoon (2015), Kasaiko Maya Kasaiko Pachheuri (2014), Bardaan (2013), The Plan (2012), and a series of 2011 releases including Hamro Maya Juni Junilai, Parkhi Raakha Hai, Shreeman Shreemati, Dulahi, Nigarani, and Man Manai Man Paraye. His filmography shows a steady run of roles across romantic, family‑drama, and action genres, with Heroz (2018) being his most widely recognized recent credit.

Bimlesh Adhikari (born 10 November 1985 in Biratnagar, Nepal) is a Nepali actor, professional model, and director recognized for his extensive contribution to Nepali music videos and feature films. He began his career as a model, appearing in more than 200 Nepali music videos, including popular hits such as Jali Rumal, Dherai Choti Mare Ma Ta, Kya Dami Vo, Tirkha Lagyo Pani Khaye, Sano Maya, and Fikka Fikka Chha, establishing himself as one of Nepal’s most visible screen personalities. Transitioning to cinema, he made his film debut with Brake Fail (2012) and went on to act in notable films such as Mutu (2015), Jung Bahadur Ko Coat (2016), Tulashi (2017), Ko Hu Ma (2012), and Mero Best Friend (crew: Legal Advisor, 2014). His roles span romantic drama, social storytelling, and suspense thrillers, reflecting a versatile on‑screen identity.

Madan Gopal is a Nepali singer and musician recognized for his expressive vocal style and growing presence in the modern Nepali music scene. His songs blend contemporary melody with emotional storytelling, earning him a dedicated audience both in Nepal and abroad.

Peshla Katwal is a Nepali film actress who entered the industry with Prem Vivah (2011), while her first released film is Dulahi Rani (2012). Drawn to acting purely out of personal passion, she continued her journey with selected film projects and a handful of music videos. She completed the shooting of Play Girl and later worked on Thank You, after which her on‑screen activity gradually slowed down.Although she has not been consistently active in recent years, Peshla remains a name associated with early‑2010s Nepali cinema, and she may return to the screen in the future depending on the right opportunities.

Kalpana Shahi is a Nepali actress who made her film debut with Mann Pare Pachi, stepping into the Nepali film industry after working as a model. Acting came naturally to her, but modeling remains something she continues to love and identify with.Before entering films, she was active in the modeling field, and her transition to cinema was driven by personal interest and passion. After completing Mann Pare Pachi, she appeared in a few music videos, but has not remained consistently active in the industry in recent years. Even so, she remains open to returning when the right opportunity arrives.

Prem Pariyar (born in Dhading District, Nepal) is a Nepali playback singer who rose to national fame as a child artist through the blockbuster film franchise Nai Nabhannu La. His emotionally resonant child voice made him one of the most recognizable young singers in Nepali cinema, earning him the nickname “Kid with a great voice.”He began singing at a very young age while living in a hostel, where his talent was first noticed. His breakthrough came when he was selected to sing for Nai Nabhannu La 2 (2014), followed by multiple successful recordings in later sequels.Prem Pariyar’s songs such as “Yi Aankhama Timi Chheu,” “Marne Kasailai,” “Feri Feri Nai Nabhannu La,” “Maina Raja Maina Rani,” and “Kasham Hamile Khayekai Thiyeu (Male Version)” became major hits, widely played across Nepal and the diaspora. All of his singles from the franchise achieved strong public reception.Despite early success, he later faced challenges when his child voice began to change during the recording of Nai Nabhannu La 3, affecting his vocal continuity.In recognition of his contribution as a young playback singer, he received the Online Filmykhabar Award 2071 (Best Singer) for Nai Nabhannu La 2.

Manoj Raj Siwakoti is a Nepali modern and sentimental singer whose recordings have made him a familiar voice among adhunik, pop‑modern, and gazal listeners. Active across multiple decades, he is known for his soft, emotional delivery and his ability to blend modern melodies with classic Nepali sentiment.Siwakoti has performed and recorded numerous popular tracks such as “Aashu Bagayera,” “Dilma Basi,” “Najureko Lagan Hamroo,” “Aakha Nalagauna Kasto Kasto Hunchha,” and “Aakha Bhari Timrai Tasbir.” His voice features across albums like Bibash (2014), Chinari (2018), Bhogai Bhinna Bhinna (2018), and several singles released between 2019–2025, including Aakha Nalagauna Kasto Kasto Hunchha and Milanma Hudo Raichha.

Munna Gurung is a Nepali modern‑song artist whose work appears across Nepal’s digital music platforms, particularly in the soft‑melodic and sentimental genre. His track “Anjanai Ma” under the modern‑song category confirms his recognition as a registered Nepali music artist. Similarly, his digital release “Layeko Maya” showcases his soft, expressive vocal style rooted in contemporary Nepali melody. He is also active in live music, where he continues to captivate audiences with his heartfelt voice and engaging stage presence, contributing steadily to the growth of Nepali music.

Sarita Shahi is a Nepali singer whose musical journey began in 2010, evolving from folk roots to a versatile presence in modern Nepali music. Her debut album “Sufal” (2011) marked her entry into the professional music scene, establishing her as a melodically expressive vocalist with a strong command over both traditional and contemporary styles.Over the years, Shahi has contributed her voice to numerous collection albums, lending her signature soft‑melodic tone to a wide range of folk, lok‑pop, and modern sentimental songs. Her ability to adapt across genres has made her a consistent and recognizable voice in Nepal’s evolving music landscape.Active in studio recordings and live performances, she continues to engage audiences with her heartfelt singing, stage confidence, and stylistic blend of folk authenticity and modern musical sensibility.

Durga Pariyar is a Nepali singer known for her versatile vocal range across folk, modern, and film music. She first gained national attention after becoming First Position at Radio Nepal, followed by winning Nepal Television’s talent show Khoji Pratibha Season 1, which marked her formal entry into the professional music world.Her breakthrough moment came when she won the National Music Award (Best Modern Female Vocal) for the song “One Phool…”, awarded during Radio Kantipur’s 20th Anniversary celebration—a recognition that firmly established her among Nepal’s leading modern vocalists.Pariyar has contributed her voice to numerous collection albums, film soundtracks, and modern sentimental releases. Her discography includes works featured in Nepali films such as Maya’s Bar (2012) and Madhumas (2013), where she served as a playback singer.Her musical style blends folk authenticity, modern melodic phrasing, and emotional clarity, making her one of the most adaptable female voices in contemporary Nepali music.

Ajay Adhikari ‘Sushil’ is a Nepali singer, composer, and lyricist active since 2068 BS (2011 AD), known for his socially themed modern songs and soft‑melodic vocal style. He began his professional journey at the age of 17 as a teacher at Samata School, Lalitpur, before transitioning fully into music, driven by a deep personal passion for songwriting and composition.Adhikari has released six studio albums, including Rahar, Pheri Arko Rahar, Pani Nakhai Basnai Pardaina, Dashain Ra Tihar, Yo Kasto Rahar, and Man Ko Rahar, establishing himself as a consistent creator in Nepal’s modern music scene. His works often explore themes of social behavior, cultural values, and everyday human experiences, blending modern melody with meaningful lyrical expression.Alongside music, he is active as a school principal, author, and theatre producer, reflecting a multidisciplinary creative identity. His book Bhoge, Dekhe Ani Lekhe and his involvement in stage productions highlight his broader artistic engagement.With a clear, expressive voice and a commitment to socially conscious storytelling, Adhikari continues to shape a distinctive presence in contemporary Nepali music.

Anuska Pathak is a Nepali singer who has established herself as a leading voice in the industry over the past two decades. She completed her formal music education from Kalanidhi Indira Sangeet Mahavidyalaya in 2068 BS (2011/2012 AD) and released her debut album Maya Ko Sansar in 2069 BS (2012/2013 AD). The album’s standout track “Raharma Hunchha Maya” earned notable recognition and marked the beginning of her professional musical rise.Her vocal repertoire includes well‑loved songs such as “Raharma Hunchha Maya,” “Chhuttiye Pachhi Ta Chhutyo,” “Manko Daag,” “Hamro Sambandha,” “Bho Malai Chahinna,” “Maya Ko Sansar,” “Ghurghur,” “Phuleko Baish,” and “Shirphule Maya.” These songs have been appreciated by listeners and audiences for their emotional depth and melodic clarity.Alongside singing, Pathak has also written several of her own songs, many of which have already been recorded. She has occasionally appeared in her own music videos as well. Her musical style blends modern Nepali melody with folk influences, creating a sound characterized by emotional expression, lyrical sensitivity, and musical diversity.

Narayan Babu Koirala is a Nepali singer known for his expressive vocal tone and his versatile presence across modern, lok‑pop, and devotional music. Alongside his work in modern Nepali songs, he is also recognized as a bhajan singer, with dozens of devotional recordings that have earned him a dedicated following among spiritual and cultural audiences.Koirala’s voice carries a natural warmth and clarity, making him a preferred vocalist for modern sentimental compositions as well as spiritually themed bhajans. His contributions span studio recordings, collection albums, and collaborative musical projects, reflecting his ability to adapt across genres while maintaining a distinct vocal identity.

Bhugoal R. Dahal is a Nepali singer and music instructor known for his warm vocal tone, clean delivery, and his contribution to both modern and semi‑classical Nepali music. Active as a performer and educator, he serves as a music instructor at SS Music School, where he trains emerging vocalists in technique, expression, and performance discipline.Dahal’s singing career includes recorded songs across various modern, lok‑pop, and sentimental albums, along with a growing catalogue of digital releases. His voice is noted for its smooth phrasing, emotional clarity, and adaptability, making him a preferred vocalist for melodic and expressive compositions.As an instructor, he is recognized for his structured teaching approach, focusing on vocal foundation, pitch control, and stylistic interpretation. His dual role as a performer and educator has helped him build a respected presence in Nepal’s evolving music scene.

Pushpa Bohara is a Nepali folk and Deuda singer whose work reflects the musical heritage of the Far‑Western region. Active since 2009, she has contributed vocals to recordings, live stage performances, and collaborative projects with prominent Deuda and lok‑folk artists. Her earliest verified credit is as a singer in the Nepali film Karnali (2009) , establishing her presence in the industry.Her digital catalog includes popular Deuda releases such as “Bagnya Chaulani,” “Maina Chari,” “Kathai Meri Piyari,” “Naroae Hai Bato Heri,” and multiple collaborations with many other artists.

Kishwor Lopchan is a Nepali singer and composer known for blending melodic Nepali music with themes of discipline, movement, and cultural identity. Alongside his musical career, he is a respected martial arts coach with expertise across multiple Eastern and South Asian combat systems.He trains students in Shaolin Kung Fu, Wushu, Kickboxing/Sanda, ThangTa, Jeet Kune Do, Karate, and Taichi, making him one of the few Nepali instructors with such a wide cross‑disciplinary foundation. His coaching style emphasizes body‑mind balance, traditional discipline, and performance‑oriented technique.His dual identity as a music artist and martial arts mentor positions him uniquely within Nepal’s creative and athletic communities.

Kamal Kiran Baraily is a Nepali singer and music composer active in modern, sentimental, and folk‑pop music. He has released multiple studio albums across the 2010s, establishing a steady presence in Nepal’s contemporary music scene. His vocal style is melodic and expressive, often centered on emotional storytelling and modern Nepali pop arrangements.His discography includes three verified albums:Pyas (2013) — Debut albumDadhelo (2015) — Second studio albumParadesh (2016) — Third album exploring themes of longing and migrationAlongside his album work, he continues to release singles and collaborations on digital platforms, contributing both as a singer and composer.

Ram Prasad Khanal is a Nepali folk singer, lyricist, and cultural promoter known for his contribution to lok‑geet, dohori, and traditional Nepali musical heritage. Active since the 1990s, he has recorded and performed numerous folk songs rooted in rural narratives, social themes, and Nepali cultural identity.Beyond singing, he is widely recognized for his role in promoting Nepali folk music internationally, especially through community events, cultural programs, and media engagement. His work has helped preserve and popularize traditional Nepali melodies among both domestic and diaspora audiences.

Pramod Agrahari is a prominent Nepali film artist known for his intense screen presence, grounded performances, and commitment to socially rooted storytelling. Emerging from theatre and independent cinema, he gained recognition through acclaimed films such as White Sun (Seto Surya), Kalo Pothi, Bulbul, Aama, and Gopi, where his naturalistic acting style brought emotional depth to complex characters. Agrahari has become a leading figure in Nepal’s new‑wave cinema, frequently collaborating with directors who explore political, cultural, and human‑centered narratives. His work reflects a blend of discipline, realism, and artistic integrity, establishing him as one of the most respected contemporary actors contributing to the evolution of modern Nepali filmmaking.

Samrat Thapa is a Nepali film actor active since 2001, known for his work across commercial and social‑drama cinema, appearing in more than three dozen films over two decades. His career includes notable roles in Sapoot (2007), Mister Don (2008), Dosti (2009), Swabhiman (2010), Phool (2012), Love in China Border (2013), Agni (2015), Refugee (2016), and the upcoming Sarang (2025). His filmography reflects a consistent presence in mainstream Nepali cinema, contributing as both an actor and occasional co‑producer.

Keshav Sapkota is a Nepali actor active since the early 2000s, beginning his career through music videos and television serials before establishing himself as a comedian‑TV artist and later expanding into acting and direction. Known for his versatile presence across drama, comedy, and character roles, he has built a long career in Nepali entertainment through consistent work in serials, stage‑influenced comedy, and screen acting. In recent years, he has also taken on directorial responsibilities, shaping projects both in front of and behind the camera.

Nishma Ghimire is a Nepali actress who entered the film industry through the feature film Rhythm, after first appearing in various Nepali music videos. Known for her expressive screen presence and soft, youthful acting style, she became visible in the early 2010s as part of the new wave of actresses transitioning from modeling and music videos into mainstream cinema. Before her film debut, she worked in multiple romantic and modern‑themed music videos, which helped her gain recognition among young audiences.Although Rhythm introduced her to the big screen, Nishma continued to appear selectively in film and media projects. Over time, she gradually stepped back from the Nepali film industry and is currently not active in mainstream cinema.

Dinesh Sharma is a Nepali film actor known for his presence in mainstream commercial cinema from the 1990s and early 2000s. He appeared in supporting, family‑centric, and character roles, often portraying responsible, emotional, or authoritative figures. His acting career aligns with the classic era of Kollywood, contributing to ensemble casts and story‑driven films during a period when Nepali cinema was transitioning into more modern storytelling styles.Although several public figures share the same name, this profile represents only the film actor active in Nepali movies.

Doma Lama Hyalmo is a Nepali film artist and singer active since the early 1990s, known for her expressive screen presence and her warm, melodic vocal style. Beginning her artistic journey in the 1990s era of Nepali cinema, she has contributed through character‑driven performances while also recording songs that reflect both her Hyolmo cultural roots and contemporary musical sensibilities. Her dual work in film and music highlights a versatile creative identity, making her a steady and respected presence in Nepal’s entertainment field.

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.

Dhanendra Bimal is a respected Nepali lyricist and cultural contributor known for his thoughtful, expressive songwriting rooted in Nepali poetic tradition. His work reflects emotional depth, social sensitivity, and a refined command of language, making him a recognized name in the field of Nepali music and literature.Alongside his creative career, he served in a significant administrative role as the Deputy Executive Director, where he contributed to institutional development, cultural promotion, and organizational leadership. After a long and dedicated tenure, he retired in 2074 BS, marking the completion of a distinguished public‑service career.

Ram Keshar Bogati was a Nepali film artist who began his acting career in the late 1990s and became known for his natural, grounded performance style. Active across social and dramatic cinema, he built a reputation for sincerity, discipline, and emotionally honest roles. Bogati passed away on October 9, 2018 (Tuesday) at the age of 58 after a tragic accident near his home in Tikathali. His contribution to Nepali cinema remains appreciated for its simplicity, authenticity, and dedication to the craft.

Prakash Sayami (born 21 March 1965) is a Nepali film director, writer, producer, and one of the country’s most respected media personalities. Known for his independent filmmaking spirit, Sayami has directed six feature‑length films, including Prithvi (1994), Simana (1997), Avtaar (2002), Zameen (2005), Rani Khola (2008), and Hatiyar (2010). Among them, Simana remains his most celebrated and widely recognized work.Beyond cinema, Sayami is a passionate writer and an avid collector of books, maintaining a personal library filled with English, Hindi, and Nepali literature. He is the author of Barshadi Dinharu and has written extensively on filmmaking, along with publishing poems, essays, plays, songs, and biographies. A multilingual creator, he writes in Newari, Hindi, English, and Nepali.Sayami studied filmmaking in Bombay and began his career in 1986 as an assistant director and scriptwriter for commercial Nepali films. He made his directorial debut in 1993, marking the beginning of a long and influential journey in Nepali cinema.He has represented Nepal in several international events, including the WIPO Asia‑Pacific Regional Symposium, and in 2008, he was elected Vice‑President of the Music Royalty Society of Nepal, working to protect musicians’ copyrights nationally and internationally.A respected film critic, media guru, and music promoter, Sayami has managed FM stations across Nepal and conceptualized popular television programs. He is currently associated with Ujyaalo 90 Network, contributing to the program Ajar Amar Geetharu.