Shiva Dhakal

Kishor Dhakal is a Nepalese film director, screenwriter, and cinematographer active in the commercial Nepali movie industry (Kollywood). He is best known for directing high-voltage commercial action and romance dramas during the late 2000s and early 2010s.

Arjun Tiwari is a highly skilled and busy cinematographer in the Nepali film industry. Here are some key highlights about him: Career and Contributions Early Career: Arjun Tiwari started his career in television but later transitioned to freelancing, where he has made a significant impact. Versatility: He has worked on a wide range of projects, including music videos, documentaries, TV commercials, and feature films. Reputation: Known for his expertise and creativity, Tiwari is one of the most sought-after cinematographers in Nepal. Notable Works Music Videos: Tiwari has shot numerous music videos, contributing to the visual appeal and storytelling of Nepali music. Reality Show: Tiwari has demonstrated his skill as DOP in popular reality shows of Nepal. He has been involved in 'The Voice of Nepal', 'Dancing Star Nepal', 'The Voice of Kids Nepal' among others. Documentaries and Commercials: His work extends to documentaries and TV commercials, showcasing his versatility and ability to adapt to different formats. Feature Films: He has also been involved in shooting feature films, bringing his unique vision and technical skills to the big screen

Baikuntha Man Maskey is honored as the first cinematographer of Nepali cinema, a pioneering figure who helped shape the visual foundation of early Nepali films. He earned a Diploma in Cinematography from the Film and Television Institute in Pune, India, in the 1960s, and began his career as the chief cinematographer for “Manko Baadh.” Maskey went on to shoot numerous films, including “Parivartan” and “Hijo Aaja Bholi,” along with extensive work in documentaries and television. He passed away at the age of 83, leaving behind a lasting technical and artistic legacy.

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.