Baikuntha Man Maskey

Shailendra D. Karki is one of Nepal’s most influential cinematographers, known for shaping the visual language of modern Nepali cinema through his dynamic camera work and polished commercial style. Active across major feature films, music videos, and high‑end productions, he is recognized for his mastery of framing, lighting, and movement that bring emotional depth and visual clarity to storytelling. His collaborations with leading directors and top‑tier actors have produced some of the most memorable visuals in contemporary Nepali films. With a career spanning diverse genres and large‑scale projects, Shailendra D. Karki remains a defining creative force in Nepal’s cinematography landscape.

Gopal Raya Chhetri is a Nepali cinematographer and camera operator known for his work on the feature film Sarang (2025) and the crime‑drama series Crime Files (2021–2022), where he served as Director of Photography across eight episodes. His work reflects a grounded visual style, focusing on clean framing and narrative‑driven camera movement.Active in Nepal’s evolving digital‑cinema space, Raya has contributed to both long‑form and episodic storytelling, building a reputation for reliability in camera and lighting execution. His growing portfolio positions him among the new generation of Nepali cinematographers expanding into OTT‑style productions and modern Nepali feature films.

Shyam Tamang is a Nepali cinematographer and Director of Photography (DOP) working across feature films, music videos, commercials, documentaries, and digital productions. Recognized for his strong visual storytelling, cinematic framing, and creative use of light and composition, he has steadily built a reputation as one of the emerging cinematographers in Nepal's film industry.Beginning his career behind the camera, Tamang has collaborated with filmmakers, producers, and production houses on a variety of cinematic and commercial projects. His work reflects a balance of technical expertise and artistic vision, with an emphasis on creating visually compelling imagery that supports narrative and emotional depth.As a Director of Photography, he made his mark in Nepali feature cinema with Nametine Ghau (2024), followed by Jwai Saab (2024). He later served as the cinematographer for Bob Dai, directed by Praveen Shrestha, further expanding his portfolio in mainstream Nepali cinema.In addition to feature films, Shyam Tamang has contributed to music videos, promotional films, and commercial productions, continuously refining his visual style and technical approach. His ability to adapt to different genres and production scales has made him a trusted collaborator for directors seeking distinctive and story-driven cinematography.

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.