Gopal Raya Chhetri

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Shiva Ram Shrestha is a highly skilled cinematographer and Director of Photography (DOP) from Nepal. He has worked extensively in the Nepali film industry and has been involved in numerous Reality Shows & projects. Notable Work Awards and Recognitions: Shiva Ram Shrestha has received acclaim for his cinematography, which contributed to the visual storytelling of many successful films. Television: He has worked with AP1 Television and Kantipur TV, contributing to various TV shows and programs. Films: Shiva Ram Shrestha has been the cinematographer for several Nepali films, including: Love Sasha (2017) Boksi Ko Ghar (2024) Degree Maila M.A 3rd Class (2024) Antaral (2013) Band Champion Nepal (2022) Crime Files (2021) Idea Studio Season 5 (2021) AP Bahas Physical to Digital Nepal (2021) AP Bahas: Banking and National Economy (2020) Shiva Ram Shrestha has been a significant figure in the Nepali film industry, known for his expertise in capturing stunning visuals and enhancing the storytelling of the films he works on. His contributions have been recognized both locally and internationally, making him a respected name in the field of cinematography.

Binod Pradhan is an acclaimed Nepali cinematographer whose visual mastery spans both Nepali and Indian cinema. He began his career in Nepal with films such as Saino, Basudev, and other early Nepali classics, where his naturalistic lighting and emotional framing first gained attention. Pradhan later became one of Bollywood’s most celebrated cinematographers, shaping landmark films including Rang De Basanti, Devdas, Parinda, Mission Kashmir, 1942: A Love Story, and Bhag Milkha Bhag. His poetic realism, technical precision, and storytelling depth have made him one of South Asia’s most influential visual artists.

Krishna Bahadur Thapa is a seasoned Nepali cinematographer with more than a decade of professional experience across feature films, music videos, and commercial productions. He has worked his way up through the camera department as Assistant Cinematographer, Focus Puller, First Assistant Camera, Steadicam Operator, and Chief Assistant Cinematographer, eventually establishing himself as a full‑fledged Director of Photography.His cinematography credits include Parastree (2023), Pashupati Prasad 2 – Bhasme Don (2023), Prema (2023), and Hookah (2023), with upcoming work in Ke Ghar Ke Dera – Ghar No. 2 (2025).He has contributed to major Nepali films in key technical roles, including Aama (2020), Chiso Maanchhe (2022), Mantra (2022), Teen Jantu (2021), Ghamad Shere (2019), Ranveer (2019), Ma Yesto Geet Gaauchu (2017), A Mero Hajur 2 (2017), Saayad 2 (2017), Love You Baba (2014), and Jhola (2013).He is also a Treasurer at NEFTA (Nepal Film Technician Association) and has served as a jury member and judge in national award events, including the 6th National Inclusive Music Awards (2023).