Explore Artists

Ishwori Pradhan is a Nepali film artist, singer, and executive producer known for her roles in classic Nepali cinema and her contributions to playback singing during the 1989–2001 era. Active across acting, music, and production, she appeared in notable films such as Behuli (1989), Sampati (1991), Sworga (1994), Saraswati (1995), Sorah Barshe Jowan (2000), and Nepal Pyaro Chha (2001). As a playback singer, she contributed to Sworga (1994) and Soon Chandi (1996), and served as executive producer for Behuli (1989). Recognized for her versatile artistic presence and collaborations with leading Nepali actors and filmmakers, Ishwori Pradhan remains an important figure in the evolution of Nepali cinema’s 90s–2000s era.

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.

Naresh Poudyal is a Nepali film director, actor, producer, and writer known for his multi-talented contribution to the Nepali film industry. Active since the mid-1990s, he has worked across various departments including direction, acting, story writing, and production.As a director, he is recognized for films such as 'Hero', 'Dhadkan','Abhimanyu', and 'Deep Shikha', showcasing his involvement in mainstream Nepali cinema.In addition to directing, Naresh Poudyal has appeared as an actor in several films including 'Mero Euta Saathi Cha', 'Mero Love Story', and 'Rose', demonstrating his versatility on screen.He has also contributed as a producer and writer in films like 'Hero' and 'Yestai Raheccha Jindagi', reflecting his all-round involvement in filmmaking. With a career spanning decades, Naresh Poudyal is regarded as a dedicated figure in Nepali cinema, contributing both behind and in front of the camera.

Narendra Kansakar is a Nepali film artist and producer closely associated with the legendary comedy banner Maha Sanchar, led by Madan Krishna Shrestha and Hari Bansha Acharya. He began working with the Maha team around the early 1990s, appearing in their stage shows, television programs, and comedy projects, and gradually became one of the familiar supporting faces in their productions.Building on this long collaboration, Kansakar later appeared in feature films connected to the Maha circle and mainstream Nepali cinema, including Ghumto, Aankha Lobhi Man Papi, Hasideu Ek Phera, Shatru Gate, Dal Bhat Tarkari, and Lakka Jawan. Over time he also took on responsibilities as a producer, contributing to the making of commercial hits like Shatru Gate and Dal Bhat Tarkari

Asta Lama is a Nepali music composer known for his contribution to modern Nepali music and film soundtracks. He has established himself as a creative force in composition, blending contemporary musical elements with Nepali melodies.He is the Chairman of the Music Composers Association Nepal, playing a significant role in promoting and supporting music composers across the country.As a composer, Asta Lama has worked on various musical projects, including songs like “Ramri Pani Bhaki Chhu” from the film Dulahi, showcasing his ability to create emotionally engaging and commercially appealing music.Beyond composition, he is actively involved in strengthening Nepal’s music industry through leadership, collaboration, and advocacy for composers. His work reflects a commitment to evolving Nepali music while preserving its artistic identity.

Umesh Mayalu is a Nepali comedian and film artist known for his expressive humor, sharp timing, and ability to portray everyday Nepali characters with warmth and relatability. Active across stage, television, and cinema, he has built a reputation as a versatile performer who blends social commentary with light‑hearted comedy. His performances often highlight the quirks, struggles, and joys of ordinary people, making him a familiar and beloved presence in Nepali entertainment.

Sadhana Sargam is a celebrated Indian playback singer known across South Asia for her expressive, classically rooted voice. While she has recorded thousands of songs in Indian cinema, she holds a special place in Nepali music, where her soft, emotive singing helped define the sound of Nepali romantic films from the 1990s onward.Her entry into Nepali playback began with collaborations with leading Nepali music directors, where her refined vocal texture blended seamlessly with Nepali melodies. Over the years, she became one of the most recognizable non‑Nepali voices in the industry, contributing to film soundtracks, modern songs, and cross‑border musical projects.Sargam’s Nepali songs are admired for their clarity, emotional depth, and effortless delivery—qualities that made her a preferred voice for love songs, sentimental tracks, and melodious duets. Her work strengthened the musical bridge between Nepal and India, inspiring a generation of Nepali singers and composers.

Rajendra Shalabh (also credited as Rajendra Salav) is a veteran Nepali filmmaker and lyricist whose career spans cinema, literature, media, and cultural programming. Active since 1990, he has directed notable Nepali films such as Bijaya Parajaya (1990), Bhauju (1993), and Paribhasha (1994), and contributed as a lyricist and writer across multiple projects.Beyond cinema, Shalabh is recognized as a poet, cultural organizer, and media professional. He has been involved in poetry recitation programs, literary events, and audiovisual poetry projects featuring major Nepali poets. His multidisciplinary work extends into television production, education, and entertainment management, including serving as Executive Director of CG Entertainment and working as a Law Associate at Tribhuvan University.

Manisha Koirala is a Nepal‑born, internationally acclaimed actress and social activist whose career spans Hindi, Tamil, Malayalam, Telugu, and Nepali cinema. Rising to prominence in the 1990s as one of Bollywood’s most celebrated leading actresses, she is known for her powerful performances in films such as 1942: A Love Story, Bombay, Khamoshi: The Musical, Dil Se.., Gupt, Akele Hum Akele Tum, Company, and Lajja. A recipient of multiple Filmfare Awards and national honors, she has also served as a UNFPA Goodwill Ambassador and is widely respected for her cancer‑survivor advocacy and humanitarian work.

Narendra Thapa is a Nepali film actor best known for his villainous and character roles across more than three dozen feature films, making him one of the recognizable antagonistic faces of the 1990s Nepali cinema era. Active from the late 1980s onward, Thapa appeared in several major commercial and socially themed films, often portraying antagonists, corrupt officials, or powerful enforcers. His screen presence, sharp dialogue delivery, and intense expressions made him a frequent casting choice for negative roles.His filmography includes notable titles such as Yug Dekhi Yug Samma (1991), Kasam (1992), Prem Pinda (1993), Nata (1994), Balidan (1997), Aandolan (1997), Dautari (1998), Chhahaari (1998), Thuldai (1999), Hatya (1999), Namaste Nepal (2015), Destination Kathmandu (2018), and Chhakka Panja 5 (2024).In addition to acting, Thapa has also worked behind the camera as the director and story writer of the film Desh Dekhi Bidesh (2008).Across his career, he became known for portraying villains who were not just violent but layered—reflecting the political, social, and emotional tensions of the era. His roles in films like Balidan, Aandolan, and Prem Pinda placed him within some of the most culturally significant Nepali films of the 1990s.

Bina Basnet (Budhathoki) is a Nepali film actress active since the mid‑1980s, known for her expressive performances across social dramas, romantic films, and character‑driven roles. With a career spanning more than two decades, she has appeared in over 20 feature films, including notable titles such as Basudev (1984), Deuki (1993), Kasam (1992), Aadhi Beri (1992), Saugat (1992), Jhuma (1991), Mohani (1994), Ragat (1997), and Sukumbasi (2000).

Sailesh Acharya is a Nepali writer known for his work in story, screenplay, and dialogue across contemporary Nepali cinema. He brings a grounded narrative style shaped by character‑driven storytelling and emotional realism, crafting scripts that balance commercial appeal with thematic depth. Acharya’s writing reflects a strong command of structure and pacing, allowing him to shape compelling arcs from concept to final screenplay. Active in Nepal’s evolving film landscape, he continues to collaborate with directors and producers on feature films and emerging digital projects, contributing to the growth of modern Nepali storytelling.

Shovit Basnet is a leading Nepali film director, actor, and producer, widely recognized for shaping the commercial mainstream of Nepali cinema from the 1990s onward. Known for his energetic direction style, mass‑appeal storytelling, and strong command over action‑romance‑drama formats, he remains one of the most consistent and bankable filmmakers in the industry.Beginning his journey as an actor, Basnet transitioned into direction where he discovered his signature voice—films built for broad audiences, emotional engagement, and box‑office success. Over the decades, he has directed numerous hit films that strengthened the commercial film market and helped define the tone of modern Nepali entertainment.

Anup Das is a Nepali guitarist and bass guitarist active in studio recordings, live performances, and session work across Kathmandu’s music scene. His playing appears in multiple recording studios—including Mahol Studio, Studio Sangam, and Studio King—where he is frequently featured in bass‑guitar sessions, rhythm‑guitar recordings, and instrumental projects.He is known for his versatile guitar work, performing everything from acoustic covers to bass‑driven Nepali folk, pop, and contemporary arrangements. His presence across numerous studio videos and recording sessions highlights his role as a reliable session instrumentalist, contributing to the sound of many artists behind the scenes.With a growing digital footprint through studio features and performance clips, Anup Das represents the class of dedicated Nepali instrumentalists whose craft supports both emerging and established singers in Nepal’s evolving music industry.

Anup Prakash (अनुप प्रकाश) is a legendary Nepali photographer celebrated for his timeless visual storytelling, masterful composition, and decades‑long contribution to documenting Nepal’s people, culture, and artistic heritage. Known for his signature ability to capture emotion with simplicity and precision, he remains one of the most respected names in Nepali photography, influencing generations of visual artists.

Prakash Tuladhar is a veteran Nepali video editor, ad/film editor, and senior television editor, widely respected for his long‑standing contribution to Nepal’s broadcast and visual media industry. With a career spanning major national television networks—including Image Channel, Kantipur TV, and other leading media houses—he has shaped the visual identity of countless programs, promos, advertisements, and long‑form productions.Known for his precision, narrative sense, and technical mastery, Prakash has edited a wide range of content: TV shows, commercials, documentaries, music videos, and feature‑film projects. His work is recognized for its clean pacing, strong storytelling rhythm, and ability to elevate the emotional impact of any production.Across more than two decades in the industry, he has become one of Nepal’s trusted senior editors, contributing to the growth of modern broadcast standards and mentoring younger editors entering the field.

Dhanendra Bimal is a respected Nepali lyricist and cultural contributor known for his thoughtful, expressive songwriting rooted in Nepali poetic tradition. His work reflects emotional depth, social sensitivity, and a refined command of language, making him a recognized name in the field of Nepali music and literature.Alongside his creative career, he served in a significant administrative role as the Deputy Executive Director, where he contributed to institutional development, cultural promotion, and organizational leadership. After a long and dedicated tenure, he retired in 2074 BS, marking the completion of a distinguished public‑service career.

Doma Lama Hyalmo is a Nepali film artist and singer active since the early 1990s, known for her expressive screen presence and her warm, melodic vocal style. Beginning her artistic journey in the 1990s era of Nepali cinema, she has contributed through character‑driven performances while also recording songs that reflect both her Hyolmo cultural roots and contemporary musical sensibilities. Her dual work in film and music highlights a versatile creative identity, making her a steady and respected presence in Nepal’s entertainment field.

Ram Keshar Bogati was a Nepali film artist who began his acting career in the late 1990s and became known for his natural, grounded performance style. Active across social and dramatic cinema, he built a reputation for sincerity, discipline, and emotionally honest roles. Bogati passed away on October 9, 2018 (Tuesday) at the age of 58 after a tragic accident near his home in Tikathali. His contribution to Nepali cinema remains appreciated for its simplicity, authenticity, and dedication to the craft.

Harish Mathema is a Nepali pop and modern singer‑composer known for his evergreen romantic and soulful songs, active since the late 1980s and 1990s. His music blends soft pop, emotional melodies, and expressive vocals, making him a recognizable voice in Nepali pop history.He has performed widely in concerts and live shows, including a featured performance at Bianca Lounge, Kathmandu, where audiences enjoyed his signature songs such as “Aankhako Nani Hau Timi” and other classics from the golden era of Nepali pop.As a recording artist and composer, Harish Mathema has released multiple albums, including Swopnil Rangma (1990) and Hiund Barsat (2023), featuring songs like “Eak Nazar,” “Aayera Samu Timi,” “Kasari Birsu,” “Ki Ta Deu,” and “Mero Mutuko.” Many of these tracks credit him as both composer and vocalist, reflecting his dual musical identity.His classic song “Ek Najar”, originally released in 1988, was revived in the Old Durbar REWIND series, highlighting his lasting influence on Nepali pop culture.Across decades, Harish Mathema has remained active in Nepal’s music scene, contributing original compositions, performing live, and maintaining a loyal audience who continue to celebrate his timeless songs.

Gagan Birahi was a prominent Nepali film producer, director, writer, and lyricist, known for his versatile contributions to Nepali cinema and literature. Active from the early 1990s, he worked across filmmaking, screenwriting, and songwriting, earning recognition as a multi‑talented creative figure in the industry.He made his film debut with Sankalp (1993), followed by contributions to several notable films including Miteri Gaun and Badal. As a lyricist, he wrote songs for films such as Bhauju and Truck Driver, showcasing his poetic depth and narrative sensitivity.Gagan Birahi directed Miteri Gaun, the first Nepali feature film fully shot in Japan, marking a milestone in Nepali cinema’s international production history. Alongside filmmaking, he remained active in literature, writing poems, stories, and lyrics throughout his career.His final published work was the poetry collection “Hastakshar”, which he released from his hospital bed, demonstrating his lifelong dedication to writing even during his final days.Gagan Birahi passed away in October 2018 at the age of 61, leaving behind a respected legacy in both Nepali cinema and literature.

Narayan Tripathi is a well‑known Nepali comedian and actor recognized for his humorous roles in Nepali films and television, active prominently during the 1990s and early 2000s. He is also identified as a writer and director in Nepali performing arts.He appeared in several notable Nepali films including Saathi (1998), Allare (1998), and Shankar (1997), which helped establish him as a familiar comedic face in mainstream cinema.After years of active work in Nepal, Narayan Tripathi later moved to the United States, where he stepped away from regular film appearances. An interview confirms that he has appeared in “numerous Nepali films and television shows” and discussed his journey, challenges, and transition to life in America.In recent years, he made headlines for his return to Nepali cinema after nearly two decades, joining the cast of the film Chameli Ko Poi, marking a significant comeback for a comedian widely remembered from the 60s‑era comedy scene.

Buddha Bir Lama is a senior Nepali lyricist with more than four decades of contribution to Nepali music, known for his poetic depth, cultural imagery, and emotionally expressive writing. Originally from Ilam and now based in Kathmandu, he is regarded as one of the respected lyricists of his generation.Before entering songwriting, he was also a marathon runner, a discipline that shaped his perseverance and artistic sensitivity. Over the years, he has written hundreds of songs, many of which became widely loved across Nepal.Although his songs are frequently performed in reality shows, live concerts, and digital platforms today, this reflects the general trend of Nepali music culture—once a song becomes popular, it is sung everywhere by many artists. His recognition comes not from repetition in shows, but from the quality, longevity, and emotional strength of his writing.

Khem Sharma is a Nepali comedian and film artist active since 1992, known for his expressive comic timing and memorable supporting roles across classic and commercial Nepali cinema. Beginning his career in the early ’90s, he appeared in films such as Saugat (1992), Jhajhalko (1994), Ghar Aangan (1997), Karodpati (1997), Dushman (1998), Dharma (1998), Gham Chhaya (1998), Filim (1999), Apsara (2000), Beimani (2001), Yestai Huncha Pirati (2001), and Kanchi Nani (2005), establishing himself as a familiar comedic presence in Nepali films. Alongside acting, he has also contributed professionally as a legal advisor in cinema, including the film Akaal (2014). His long-running involvement in Nepali entertainment, including comedy videos and stage performances, has made him a recognizable figure whose humor, character roles, and industry versatility continue to be appreciated by audiences.

Dinesh Sharma is a Nepali film actor known for his presence in mainstream commercial cinema from the 1990s and early 2000s. He appeared in supporting, family‑centric, and character roles, often portraying responsible, emotional, or authoritative figures. His acting career aligns with the classic era of Kollywood, contributing to ensemble casts and story‑driven films during a period when Nepali cinema was transitioning into more modern storytelling styles.Although several public figures share the same name, this profile represents only the film actor active in Nepali movies.

Dashain and Malshree Dhun are deeply connected in Nepali culture. The sacred melody of Malshree is considered the musical soul of Dashain, and helping preserve this tradition is Nepal’s first and only female sarod player, Rupa Neupane. Rupa Neupane was born in Asar 2026 B.S. (1969 A.D.) in Mulpani, Kathmandu. She was married at the age of 12 in 2038 B.S. Despite early marriage and social responsibilities, her passion for music gradually found its way into her life. At the age of 24, in 2050 B.S. (1993 A.D.), she began learning the sarod, marking the beginning of her remarkable musical journey. She first trained under senior sarod maestro Mohan Sundar Shrestha in Kathmandu. Later, she continued her studies with Suresh Raj Bajracharya and further refined her skills under Dr. Anupama Kumari in India. Through dedication and continuous practice, she steadily established herself as a respected sarod instrumentalist. In a field traditionally dominated by men, Rupa Neupane broke barriers and created a historic identity as Nepal’s pioneering female sarod player. Her performances of Malshree Dhun during Dashain have strengthened the cultural connection between classical instrumental music and Nepal’s most celebrated festival. Today, she continues her journey as a committed sarod artist, inspiring women and young musicians across the country. Her life reflects perseverance, courage, and devotion to classical music, proving that passion and determination can overcome social and personal challenges.

Paras Gazmer was a respected Nepali musician, composer, lyricist, and singer from Darjeeling, celebrated for his emotionally powerful songwriting and his unique ability to translate personal struggle into deeply moving music. Despite losing his eyesight at the age of one and a half due to measles, he rose to become one of the most influential musical voices of the Darjeeling hills.Born in Tindharey, Kurseong in 1962, Paras studied at the Kalimpong Blind School, where he learned guitar and developed his musical foundation. Entirely self‑taught, he composed, wrote, and arranged his own songs, drawing inspiration from lived experience, inner emotion, and the philosophy that “our sweetest songs are those that tell of saddest thought.”He gained widespread recognition with his acclaimed albums Sanjha Ko Gham (1993) and Mero Bhagya (1999), both of which left a lasting mark on Nepali music. His compositions often explored themes of longing, hardship, and the inner world of the differently‑abled, resonating deeply with audiences across Nepal, Darjeeling, Sikkim, and the Nepali diaspora.Paras Gazmer performed extensively across the hills and neighboring regions and was honored by various cultural organizations for his contributions. His legacy continues to be remembered as that of a musical icon who transformed adversity into art.

Nawal Khadka is a veteran Nepali actor, producer, director, and screenwriter active since 1994. Known for his patriotic and socially conscious films, he has contributed to over a dozen projects including Chandra Surya, Gunyo Cholo, Bishwasghat, Dasgaja, Aawaz, and Bhimdatta. His recent film Kandetar (2024), which he directed and produced, addresses Nepal–India border issues. Khadka is also a lyricist and audiographer, showcasing his multifaceted talent in the Nepali film industry. He has received accolades such as the Jury Award at the D Cine Award 2072 and Best Supporting Actor and Best Story at the NEFTA Film Awards 2068.

Pradeep Rawat is a distinguished Indian film actor celebrated for his commanding screen presence and intense villain portrayals across South Asian cinema. With a career spanning Hindi, Tamil, Telugu, Malayalam, and Bhojpuri films, he has earned a reputation for versatility, depth, and unforgettable character work.Rawat holds a special creative bond with Nepal. During the making of his first Nepali film, “Hrashwo Deergha,” he expressed heartfelt gratitude, saying, “I am thankful for being made a Nepali artist.” His second Nepali feature, AA BATA AAMA, further strengthens his connection to Nepali cinema and its audiences.He is best known internationally for his iconic antagonist role in Ghajini, widely regarded as one of the most powerful villain performances in Indian film history. With decades of experience and a cross‑industry portfolio, Pradeep Rawat continues to be admired for his intensity, craft, and lasting contribution to South Asian film culture.

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.

Pawan Mainali is a Nepali film actor best known for his powerful portrayals of villainous characters, earning recognition for his intense screen presence and commanding performance style. Active across commercial and social‑themed cinema, he has built a reputation for bringing depth, aggression, and emotional weight to negative roles, making him one of the memorable खलनायक figures in Nepali films. His ability to shift between fierce antagonists and character‑driven supporting roles has established him as a versatile and reliable performer within the industry.

Kishor Rana was a veteran Nepali film director active from 1994 until his passing in 2019, known for shaping the visual and narrative style of several influential Nepali films. Beginning his directorial career with Karja (1994), he went on to direct notable works such as Raanko (1995), Karodpati (1997), Sima Rekha (1997), Gham Chaya (1998), and Ek Number Ko Pakhe (1999). His film Raanko is recognized as Nepal’s first cinemascope movie, and Sima Rekha is regarded as a historically significant film in Nepali cinema. Rana passed away on August 21, 2019, at Nidan Hospital, Lalitpur, at the age of 64, following long‑term kidney complications. His disciplined direction, technical innovation, and contribution to Nepali storytelling remain respected within the industry.

Aditya Narayan Jha is an Indian playback singer, actor, and television host known for his work in Hindi cinema and music reality shows. Although he comes from a Nepali‑origin musical family and is the son of legendary Nepali‑Indian playback singer Udit Narayan Jha, Aditya himself has not been documented as a playback singer in Nepali films. His musical presence is primarily in Bollywood, independent Hindi music, and television performances.As a child artist, he gained recognition with songs like “Chhota Baccha Jaan Ke” (Masoom, 1996) and later became widely known as the long‑time host of Indian Idol. While he has performed Nepali lines informally on stage and in cultural events, no verified Nepali film playback songs are listed in official music archives or Nepali film databases.

Ram Krishna Bajgain is a Nepali film artist active since 1994, known for his work as an actor, producer, audiographer, and later as a director. He has contributed to Nepali cinema across multiple roles, appearing in notable films such as Dakshina (1994), Balidan (1997), Thuldai (1999), Saait (2000), Karma (2001), and others.As a producer, he worked on films including Dakshina (1994), Dautari (1998), Thuldai (1999), Jange (2000), and Karma (2001). He has also served as an audiographer in films like Thuldai (1999) and Lavkush (2006).Bajgain later expanded into direction, directing Sworga Mero Gau (2018). He is recognized for his long, multi‑disciplinary contribution to Nepali cinema, especially during the 1990s–2000s era.

Satyajeet Gajmer is a Nepali film artist known for his appearance in the classic film Dakshina (1994). He is the son of renowned Nepali music composer Ranjit Gajmer, a respected figure in Nepali music. Continuing the creative legacy of his father, Satyajeet has expanded his career beyond Nepali cinema and is currently active in the Bollywood film industry.His early recognition came through his role in Dakshina, directed by Tulsi Ghimire, and he remains associated with the influential 1990s era of Nepali filmmaking. Today, he works in the Indian film industry, contributing to various creative and technical roles as part of Bollywood’s production ecosystem.

Sudhanshu Joshi is a Nepali film actor and producer best known for his leading roles in 1990s Nepali cinema, including Jali Rumal, Sima Rekha, Yo Mayale Launa Satayo, and Bishalu. His tall, charismatic screen presence made him one of the recognizable romantic and dramatic actors of his era.He made his debut with the commercially successful film Jali Rumal (1994), which established him as a rising star of the mid‑1990s. Over the years, he acted in around ten Nepali films, with the historical drama Sima Rekha (1997) earning him significant acclaim and audience appreciation.Beyond acting, Sudhanshu Joshi has contributed to Nepali cinema as a producer, story writer, and audiographer, notably in the patriotic film Nepal (2007).For the past 18 years, he has been residing in the United States, where he remains active in Nepali community events and social activities while continuing to support Nepali arts and culture from abroad.

Sunil Bardewa was a gifted Nepali pop singer, songwriter, arranger, and guitarist. Born in Kathmandu, Nepal, in 1972, he gained recognition for his exceptional guitar skills and heartfelt melodies. Bardewa was part of the band "The Matrix," which won the Sajan Smriti Pop Song Contest in 1995. His popular songs, such as "Goreto Ani Ustai Cha Galli" and "Bihani Ma," remain cherished by fans of Nepali music. Tragically, Bardewa passed away at the age of 44 on September 13, 2016. His contributions to Nepali pop music continue to inspire and resonate with listeners.

Banish Shah is a senior Nepali film editor active since 1995, recognized for shaping modern commercial and dramatic editing in Nepali cinema. Over a career spanning nearly three decades, he has edited more than 200 films, becoming one of the most prolific editors in the industry. His work ranges from blockbuster franchises to acclaimed dramas, earning honors including the Dcine Award (2079) for Best Editor.

Maunata Shrestha is a prominent Nepali screenwriter and film producer known for his prolific contribution to mainstream Nepali cinema. With a career spanning decades, he has written the story, screenplay, and dialogue for more than 145 feature films, including major commercial hits such as Khalanayak, Dadagiri, Myanmar Dhadkan, and many others.Recognized for his strong command of emotional storytelling, action‑drama structure, and audience‑driven dialogue, Shrestha has become one of the most reliable and respected writers in the Nepali film industry. Alongside writing, he has also produced several films under his banner, further strengthening his creative footprint in Nepali cinema.

Pranil L. Timalsena is a Nepali singer, rapper, and songwriter best known as one half of the pioneering hip‑hop duo Girish–Pranil (GP), whose work in the 1990s laid the foundation of NepHop, Nepal’s earliest hip‑hop movement. He began his musical journey with Girish Khatiwada, releasing Ma Yesto Chhu with rapper DA69, a track widely recognized as the first major breakthrough of rap music in Nepal .As part of Girish–Pranil, he contributed to several influential early rap songs including Timi Jaha Pani Jaanchhau, Malai Bhot Deu, Hami Dherai Sana Chhu, Meaningless Rap, Diyeko Maya Samhali, Dream, Gaarho Bho, Zoom Zoom Boom Boom, Seto Ghoda, and Yesari . His collaborative hit Aankha Bhari with DA69 further strengthened his presence in the emerging hip‑hop scene .Pranil later expanded into melodic and modern Nepali music, working with major artists including Nabin K. Bhattarai, most notably featuring in the popular composition Yehi Ho Ta Maya from the album May 18 . His solo works include emotional and modern tracks such as Ajiyo Mutu Bhanchhu, Aashu Yo Jharcha, Eklo Yatra, Sabai Naacha, and Chan Maya Yo Timilai .Recognized as one of the earliest voices to bring rap, rhythm, and modern lyrical expression into Nepali mainstream music, Pranil remains an influential figure whose contributions helped shape the identity of Nepali hip‑hop and early fusion‑rap culture.

Samrat Sapkota is a Nepali actor and theatre‑trained performer active for more than three and a half decades, known for his strong dramatic presence and disciplined acting foundation. He began his artistic journey from the stage, training under legendary theatre guru Hari Prasad Rimal, and performed in numerous plays before transitioning into Nepali cinema.He entered the film industry around 2055 BS, debuting with films such as Rajkumar, Pratiksha, and Karnaveer, which established him as a promising actor of the late 1990s. Over the years, he has acted in more than three dozen Nepali films, portraying diverse roles across drama, action, and social‑themed cinema.In addition to acting, Samrat Sapkota expanded his creative work into direction. In 2076 BS, he directed the film Cops, featuring actor Anup Bikram Shahi in the lead role. After this project, he gradually shifted his focus toward public service, dedicating his time and energy to community‑oriented work.

Naresh Bhattarai is a prominent Nepalese media personality, lyricist, actor, and presenter. Born on February 26, 1978, in Sarlahi, Nepal, he has made significant contributions to the entertainment industry. Known as the "Voice of Nepal," he has been active in radio, television, and stage hosting since 1996. Naresh has written over 300 songs, many of which have become popular in Nepal. He has also acted in feature films, television commercials, and music videos. As a presenter, he has hosted numerous shows, including Mero Euta Sathi Chha and Chiyapaan with Naresh. His versatility and dedication have earned him accolades, including recognition as the busiest emcee in 2014 and the emcee of the year in 2016.

Kranti Ale is a Nepali singer and the lead vocalist of the band Dr Pilot, which was formed in 1996. Initially, the band performed cover songs before transitioning to original music, recording their first songs at Music Nepal in 1998. Ale gained widespread recognition with the release of "Sarkari Jagira" in 2004, recorded at Opus. His band won Best Vocal Performance by a Group or Duo at the 7th Annual Image Award Show on May 28.

Sharon Sherpa is a Nepali actress, model, and dancer known for her graceful screen presence and early success in beauty pageants, winning Miss Beautiful 1996 and Miss Catwalk at Miss Nepal 1996. She entered Nepali cinema with the film Chamatkar, appearing alongside Rajesh Hamal, and continued her acting journey with roles in Sikhar opposite Shree Krishna Shrestha, Rajendra Khadgi, and Gagan Birahi. Active across modeling, dance, and film, Sherpa is recognized for her versatility and contribution to the 1990s–2000s era of Nepali entertainment.

Brazesh Khanal is a respected Nepali writer, columnist, actor, and novelist known for his diverse contributions to Nepal’s literary and entertainment fields. Born and raised in Kathmandu, he began writing early, publishing his first story in Gorkhapatra while in eighth grade and went on to write screenplays and dialogues for over 100 TV shows and films. He has authored two novels — Yayawar (2013) and Juneli (2016) — acclaimed for their depth and nuance. As an actor, he debuted in theatre with the lead role in Bathtub and has also been involved in film work including writing the screenplay for Gothalo (1996). Known for bridging literature and performance, Brazesh remains an influential creative figure in Nepali culture.

Arun Regmi is a Nepali actor and film professional active since 1996, known for his long-standing contribution to Nepali cinema through both acting and production work. As an actor, he has appeared in notable films such as Darpan Chhaya (2000), Bato Muniko Phul (2010), Rhythm (2013), Zhigrana (2015), Resham Filili (2015), Bhairav (2015), and Rajja Rani (2018), establishing himself as a familiar on‑screen presence across commercial and dramatic genres. Alongside acting, he has built a respected parallel career as a production manager, contributing to major films including Kagbeni, Rato Tika Nidharma, Hajar Juni Samma, Yatra, Rudrapriya, How Funny, and Sungava, earning industry recognition including the Gopikrishna National Film Award for Best Production Manager. Known for his reliability, discipline, and deep understanding of filmmaking logistics, Arun Regmi remains an important figure in Nepali cinema, balancing performance and production with equal professionalism.

Samir Acharya is a Nepali singer, songwriter, and music composer known for his modern–folk fusion style and a career spanning more than three decades. He released his debut album Jun in 2054 BS (1997 AD) under Music Nepal, featuring his first recorded song “Othma Lali Ae Kali Kali.”While living in Australia, Acharya released his second album Taraz in 2069 BS (2012 AD), expanding his musical reach to a new generation of listeners. His third album, Bada Gajabko in 2071 BS (2014 AD), further strengthened his identity as a versatile creator blending melodic pop with folk influences.Since 2014 AD (2071 BS onward), he has continued to release a steady stream of successful singles, many of which have become audience favorites across radio, television, and digital platforms. Residing in Australia, Acharya remains active in writing, composing, and producing music, maintaining a consistent presence in the Nepali music scene.

Jharana Thapa (born 28 March, Pyuthan) is a leading Nepali actress, producer, and director whose career has shaped mainstream Nepali cinema for more than two decades. Beginning her journey with the film Daijo in 1996, she quickly rose to prominence through her expressive screen presence and her acclaimed performance in Dharam Sankat, which established her as one of the defining actresses of the late 1990s and 2000s. Over the years she became a central figure in commercial Nepali films, appearing in more than seventy titles and becoming known for emotionally grounded roles in films such as Muglan, Jeevan Sathi, Purnima, Takdir, and the original A Mero Hajur. Her long career in front of the camera naturally evolved into filmmaking, and she transitioned into direction with A Mero Hajur 2 in 2017, later continuing the franchise with its third and fourth installments while introducing her daughter, Suhana Thapa, as a new-generation lead. She further expanded her directorial identity with Ek Bhagavad Ra Ek Geeta (2023), blending social themes with emotional storytelling. Married to producer Sunil Kumar Thapa since 1998, she has also been active behind the scenes as a producer, contributing to several successful films. Today, Jharana Thapa stands as one of the few Nepali women to achieve long-term stardom as an actress and then successfully transition into a commercially influential director, maintaining her position as a respected and enduring figure in Nepali cinema.

Shrisha Karki (1978–13 October 2002) was a Nepali actress and model whose brief but impactful career left a lasting imprint on Nepali cinema. Active from 1997 to 2002, she appeared in nearly twenty films, including Yo Mayale Launa Satayo (1997), Allare (1997), Aafno Birano (1998), Zameen (1998), Anshabanda (1998), Gham Chhaya (1998), Maya Baiguni (2000), Aawara (2000), Beimani (2001), Maya Garchhu Ma (2001), Kaidi (2001), Dharti (2001), Malati (2001), Aatankabadi (2002), and the posthumous releases Sukha Dukha (2002) and Bacha Bandhan (2004). Known for her expressive presence and natural screen appeal, she represented the emerging generation of late‑1990s Nepali actresses transitioning into more contemporary, youth‑focused storytelling. Her career was cut short when she died by suicide on 13 October 2002 in Kathmandu, an event that triggered nationwide outrage and became one of the most defining media‑ethics crises in Nepali film history. Her death followed the publication of a nude photograph in the tabloid Jana Aastha, which sparked widespread protests by actors, directors, and the public, who condemned the incident as an example of yellow journalism and demanded accountability. Major outlets including the BBC reported on the case, documenting her family’s claims of blackmail and the film industry’s collective call for justice. The controversy ignited long‑term debates about press responsibility, exploitation, and the vulnerability of women in the entertainment sector. Despite the sensationalism surrounding her final days, Shrisha Karki is remembered within Nepali cinema as a talented young actress whose potential was never fully realized. Her filmography continues to be referenced as part of the transitional era of Nepali filmmaking, and her story remains a pivotal reminder of the need for ethical media practices and the protection of artists’ dignity.