Robin And The New Revolution

Navneet Aditya Waiba is a Nepali folk singer, songwriter, and cultural researcher from Siliguri, West Bengal. She is the daughter of the late Hira Devi Waiba, the first professional Nepali folk singer. After her mother’s passing in 2011, Navneet left her career as a senior flight purser in Hong Kong to revive and preserve her family’s musical legacy. Together with her brother Satya Aditya Waiba, she launched the tribute album Ama Lai Shraddhanjali in 2017, re-recording her mother’s iconic songs using traditional instruments and arrangements. Navneet’s music focuses on authentic Nepali folk traditions, especially highlighting women’s voices and rural narratives. She collaborates with the Kathmandu-based folk band Kutumba and continues to perform across South Asia. Navneet is widely respected for her commitment to cultural preservation and her efforts to inspire younger generations to reconnect with their roots through music.

Mani Kamal Chhetri is a Nepali singer and composer known for his contributions to Nepali music. He has worked on various folk and modern songs, collaborating with artists like Aruna Lama and Gopal Yonjan.

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Hirabai – Singer (Early Recording Era)Hirabai is listed as an Early Recording Era artist with up to 2 songs from BS 1992 (AD 1935/1936). No additional archival details are available.