Almoda Rana Uprety

Yubaraj Chaulagain is an award-winning Nepali music artist and playback singer. With a dynamic stage presence, he’s performed across Nepal and abroad and has lent his voice to over 400 songs. He first rose to fame with the remake “Tungna Ko Dhunamaa” and the film track “Timilai Ma Ke Bhanu” from November Rain.

Pramod learnt tabla at home from his father Pundit Hom Nath Upadhyaya. Drawing inspiration from his maestro father Pramod started playing tabla when he was a toddler and at the age of five he performed at then Royal Nepal Academy (now Nepal Academy) which was his maiden show. His first abroad tour was for the German Unification Day in Germany. He had also an opportunity to learn tabla from legendary Ustad Alla Rakha from an institute named after the Ustad himself in Bombay, India. Incidentally, Pramod also had an opportunity to learn from Ustad Zakir Hussain for three months as the maestro happened to be a visiting faculty at the institute. Pramod is adept in all percussions made of leather. Besides that, he has worked as a recordist in many studios in Nepal. But, his fame is not confined as a musician or a recordist either; he has also lent his voice to many popular songs. Pramod was affiliated to Sukarma since its inception and has been playing in the group for ten years now.

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Surath Pradhan is a Nepali music producer, arranger, programmer, and recording/mixing engineer known for his extensive work across modern Nepali music. His credits span folk, adhunik, romantic, and contemporary fusion songs, collaborating with leading singers, composers, and studios.He is a core music arranger and engineer at Sur Sangam Recording Studio, where he has contributed to numerous high‑profile projects. His work includes music arrangements, programming, recording, and mixing for songs by artists such as Udaya Sotang, Arpana Acharya, Mukunda Paudel, Dhan Kiran Gurung, Shanti Thatal, Ramita Bhandari, and others.Surath has arranged and engineered music for multiple official releases, including romantic, folk, and Newari songs, and has been credited in studio sessions featuring instruments like violin, flute, guitar, and modern digital production. His arrangements appear in projects such as “Mayale Ruwauchha,” “Yeti Dherai Maya,” and various duet collections by Dhan Kiran Gurung.He is also credited as a composer on major Nepali music platforms, with works featured on Gaana’s catalog of Nepali songs.Through consistent studio output, refined arrangement skills, and collaborations with respected musicians, Surath Pradhan has established himself as a reliable and versatile music producer in Nepal’s contemporary music industry.