Explore Artists

Nutan Pradhan is a versatile Nepali film writer, screenwriter, story writer, actress, lyricist, producer, and playback singer active since the late 1980s. She has contributed to some of Nepali cinema’s most memorable films, including Behuli, Sworga, Saraswati, Sorah Barshe Jowan, Nepal Pyaro Chha, and Rang Baijani. Known for her emotional storytelling and strong character-driven narratives, she has written dialogue, screenplay, and lyrics across multiple genres. Nutan also acted in Saraswati alongside Shiva Shrestha and Gauri Malla, and performed playback vocals in Sworga. Her multi‑disciplinary work has made her one of the most influential women creatives of her era.

Basanta Shrestha is one of Nepal’s most prolific and influential choreographers, active from the early 1980s to the present, with a career spanning more than 150 films. Known for blending classical Nepali movement with modern cinematic rhythm, he helped define the visual language of Nepali song sequences across multiple eras of filmmaking. His choreography is recognized for precision, expressive storytelling, and the ability to elevate both folk and contemporary compositions. His collaborations with leading actors, directors, and filmmakers reflect his central role in shaping Nepali film dance.

Pramod Pradhan is a versatile Nepali cinematographer whose career bridges Nepali cinema and major Bollywood productions. Early in his journey, he assisted his brother, acclaimed cinematographer Vinod Pradhan, on celebrated Hindi films such as Bhag Milkha Bhag, Rang De Basanti, Devdas, and Parinda, gaining exposure to world‑class visual craft. In Nepal, he established his own identity through hit films like Anyaya, Koseli, Chino, and Dakshina, earning recognition for dynamic camera work and emotional visual storytelling. Pramod later served as the lead cinematographer for films including Chain Khuli Ki Main Khuli and several television series, further expanding his creative range. His work reflects technical precision, narrative sensitivity, and a deep commitment to elevating Nepali visual cinema.

Subarna Chhetri is a respected Nepali film and stage artist known for her expressive performances and long association with Mahajodi’s Maha Sanchar team. She gained wide popularity through the comedy serial Hetterika, where her natural timing and character work made her a household name. Alongside television and stage shows, she appeared in notable films including Badlido Aakash (1983). Her contributions have left a lasting impact on Nepali comedy, performance culture, and mainstream entertainment.

Sanu Tamrakar is a respected senior Nepali actor known for his natural performances, disciplined craft, and long-standing contribution to stage and screen. Active for several decades, he has portrayed diverse characters with emotional clarity and cultural authenticity, earning admiration from audiences and colleagues alike. His work spans theatre, television, and film, where his grounded acting style and commitment to storytelling have made him a trusted and enduring presence in Nepali performing arts.

Ram Sharan Nepali was a prominent Nepali folk singer and Sarangi player whose work helped preserve Nepal’s traditional lok‑geet and instrumental heritage. Active from the 1980s onward, he recorded influential albums such as Folk Tunes in Sarangi (1987) and Folk Tunes in Sarangi, Vol. 2 (1988), establishing himself as a leading figure in instrumental folk music. His repertoire includes widely circulated tracks like “Sorathi,” “Sebru Dhun,” “Sanguri Bari Ni,” “Ke Ko Rang Lagyo,” and “Jina Chhake”, many of which remain available on Apple Music and Spotify. His collaborations with artists such as Tika Nepali and Geeta Devi further expanded his impact. Even after his passing, tribute releases like “Yo Keti Kaha Ko” (2025) continue to honor his legacy.

Junge Bhattarai, known professionally as Uddab Raj Bhattarai, is a Nepali actor and comedian recognized for his natural humor, expressive character work, and strong presence in contemporary Nepali entertainment. Active since the early 2010s, he has appeared in feature films such as Pahilo Pahilo Maya (2010), Hamro Maya Juni Junilai (2011), and the cult‑favorite Gaja Baja (2018), where his character performance earned him praise for authenticity and timing. Beyond films, Bhattarai is widely known for his roles in popular comedy series and digital sketches, including Hou Guji, Dera, and other situational comedy formats that highlight everyday Nepali life. His ability to portray relatable, humorous, and emotionally grounded characters has made him a familiar face among Nepali audiences. He continues to work across film, stage, and digital media, contributing to Nepal’s evolving comedic landscape.

Norbu Tshering is a respected Nepali music director and arranger known for his refined melodic craft and long contribution to modern Nepali music. He began his professional journey as an arranger in 2051 BS, working for many years at the well‑known San Studio, Kupondole, where he shaped the sound of countless recordings. Tshering arranged and composed several celebrated songs, including “Jeevan Bhanũ Ta Ghaat Chha” and “Kina Feri Maya Samjhi Taadpinchha Man,” both of which became widely admired for their emotional depth and clean musical structure. Throughout his career, he collaborated with legendary artists such as Narayan Gopal, Nati Kaji, and Bhakta Raj Acharya, contributing to recordings that helped define the era. His disciplined arrangements, warm instrumentation, and sensitive musical judgment continue to be valued as part of Nepal’s modern musical heritage.

Radio Nepal Icon • Children’s Program Pioneer • Singer • Cultural Broadcaster Basudev Munal (1949–2025) was a beloved Nepali radio presenter, singer, and cultural voice best known for shaping generations of Nepali children through his iconic Radio Nepal program “Pyaara Bhaai Bahini Ho”. Born in Biratnagar, he joined Radio Nepal early in his career and went on to serve for nearly four decades, becoming one of the most recognizable and affectionate voices in Nepali broadcasting. His warm tone, storytelling skill, and musical contributions made him a household name across Nepal. Munal passed away at age 68 while undergoing treatment for throat cancer, leaving behind a legacy deeply rooted in Nepali radio culture.

(Legendary Folk Singer • Composer • Lyricist • Cultural Voice of Nepal) Buddhi Krishna Lamichhane (1955–2021) was a revered Nepali folk singer, composer, and lyricist whose earthy voice and authentic storytelling made him one of the most beloved figures in Nepal’s lok‑geet tradition. Born in Bhaktapur, he rose to national recognition through songs that captured rural life, emotional simplicity, and the cultural soul of Nepal. His classics—especially “Pidi Ma Basera” and “Ghas Katne Khurkera”—remain evergreen staples, widely performed, remixed, and taught across generations. Lamichhane passed away at age 66 after long‑term illness (paralysis and pneumonia), leaving behind a legacy that continues to define Nepali folk identity.

(Senior Actress • Theatre Artist • Acting Educator • Chairperson, Mala Arts Academy) Chandramala Sharma is a respected senior Nepali actress and theatre artist best known for her long-standing contribution to Nepali stage performance, acting education, and cultural development. Active since the 1980s, she has appeared in Nepali films—including the 1984 feature Basudev—and has been a prominent figure in Kathmandu’s theatre community. Her leadership role as Chairperson of Mala Arts Academy positions her among the key mentors shaping Nepal’s next generation of actors.

Basanta Jung Rayamajhi is a senior Nepali choreographer and dance director known for shaping the visual language of Nepali cinema, music videos, and stage productions. With a career spanning over three decades, he has elevated Nepali choreography through refined formations, cultural aesthetics, rhythmic precision, and expressive storytelling.His work is recognized for its clarity of emotion, disciplined movement design, and strong visual composition, collaborating with leading actors and major productions across film, television, and national events.Rayamajhi continues to mentor and train emerging dancers, contributing significantly to the growth of Nepali performing arts.

Jayanendra Chand Thakuri (1942–2020) was a prolific Nepali film actor whose career helped shape the foundation of modern Nepali cinema. A former Indian Army serviceman and Jawalakhel Youth Club cricketer, he entered films with Jeevan Rekha (1982) and went on to appear in over 100 films, becoming one of the most recognizable character actors of his era. Known for his grounded performances in social dramas, romantic stories, and action narratives, he brought emotional weight and authenticity to every role. His notable works include Kanchhi, Bishwas, Maya Preeti, Pheri Bhetaula, Angarakshyak, and Parkhi Base. He remained active until 2011 and is remembered as a respected, steady pillar of Nepali cinema.

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Starting from his early career in the late 1980s, Deepak Dhakal emerged as a dedicated Nepali cinematographer known for his steady contribution to commercial and social‑themed Nepali cinema. He made his debut as a cinematographer with Sindoor and went on to work in more than 20 feature films, shaping the visual tone of 1990s and early‑2000s Nepali filmmaking.Dhakal’s filmography includes notable titles such as Shanti Deep (1989), Cheli Beti (1990), Pheri Bhetaula (1990), Didi (1992), Chokho Maya (1993), Chatyang (1994), Chahana (1994), Sarangi (1994), and Pahilo Prem (1997). His work is remembered for its grounded visual style, clarity in storytelling, and commitment to traditional Nepali cinematographic techniques.Beyond filmmaking, Dhakal served as a professor at Oscar International College, Nepal’s only dedicated film‑teaching institute, and was an active member of NEFTA, contributing to the professional development of the industry. He passed away on 3 December 2015 due to a brain hemorrhage, leaving behind a respected legacy in Nepali cinema.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Madhukar Basnet stands among the most respected and influential film editors in the Nepali film industry, known for elevating the craft of editing during a time when Nepali cinema was transitioning into more polished, technically ambitious storytelling. His signature style—clean continuity, emotional pacing, and seamless scene construction—has set a benchmark for editors who followed.Across feature films, music videos, and television projects, Basnet has collaborated with leading directors and cinematographers, helping define the tone, rhythm, and emotional flow of countless productions. His editorial decisions often determine the heartbeat of a film, shaping performances, sharpening drama, and enhancing cinematic impact.Regarded as a mentor figure within the industry, he is celebrated not only for his technical mastery but also for his disciplined work ethic and ability to bring clarity and coherence to complex narratives. His contributions have made him a pillar of Nepali post‑production, and his influence continues to guide the next generation of editors.

Anuradha Paudwal, one of India’s most acclaimed playback singers, holds a special place in Nepali music history for her selective yet memorable contributions to Nepali‑language songs. Her smooth, devotional‑tinged vocal style brought a new texture to Nepali film music in the 1990s, most notably through the duet “Sapana Ho Yo Bhane Dekhi” from the film Prem Pinda (1995), composed by Shambhujeet Baskota with lyrics by Yadav Kharel.Her Nepali songs—though few—became iconic for their emotional clarity, cross‑border appeal, and the prestige she brought as a major Indian playback voice. Paudwal has also performed live in Kathmandu, strengthening her connection with Nepali audiences and reaffirming her influence across borders.

JB Lama is one of Nepal’s senior and most respected flutists, widely recognized for his decades‑long contribution to Nepali modern, folk, and film music. He has collaborated with legendary icons including Narayan Gopal, Gopal Yonjan, Nati Kaji, Fatteh Man, and many others, shaping the sound of Nepali music across multiple eras. Lama is also credited with creating his own flute‑playing pattern, a stylistic signature still followed by many contemporary flutists.

Subarna Limbu is a pioneering Nepali musician with over 40 years of professional experience, widely recognized as one of the earliest artists to bring the bass guitar into the mainstream of Nepali contemporary and rock music. His career spans Nepal and India, where he performed with formative bands such as Diamond (Darjeeling) and Brotherhood, contributing to the rise of modern Nepali rock. He is celebrated as the iconic bassist of the evergreen Prism Band, performing and singing at major venues, including regular appearances at five‑star hotels and high‑profile events. Subarna Limbu is also known for his role as a composer, with works such as “Hawa Sanga Bagu Bhanchha, Paat Sanga Bolu Bhanchha”, performed by Darjeeling‑based singer Pawan Gole, who continues to present Limbu’s compositions on major stages like Paleti.

G. Shah is the literary identity of former King Gyanendra Bir Bikram Shah, whose poetic and lyrical works have contributed a distinct voice to Nepali music and literature. Active as a songwriter and poet, his creations reflect deep patriotism, emotional sincerity, and a profound attachment to the Nepali soil. His lyrics have been performed by celebrated singers including Prakash Shrestha, Ananda Karki, Sapana Shree, and Jyoti Shrestha, giving his words a wide musical presence.Among his notable works are songs such as “Bachnu Nai Chha Yadi Bhane” (vocals: Prakash Shrestha), “Pahilo Milanko” (vocals: Ananda Karki), and “Ma Jasto Thiye” (vocals: Sapana Shree). His lyrical compositions are also featured in the album ‘Rajasi’, where Jyoti Shrestha and other respected artists have brought his words to life.In literature, his poetry collection ‘Dui Mutu, Eauta Bato’ stands as a significant publication, released on the occasion of his 76th birthday. Through his songs and poems, G. Shah expresses themes of national pride, cultural identity, and heartfelt human experience, establishing him as a unique creative figure within Nepal’s contemporary literary and musical landscape.

Bulu Mukarung (born 1962) is a respected Nepali musician, composer, and vocalist known for his contribution to modern Nepali music and his distinctive blend of folk‑rooted melodies with contemporary arrangements. Beginning his musical journey in the early 1980s, he gained recognition for his refined compositions, emotive vocal delivery, and his ability to elevate lyrical depth through thoughtful musical interpretation. Mukarung’s work spans studio recordings, live performances, and collaborations with leading Nepali artists, and he is noted for maintaining musical authenticity while adapting to evolving trends. Honored with the Best Musician Award at Radio Nepal’s 2041 Annual Event, he remains an influential figure whose disciplined artistry continues to inspire emerging musicians across Nepal’s modern music landscape.

Murari Thakur is a veteran Nepali cinematographer whose career spans more than three decades, contributing to some of the most formative eras of Nepali cinema. His work begins as early as 1982 and continues through the late 2000s, covering major commercial, romantic, and social‑drama films. He is known for his consistent visual craftsmanship across both black‑and‑white and early color Nepali films.His filmography includes landmark titles such as Jivan Rekha (1982), Silu (1987), Jhuma (1991), Rakshya (1993), Daijo (1996), Chori Buhari (1996), Chamatkar (1999), Apsara (2000), and Ajambari Maya (2002).

Narendra Khadka is a senior Nepali film editor with a career spanning more than three decades. Active since the late 1980s, he has edited over 36 feature films, shaping the narrative rhythm and visual language of modern Nepali cinema. Known for his disciplined, story‑driven editing style, he has contributed to notable films such as Rajamati, Seemana, Zameen, Basanti, and Prem Yuddha.Beyond editing, Khadka has also worked in story writing and served as a Chief Assistant Director, expanding his creative influence within the industry. He is also recognized for his contribution to film education as the Founding Principal of the College of Film Studies, helping train a new generation of Nepali filmmakers.He is an honoree of the 7th LG Cine Circle Awards, receiving the Lifetime Achievement Award for his long-standing contribution to Nepali cinema.

Shila Bahadur Moktan is a veteran Nepali music director, arranger, composer, and multi‑instrumentalist, celebrated for more than five decades of contribution to Nepali music. He is regarded as one of the most respected figures in modern and folk‑influenced Nepali music, known for his refined arrangements, melodic sensibility, and mastery of multiple instruments.Born and raised in Darjeeling, he received formal classical training under J.C. Rai, which shaped his foundation as a composer and instrumentalist. His first recorded song, “Aakha Kahile Najudos,” was broadcast on All India Radio, Kurseong, in the 1980s .Shila Bahadur Moktan has contributed to over 1,200 songs, working as a composer, arranger, and instrumentalist across genres ranging from folk to adhunik Nepali music. His notable early works include folk songs such as “Hoina Maile Dhakeko Badulki Lageko” and “Topi Hataile Bunera,” and the modern classic “Kahile Kahi Malai Pani Herideuna Pharkera,” a song that introduced both Kunti Moktan (vocals) and Shila Bahadur (music) to the Nepali music scene .He is married to legendary singer Kunti Moktan, and together they are considered pillars of Nepali music. Their daughters Subani Moktan and Shital Moktan are also successful musicians, continuing the family’s artistic legacy .After retiring from Music Nepal, Shila Bahadur initially planned to step back from active work, but his passion for music kept him fully engaged in composing, arranging, and performing. He continues to appear in concerts, including the Paleti Series, where he performs his own compositions and vocals .With nearly 50 years in music, he remains an influential figure whose arrangements, compositions, and instrumental work have shaped generations of Nepali music lovers.

Rimla Moktan is a beloved Nepali singer known for the sweetness and clarity of her voice, heard in memorable songs such as “Mirmire Bihan Surya Ko Darshan Tiger Hillai Ma,” “Phalelungma Hiu Paryo Danphe Jharyo Sirikhola,” and others. Born in Darjeeling, she studied at Nepali Kanya Higher Secondary School (Boarding School), where she later returned as a teacher. Her musical journey began remarkably early—at just five or six years old—when she started learning classical music under Guru Madhu Singh.Her formal artistic path took shape under the guidance of Chandan Lomjel, who provided her special training and introduced her to competitive performance. Under his mentorship, she participated in the Darjeeling Gorkha Dukha Nivarak Sammelan Music Competition around 1981, performing songs composed by Chandan Lomjel with lyrics by P. Arjun and Puran Giri. She also sang a duet with Lakpa Sherpa, winning awards in both duet and group categories, and securing first place in the Lok‑Adhunik category—a milestone that marked her full entry into the musical field.Rimla continued her classical training with Guru Chittaranjan Mishra, and after he returned to Odisha, she studied under renowned sitar maestro Tri Ratna Tuladhar, with whom she still consults whenever she seeks deeper musical refinement. Through Chandan Lomjel, she also met composer Manikamal Chhetri, who offered her the opportunity to sing in Pratap Subba’s musical drama “Mrigtishna,” where she performed classical raga‑based compositions.With her grounding in classical discipline, her Darjeeling musical heritage, and her naturally melodious voice, Rimla Moktan remains a respected and cherished figure in Nepali folk‑adhunik music.

Pawan Golay, widely known by his stage name Gole, is a modern–folk vocalist from Darjeeling known for his melodious voice and emotional delivery. He began his musical journey performing in local community events and small stages, where his natural vocal sweetness quickly drew attention. Rooted in Darjeeling’s rich musical culture, he developed a style defined by simplicity, clarity, and heartfelt expression. His songs such as Yati Thulo, Manlai Samjhai Samjhai, Hawa Sanga, Mirmire Behana, and Chhadi Jane Mayaluko earned him recognition across Darjeeling and Nepal. Gole continues to represent Darjeeling’s musical identity in contemporary Nepali music.

Rama Mandal is a veteran Nepali singer active since 2038 BS (1981 AD), known for his powerful folk and modern vocal style and for contributing more than 700 songs across Nepali, Maithili, Bhojpuri, Hindi, Tharu, and Awadhi languages.His formal musical journey began in 2038 BS (1981 AD) when he won the Koshi Anchal Modern Singing Competition. In 2039 BS (1982 AD), he secured second place in the Nationwide Lokgeet Competition at Birendra Sabhagriha, Biratnagar, receiving a Rs. 700 cash prize from Queen Aishwarya, which further motivated him.He later joined Tyros, the musical group led by Bhupendra Rayamajhi, becoming active in various musical programs. Around 2041 BS (1984 AD), he passed the Radio Nepal voice test with the song “Chahana ra ichchhāharu sabai phool jastai oiligae”. After completing Sangeet Prabhakar from Allahabad Music School, he joined Radio Nepal in 2045 BS (1988 AD).His playback journey began with the film Manakamana, singing “Jai Jai Aama Manakamana” and “Bujhdai nabujhne yo manlai bujhauna sakinina maile”. His fame rose sharply after “Kaha chhau kaha” from Gopikrishna (2048 BS / 1991 AD).Across his career, he has recorded 700+ songs, including 150+ film songs, with popular hits such as Yo ketiko thik chaina chala, Nyurod ma euti keti palis launa aaki, Jodi milne bho panchebaja thokne bho, Swargbhanda sundar chha hamro sano ghar.His multi‑language mastery and decades of contribution make him one of the most respected and prolific singers in Nepali music.

Raju Shah (born 26 February 1965) is one of Nepal’s most influential dance choreographers, with a career spanning over three decades and more than 200 films. Beginning as a dancer in Badalindo Aakash (1982), he became a leading choreographer from Dui Thopa Aansu (1993) and later expanded into film direction and production. He has directed feature films including Sapana Ko Naulo Sansar and Namaste Nepal—one of the first Nepali films shot entirely in Europe. Shah is also the founder chairman of the Nepal Film Dance Association and remains a defining figure in Nepali film choreography and visual storytelling.

Laxminath Sharma is a pioneering figure in Nepali cinema, known for his multifaceted contributions as a film director, screenwriter, lyricist, production designer, and legal advisor. Born on September 24, 1945 in Barbote, Ilam, he began his career in the early 1970s with the Royal Nepal Film Corporation and later became a leading force in shaping narrative-driven Nepali films Education: MA in History, Tribhuvan University Diploma in Cinema (Direction), FTII Pune (1977) Film/TV/Animation training, AIBD Malaysia (1982) Notable Roles: Director of acclaimed films like Badlindo Aakash (1983), Shanti Deep (1989), Milan (1993), Sarangi (1994), Bidrohi (2002) Screenwriter and lyricist for Bhai Tika, Apaharan (Ekadeshma), Angalo Angaloma Legal advisor for Timro Kasam (2013) Board member at Oscar International College of Film Studies since 2003

Bhupendra Rayamajhi is a renowned Nepali musician, music director, arranger, and lyricist with over 30 years of experience in the music industry. His passion for music began in childhood and turned professional when he joined Radio Nepal as a guitarist in 1983, later becoming a music arranger in 1990. He earned his Bachelor’s degree in Music from Prayag Samiti, Allahabad, India. In 1998, he was appointed Chief of the Music Department at Radio Nepal, where he played a vital role in nurturing and uplifting Nepali music. He retired from Radio Nepal in 2018 and continues to create heartfelt music that connects with audiences worldwide.

Ram Bahadur Jimba, born on 7th Saun 2023 BS in Sarlahi, was a renowned Nepali folk singer, flutist, and multi‑instrumentalist known for his contribution to traditional Nepali music. Skilled in instruments such as madal, damphu, dholak, and accordion, he served as an officer‑level employee at Radio Nepal. His professional journey began in 2040 BS as a tech‑basis worker and became permanent in 2049 BS. Jimba recorded over 40 folk songs at Radio Nepal, including popular titles like Churimai Kasam Khayera Maile, Gai Bhainsilai Bandheko Kila, and Maya Laun Milla Ki Namilla. He also contributed to the collection and preservation of traditional folk songs.

Kumar Sanu (born 1957) is a celebrated Indian playback singer whose smooth romantic voice shaped an entire era of South Asian music. Alongside his legendary Bollywood career, Sanu made a meaningful contribution to Nepali aadhunik and filmy music, recording a select but influential set of Nepali songs that remain popular decades later. Beginning his Nepali collaborations in the 1990s, he lent his signature melodic style to songs such as “Janam Janamko Chahana,” “Manko Yo Katha Ho,” “Trishna,” “Aankha Jhimkaudai,” “Himal Bata Bilera,” and “Ma Ta Aba Risauchhu,” all of which showcase his ability to blend Nepali lyrical emotion with his refined playback technique. His Nepali tracks — including fan favorites like “Purano Hudaina Maya,” “Timi Bina,” and “Sachi Rakhu” — continue to resonate with listeners, making Kumar Sanu one of the most respected Indian voices to contribute to Nepal’s modern and film‑song tradition.

Shyam Rai is a veteran Nepali film artist who has remained active in the industry for more than four decades. He began his cinematic journey in 1984 with the film “Basudev,” marking the start of a long and diverse career. Rai is known not only as an actor but also as a director, executive producer, legal advisor, assistant director, clap coordinator, and special appearance artist, reflecting his wide creative range. He has acted in over 37 films, including notable titles such as “Seto Bagh” (2015), “Rato Ghar” (2017), and “Bihe Pass” (2023). His recent works include “Hostel 3” (2025) and “Magne Raja” (2025). As a director, Shyam Rai has left a strong mark with films like “Chot” (1990), “Sankalpa” (1993), “Abala” (1996), “Guru Chela” (1998), “Aankha Lobhi Man Papi” (2003), and “Samarpan” (2004). Respected for his dedication, versatility, and long-standing contribution, Shyam Rai remains one of the most experienced and multifaceted figures in Nepali cinema

Kamal Rai is a veteran Nepali dance director and choreographer active since 1984, credited in more than 120–150 Nepali films and widely regarded as one of the most prolific movement creators in the industry. Known for his versatility across commercial, romantic, and folk‑influenced choreography, he has shaped dance sequences for multiple generations of actors. His work spans major titles such as Himmatwali, Phagu, Bhuimanchhe, Jiwan Kanda Ki Phool, Poi Paryo Kale, and Baina, along with contributions in direction, mixing, lyrics, and cinematography. A 2024 feature interview highlights him as a choreographer and director with experience across 300+ films in Nepali and regional cinema, underscoring his long‑standing influence on South Asian screen dance.

Tirtha Kumari Thapa is a renowned Nepali folk singer who has been active in the music industry for over five decades. She began her musical journey in 2028 BS with Radio Nepal, recording more than 1,000 songs throughout her career. Her songs often reflect themes of love, nature, and cultural heritage, making her a beloved figure in Nepali folk music. Some of her popular songs include: M Ta Khadin Kuwa Ko Pani Ho Dhunge Bagar Maya Jhanke Phuli, Nakai Ma Bulaki Ukali Ma Pani Hajur Motor Jado Raichha Bari Ko Dil Ma Okharbot Machi Mar Na Hey Dai Ho with Nabin Dhungel She has received numerous awards, including the Prabal Gorkha Dakshin Bahu (2057 BS) and the Birendra Aishwarya Sewa Padak (2058 BS). Recently, she held her first solo musical evening, Tirtha Kumari Swarnim Sanjh 2080, where she performed for nearly two hours, accompanied by her son, Suraj Kumar Thapa, who is also a musician.

Madan Das Shrestha is a versatile Nepali artist whose career spans nearly four decades across film, theatre, radio, and television. He began his journey in 1985 with Ke Ghar Ke Dera and has since acted in 23+ feature films, including Tilahari, Kanyadan, Yug Dekhi Yug Samma, Manakamana, Raanko, Teen Ghumti, and Kirtipur: The Legend of Kirti Laxmi. Beyond acting, Shrestha is also known as a radio host, stage performer, and voice‑over artist, earning recognition for his expressive delivery and grounded character portrayals. His contributions extend to theatre and television, where he has played influential roles that connect deeply with Nepali audiences. As a director, he has helmed films such as Aghosit Yuddha (2003), further showcasing his creative range. Respected for his consistency and multi‑disciplinary talent, Madan Das Shrestha remains an enduring figure in Nepali performing arts

Puran Joshi is a Nepali actor, director, and producer known for his steady contribution to contemporary Nepali cinema and television. Active across multiple creative roles, he has built a reputation for thoughtful storytelling, disciplined craft, and a strong command of both performance and direction. Joshi has worked on a range of projects—from feature films to TV serials—often focusing on socially grounded narratives and character‑driven drama. His involvement in production further highlights his commitment to strengthening Nepal’s film ecosystem, making him a versatile and respected figure in the industry.

Arjun Jung Shahi is a Nepali film actor known for his work in the early and mid‑modern era of Nepali cinema. Recognized for his calm screen presence and character‑driven performances, he appeared in several notable films across the 2040s and 2050s B.S. His acting career includes roles in Jivan Rekha, Bishwas (2043‑1‑22), Santaan (2044‑8‑14), Shanti‑Dip (2046‑9‑16), Bhumari (2046‑1‑29), Cheli‑Beti (2046‑12‑29), Ghar‑Aangan (2053‑11‑8), and Mohar. Through these films, he contributed to the evolving narrative style of Nepali cinema, portraying family‑centered, emotional, and socially grounded characters. His body of work reflects the transition period of Nepali filmmaking, where traditional storytelling began merging with contemporary themes.

Ratan Subedi is a Nepali singer, comedian, and film actor known for his energetic performances and humorous musical style. Active prominently between 2040–2060 B.S. (1983–2003 A.D.), he appeared in several Nepali films including Aadhi‑Beri, Sapana, Jwala, Apaharan (Ekadeshma), Anartha, Mukundo, Filim, and Nepal Pyaro Cha. Alongside acting, he gained wide popularity as the singer of the hit comedic song “Watti Baler”, which became a staple of stage shows and radio comedy programs. His musical career includes several successful albums, often created in collaboration with Nirmal Raj Paudel, such as Fashion Fashion (7 songs), Maitighar Najau (8 songs), Sansad Dohari – comedy/parody (Gaijatre audio) (7 songs), and Khabardar Hosiyar – comedy/parody (Gaijatre audio) (8 songs). Blending satire, social commentary, and folk humor, Ratan Subedi established himself as a distinctive voice in Nepal’s comedic‑musical tradition and remains a memorable figure in Nepali entertainment

Basant Chaudhary is a celebrated Nepali poet, lyricist, writer, and cultural patron whose work spans poetry, songs, essays, and social commentary. His literary journey began with the poem Tusharolai Piundai (1983), written under the pseudonym Simool, and later expanded into acclaimed collections such as Rashtriyata Nadukhos (2006), Samvad (2008), and the poetry compilation Megha (2011). A prolific lyricist, he has penned widely loved songs including the patriotic Shanti Lukau Kahan, along with numerous musical collaborations across Nepal and India. Known for blending emotional depth with contemporary themes, Chaudhary is also active in promoting art, literature, and heritage conservation, making him one of Nepal’s most influential modern literary voices.

Pantu Naga is a Nepali cinematographer from 1980 to 1990 known for his basic visual style, natural lighting, and clear narrative framing. Active in feature films and regional productions, he brings emotional depth and visual discipline to his work.

Ranjan Pandey is a Nepali sound designer active during 1985–1990, known for bringing clarity, texture, and emotional depth to the soundscape of Nepali cinema. Working in an era of limited technology, he became recognized for his disciplined recording style, balanced dialogue mixing, and ability to enhance dramatic storytelling through subtle yet effective sound design.

Rani Dixit is a Nepali choreographer known for her expressive movement style, graceful formations, and strong contribution to Nepali film and stage choreography.

Nabina Shrestha is a Nepali actress best known for her leading role in the landmark Newar‑language film Silu (1987). Portraying Tuyu Maicha in the first feature film made in Nepal Bhasa, she became part of a historic moment in Nepali cinema, helping bring Newar culture, language, and emotional storytelling to the screen. Her performance in Silu is remembered for its natural expression and cultural authenticity, securing her a respected place in the cinematic memory of the late 1980s.

Juju Kaji Ranjit (born October 2, 1955) is a legendary Nepal Bhasa and Nepali singer whose six‑decade career has made him one of the most respected voices in Newar music and cultural preservation. He began singing at age ten during the 1965 language movement, using music as a medium of identity and expression. Over the years, he has recorded 44 songs, including contributions to Nepal’s first indigenous‑language feature film Silu, and has remained active through albums, live concerts, and cultural projects. His voice, lyrical sensitivity, and dedication to Nepal Bhasa music have earned him enduring recognition and numerous honors.

Rajashree Chettri is a Nepali actress active in the mid‑1980s, known for her graceful screen presence and roles in social and family‑drama films of the period. Her performances reflected the emotional clarity and natural acting style characteristic of the era, contributing to the evolving visual identity of Nepali cinema during the late 1980s. Though her filmography remains limited in public archives, Chettri is remembered for her expressive roles, cultural authenticity, and participation in a formative chapter of Nepali film history

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.

Narayan Rayamajhi is a leading Nepali folk singer, composer, lyricist, scriptwriter, film director, and producer known for his deep contribution to Nepali lok‑geet and cinema. Active since 1985, he has written more than 14 dozen folk songs, 6 dozen modern songs, multiple musical plays, documentaries, and television songs. As a filmmaker, he directed the successful feature films Gorkha Paltan, Pardeshi, and Pardeshi 2, establishing himself as a major creative force in Nepali cinema. Rayamajhi also heads Reema Music and Reema Films, producing music, films, and cultural projects that preserve and promote Nepal’s folk heritage.

Ganga Bardan is a legendary Nepali folk singer, lyricist, and composer known for his expressive vocal depth and poetic writing that shaped the golden era of Nepali lok‑geet. His classic song “Kaha Ma Katyo”—first recorded at Radio Nepal in 1978 (2035 BS)—remains one of the most iconic folk recordings in Nepal’s musical history.He is also celebrated for evergreen hits such as “Chapanile Chan Chan,” “Bazarai Bharau Dharanai,” “Arunai Taryo Ni,” and “Mero Mayalu Tyo.”Bardan’s soulful lyrics, subtle tone, and authentic storytelling preserve the emotional landscape of rural Nepali life, making him one of the most respected voices in Nepali folk heritage.

Komal Oli is a Nepali folk singer and former Radio Nepal news anchor known for her powerful lok‑geet vocals and her long career in national broadcasting. She rose to prominence with hit folk numbers that blended traditional melodies with her distinct vocal style, making her one of the most recognizable female voices in Nepali folk music.As a news anchor and program presenter at Radio Nepal, she became a trusted national voice, contributing to Nepali media for many years before transitioning fully into music and public life. Her songs, stage performances, and cultural presence have made her a prominent figure in modern Nepali lok‑sangeet.

Purna Thapa is a renowned comedian, playwright, and radio program presenter and producer. He was born in Jhamshikhel in the year 2020 B.S. (1963/64 A.D.) to father Haribahadur Thapa and mother Subhalakshmi Thapa. Around 2031/32 B.S. (1974/75 A.D.), satirical performances like “Khirchor” and “Pagal Dance” were being staged in and around Jhamshikhel, Lalitpur. These performances gained significant popularity at the time. The artists behind them were Purna Thapa Magar and his friend Shri Om Shrestha. Among them, Purna Thapa remains a well-known figure in the arts even today. His artistic journey, which began during that period, continues to this day. Purna studied up to Grade 10 at Tika Vidyashram School in Lalitpur and completed his Bachelor's degree in Arts from Patan Campus. Alongside acting, he has also worked in writing and directing. In 2041 B.S. (1984/85 A.D.), he got the opportunity to act in his first radio drama.

Prem Dev Giri (b. Magh 10, 2010 BS, Birendranagar, Surkhet) is a pioneering figure in Nepali dance, theatre, and radio drama. He began his artistic journey in 2025 BS and, in 2041 BS, joined the then Rastriya Nach Ghar (now the Cultural Corporation) with a monthly salary of NPR 200. Giri made significant contributions as an actor, director, and music accompanist in dozens of plays and musical dramas. His powerful performances in notable works such as Balkrishna Sama’s Masan, plays by Gopal Prasad Rimal, Harishchandra, Andhabeg, Hasdai Jalnu Parcha, Gham, and Hamro Pani Katha Chha are widely remembered. He also acted in the telefilm Sanai Roirahenchha and the feature film Bandhaki. A skilled madal player, Giri recorded hundreds of collected folk songs at Radio Nepal. Revered as a “Guru of the Stage,” he stands as a defining cultural pillar of western Nepal.

Bhim Tuladhar is a Nepali pop and contemporary music artist best known for starting his career with Nepal’s early pop band The Influence in 2043 B.S. He gained recognition in the 2040s as a stylish pop singer, known for his long hair, signature look, and energetic stage performances. Tuladhar later built a solo career, releasing multiple albums including Mayalulai, Sapny, Samjhina, and Antaral, and performing widely across Nepal. He is also associated with Buddhist devotional music, with popular releases such as Gyanmala Bhajan Vol. 1 & 2, which have accumulated hundreds of thousands of views. Honored for his contribution to Nepali pop music, Tuladhar continues to perform and remains active in connecting with new audiences.

N.B. Maharjan is a senior Nepali action director, actor, and filmmaker active since the late 1985s, credited in more than 120 films and recognized as one of the most consistent action stylists of modern Nepali cinema. Beginning his career around 1987–1989, he has contributed as an action director, assistant director, director, and actor, shaping action choreography across multiple eras. His filmography includes major titles such as Maya’s Bar, Jaya Parshuram, Fulai Fulko Mausam Timilai, Kina Kina, Bazar, Prahar, Daiko Sasurali, and Soch, reflecting a long, influential presence in the industry.

Dhana Bahadur was a leading advocate for sarangi preservation, a respected singer, and a dedicated lyric collector from Batulechaur, Pokhara. He is widely remembered as the creator of the evergreen songs “Naraunu Mayalu” and “Beli ra Chameli,” beautifully performed by singer Prabin Gurung. Committed to safeguarding Nepal’s folk heritage, he operated a Sarangi Pathshala, teaching children and youth and nurturing a new generation of sarangi players. He passed away on Magh 11, 2077, leaving behind a legacy that continues to inspire Nepali folk music and sarangi culture.

Indrajit Mizar(इन्द्रजित मिजार) is the singer of superhit songs of Nepali movies. In his voice, pirati ko mitho tirsana, Tungna ko dhunama, (kosheli movie) timi mero ma timro, chhokho maya chha hamro, ke bhanne hamro samaya (debata movie), aba yo bato (debata movie), Kasto Milan (Sita movie) and other songs have become timeless. artistnepal.com team has decided to give you a verified artist profile account as a gift in appreciation of your contribution.

Raman Ghimire is a renowned Nepali lyricist, poet, and literary figure. He has made significant contributions to Nepali literature. Some of his major works include songs such as "Aadhi Bato Hinde Pachhi Timisanga Bhet Bhayo", "Euta Bato Sadhai Bhetghat Bhairahta", and "Kahile Timro Pachauri Ma Aljhe" . He has established his place in Nepali literature, and his creations have influenced many readers.