Shyam Mohan Shrestha

Roshan K Shrestha is a professional cinematographer from Nepal. He spent many years as a main cameraman in television. He is also known for dozens of successful music videos and commercials. Experienced cinematographer with a demonstrated history working in the media production industry. Final Cut Pro specializes in video, camera, film, and documentaries. A strong media and communication professional who graduated from Balkumari.

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Dirgha Gurung is a talented Nepali cinematographer known for his exceptional work in the Nepali film industry. He has contributed to various notable films, showcasing his skills and creativity behind the camera. Career Highlights Notable Films: Dirgha Gurung has worked on several acclaimed films, including "Jatra" (2016), "Soul of the Commando" (2022), and "Muglan" (2005). Cinematography: His work in films like "Chhakka Panja 2" (2017) and "Daal Bhat Tarkari" (2019) has been highly praised. Dirgha Gurung continues to inspire many with his dedication to the art of cinematography and his contributions to the Nepali film industry. 🎥

Rameshwor Karki is a Nepali cinematographer known for his work in feature films, music videos, and commercial visual production. Active across the 2010s and 2020s, he is recognized for his clean framing, natural‑light composition, and steady camera movement suited to emotional and realistic storytelling. His work spans romantic dramas, social narratives, and youth‑centric films, contributing to the evolving visual language of contemporary Nepali cinema.