Dirgha Gurung

Shiva Ram Shrestha is a highly skilled cinematographer and Director of Photography (DOP) from Nepal. He has worked extensively in the Nepali film industry and has been involved in numerous Reality Shows & projects. Notable Work Awards and Recognitions: Shiva Ram Shrestha has received acclaim for his cinematography, which contributed to the visual storytelling of many successful films. Television: He has worked with AP1 Television and Kantipur TV, contributing to various TV shows and programs. Films: Shiva Ram Shrestha has been the cinematographer for several Nepali films, including: Love Sasha (2017) Boksi Ko Ghar (2024) Degree Maila M.A 3rd Class (2024) Antaral (2013) Band Champion Nepal (2022) Crime Files (2021) Idea Studio Season 5 (2021) AP Bahas Physical to Digital Nepal (2021) AP Bahas: Banking and National Economy (2020) Shiva Ram Shrestha has been a significant figure in the Nepali film industry, known for his expertise in capturing stunning visuals and enhancing the storytelling of the films he works on. His contributions have been recognized both locally and internationally, making him a respected name in the field of cinematography.

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.

Murari Thakur is a veteran Nepali cinematographer whose career spans more than three decades, contributing to some of the most formative eras of Nepali cinema. His work begins as early as 1982 and continues through the late 2000s, covering major commercial, romantic, and social‑drama films. He is known for his consistent visual craftsmanship across both black‑and‑white and early color Nepali films.His filmography includes landmark titles such as Jivan Rekha (1982), Silu (1987), Jhuma (1991), Rakshya (1993), Daijo (1996), Chori Buhari (1996), Chamatkar (1999), Apsara (2000), and Ajambari Maya (2002).