Shreeram Mahat

Zaun Yonzan is a Nepali filmmaker best known as the director of Crawling Crows: Aankha, Nepal’s first film to win Best Film at the 62nd Asia Pacific Film Festival in 2025. His work blends bold visual language with socially rooted storytelling, positioning him among the new-generation directors bringing Nepali cinema to global attention.

Sudarshan Thapa is a Director in Nepali films. He started his career in the Nepali film industry as a director of the hit movie Mero Euta Saathi Chha - a remake of Korean movie Millionaire's First Love in 2009. His first directorial was a blockbuster that set a new trend for the industry. Since then, there was no turning back and his filmography grew with movies like "Ke yo Maya Ho", "Mero Love Story", "Dhanda", etc. He is basically known for his romantic movies with strong emotional factor. Apart from directing, he also established himself as an actor in the movie "Saathi", Ajhai Pani, "Chankhe Shankhe Pankhe"etc

Shovit Basnet is a leading Nepali film director, actor, and producer, widely recognized for shaping the commercial mainstream of Nepali cinema from the 1990s onward. Known for his energetic direction style, mass‑appeal storytelling, and strong command over action‑romance‑drama formats, he remains one of the most consistent and bankable filmmakers in the industry.Beginning his journey as an actor, Basnet transitioned into direction where he discovered his signature voice—films built for broad audiences, emotional engagement, and box‑office success. Over the decades, he has directed numerous hit films that strengthened the commercial film market and helped define the tone of modern Nepali entertainment.

Santosh Sen is a leading Nepali film producer and director recognized for elevating mainstream Nepali cinema through high‑budget productions and strong visual storytelling. He rose to prominence with the blockbuster Prem Geet series and later expanded into direction with Prem Geet 3 and the large‑scale national drama Balidan. His work blends Nepali cultural identity with modern cinematic techniques, and his banner Aasusen Films has become synonymous with ambitious, globally‑positioned Nepali filmmaking.