Sanjay Lama

Ram Shanker Pradhan is a highly respected Nepali cinematographer who contributed to the film industry for several decades with his refined visual style and technical mastery. He began his career at the former Royal Nepal Film Corporation and later traveled to Pune, India, where he completed a three‑year cinematography course. After returning to Nepal, he worked on documentaries before moving into feature films, quickly becoming known for his sensitive use of natural light, expressive framing, and storytelling‑driven camera movement.Pradhan enriched Nepali cinema through his cinematography in Chot, Manakamana, Tapasya, Milan, Sauta, Mahadevi, Naata, Shree Swasthani, Sannani, Cheli, Ragat, Chhoro, Pheri Timro Yaad Aayo, Lagan Gatho, Chakrabyuha, Pooja, Anmol, Karnaveer, Ajambari Naata, Parkhi Base, Jeevan‑Mrityu, Sundar Mero Naam, Man‑Mutu Ra Maya, Khushi, Preetiko Phool, Jyan Hajir Chha, Angalo Angaloma, Damini and many other films.He also shot over half a dozen Bhojpuri films, expanding his influence beyond Nepali cinema. His work remains admired for elevating the visual language of Nepali filmmaking and inspiring a new generation of cinematographers.

Amrit Sunuwar is a talented Nepali cinematographer and music video director. He has worked on numerous music videos and advertisements, showcasing his skills and creativity. Amrit is currently a senior camera person at AP1 Television. Career Highlights Music Videos: Amrit has directed and worked on various music videos, including "Rella - MT. 8848" and "Bhijyo Mero Rato Pacchyauri Chhadi Diyo" by Bibek Maharjan. Advertisements: He has also directed commercials, such as the Reliable Nepal Life Insurance TVC. Personal Life Amrit Sunuwar continues to make significant contributions to the Nepali entertainment industry with his dedication and talent. 🌟

Javed Shah is one of the foundational cinematographers of Nepali cinema’s classic era (1989–2004), known for shaping the visual language of action‑drama films through his signature gritty lighting, bold framing, and dynamic camera movement. His work spans more than 15 major feature films, making him one of the most respected technicians of his generation.

Krishna Shrestha is a Nepali cinematographer active since 2002, known for his versatile work across commercial, romantic, and action‑drama films in Kollywood. His career spans more than two decades, with credits in major productions such as Kranti (2002), Bhuttukai Bhaye Ni (2002), Pyari Bahini (2004), Kanoon (2007), Dhoom (2009), Dosti (2009), Man Manai Man Paraye (2011), Bodyguard (2012), Jodi No.1 (2014), Bhram (2015), Luv Sab (2015), Sakas (2017), Boyfriend (2018), and Eklavya (2019). His work is recognized for clean framing, commercial visual appeal, and consistent collaboration with mid‑2000s and 2010s Nepali film directors.