Dhiraj Jung Shah

Shiva Ram Shrestha is a highly skilled cinematographer and Director of Photography (DOP) from Nepal. He has worked extensively in the Nepali film industry and has been involved in numerous Reality Shows & projects. Notable Work Awards and Recognitions: Shiva Ram Shrestha has received acclaim for his cinematography, which contributed to the visual storytelling of many successful films. Television: He has worked with AP1 Television and Kantipur TV, contributing to various TV shows and programs. Films: Shiva Ram Shrestha has been the cinematographer for several Nepali films, including: Love Sasha (2017) Boksi Ko Ghar (2024) Degree Maila M.A 3rd Class (2024) Antaral (2013) Band Champion Nepal (2022) Crime Files (2021) Idea Studio Season 5 (2021) AP Bahas Physical to Digital Nepal (2021) AP Bahas: Banking and National Economy (2020) Shiva Ram Shrestha has been a significant figure in the Nepali film industry, known for his expertise in capturing stunning visuals and enhancing the storytelling of the films he works on. His contributions have been recognized both locally and internationally, making him a respected name in the field of cinematography.

Shiva Dhakal is a senior Nepali cinematographer active since the mid‑1990s, known for his extensive work across commercial, romantic, and action‑driven Nepali films. With more than 40–50 feature films to his credit, he has shot notable titles such as Bulaki (2023), Krishna Leela (2022), Poi Paryo Kale (2019), Heroz (2018), Leela (2017), Ram Pyari (2016), and K Ma Timro Sathi Banna Sakchu (2012). His upcoming work includes the 2026 release Pariwartan, where he serves as Director of Photography. Dhakal received the National Film Award (2080) for Best Cinematography, underscoring his long‑standing contribution to Nepali visual storytelling.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Mahesh Paudel is a Nepali cinematographer and Director of Photography known for his versatile visual style and his contributions to both Nepali and Indian film industries. His career began with a passion for visual storytelling, and his early works such as Nirankush (2013) and Manjari (2013) showcased his ability to create emotionally resonant imagery through light, composition, and grounded realism.Over the years, Paudel has collaborated with leading Nepali filmmakers and steadily built a reputation as one of the industry’s most reliable and visually expressive cinematographers. His acclaimed work in Ranveer (2019) earned praise for elevating the film’s emotional and cinematic impact through refined visual aesthetics.He continues to expand his portfolio with major projects including Rann (2022), Prema (2023), Chitra (2024), and the upcoming Balidan (2025), where he took over as the lead cinematographer for the final schedule.Mahesh Paudel has also worked extensively in India, serving as Director of Photography for multiple Mumbai‑based production houses between 2005–2018, further strengthening his technical range and industry experience.Known for his disciplined craft, adaptability across genres, and strong command of camera language, Paudel remains one of the prominent cinematographers shaping the visual identity of contemporary Nepali cinema.