Gauri Shanker Dhunju

Hari Humagain is a renowned Nepali cinematographer and director. He has made a significant impact in the Nepali film industry with his exceptional skills and dedication. Hari started his career in the film industry with humble beginnings, working as a kitchen help before gradually making his way up to become one of the busiest cinematographers in Kathmandu. Hari Humagain has worked on various projects, including music videos, movies, and TV shows. Some of his notable works include the musical love story "Euta Sapana Chha" and his appearance on the popular Nepali satirical comedy show "What The Flop"

Bidur Pandey is a self-taught director of photography who has made critically acclaimed movies and more than 1,500 music videos. The prolific artist has done it all—commercials, documentaries and feature films; but his litmus test came in the form of Kagbeni, the first film in South Asia to be shot in digital camera. The movie went on to set benchmarks in the Nepali film industry.

Shyam Mohan Shrestha is a veteran Nepali cinematographer known for his refined visual style and consistent contributions to Nepali cinema from the late 1970s onward. Active for more than four decades, he has worked across landmark films that shaped the visual language of the industry. His cinematography is recognized for its balanced lighting, grounded realism, and strong narrative sensitivity, particularly in social dramas and romantic features.He is best known for his work in acclaimed films such as Kumari (1977), Sindoor (1980), Badlido Aakash (1983), Ke Ghar Ke Dera (1985), Maya Preeti (1989), Badal (1994), Saubhagya (1995), and the celebrated Gothalo (1996). His career also extends into film production, including the feature Ghumto (2001). Shrestha remains regarded as one of the steady, foundational cinematographers of his generation, contributing to the evolution of Nepali film aesthetics.

Murari Thakur is a veteran Nepali cinematographer whose career spans more than three decades, contributing to some of the most formative eras of Nepali cinema. His work begins as early as 1982 and continues through the late 2000s, covering major commercial, romantic, and social‑drama films. He is known for his consistent visual craftsmanship across both black‑and‑white and early color Nepali films.His filmography includes landmark titles such as Jivan Rekha (1982), Silu (1987), Jhuma (1991), Rakshya (1993), Daijo (1996), Chori Buhari (1996), Chamatkar (1999), Apsara (2000), and Ajambari Maya (2002).