Suren Rai

Kamal Rai is a veteran Nepali dance director and choreographer active since 1984, credited in more than 120–150 Nepali films and widely regarded as one of the most prolific movement creators in the industry. Known for his versatility across commercial, romantic, and folk‑influenced choreography, he has shaped dance sequences for multiple generations of actors. His work spans major titles such as Himmatwali, Phagu, Bhuimanchhe, Jiwan Kanda Ki Phool, Poi Paryo Kale, and Baina, along with contributions in direction, mixing, lyrics, and cinematography. A 2024 feature interview highlights him as a choreographer and director with experience across 300+ films in Nepali and regional cinema, underscoring his long‑standing influence on South Asian screen dance.

Junu BK is a permanent resident of Dhanakuta, stay in Kathmandu. Due to her passion for dance, she started dancing at an early age while studying in Kathmandu. Having learned dance from AASTHA KALA KENDRA, she is passionate about dance in all genres including culture, hip hop, classical, modern. Currently she works as a dance teacher in some schools and cultures" she was  Dance Instructor and choreographer at love of dance academy..

Renasha Bantawa Rai is a multi-talented creative Artist in Nepal, celebrated for her work as both a film director and a dance choreographer. She is most prominently known for her contributions to films such as Mero Euta Saathi Cha (2009), Visa Girl (2012), and Prem Geet (2016). These projects exemplify her unique ability to weave traditional Nepali dance motifs with modern cinematic storytelling, offering audiences a vivid, emotionally resonant experience that bridges cultural heritage with contemporary trends . Her choreographic style is characterized by a fluid blend of the classical and the modern. By integrating traditional rhythms, movements, and cultural narratives into her work, Renasha has played an influential role in reshaping the aesthetic language of Nepali cinema. This synthesis not only preserves time-honored artistic traditions but also presents them in a manner that appeals to newer generations, reflecting both innovation and reverence for cultural roots. Her creative contributions have set a new benchmark in how dance sequences enhance the narrative dynamism of a film . Renasha’s work continues to inspire emerging talents in the Nepali film industry. Her ability to act as both a storyteller and a cultural ambassador through dance has cemented her reputation as a vital contributor to modern Nepali cinema. For those interested in the evolution of dance in South Asian films or the broader intersection of tradition and modernity in art, her career offers a fascinating case study of creative perseverance and innovation.

Yam Gurung is a famous Nepali dance choreographer and folk dancer. He is considered an expert in typical Nepali folk dance. Yam Gurung has been working as a folk dance director in Sadhana Kala Kendra. He Has directed many videos and played them himself.