Saraswoti Khatri

Deepak Swopnil Shrestha is a versatile Nepali singer, composer, and music educator with over 2 decade of contribution to the Nepali music industry. With more than 100 recorded songs, he has released two pop‑adhunik albums, ‘Result’ and ‘Obtain’, and has composed a Newari album, a bhajan album, and two children’s music albums. Born in Dolakha Bazaar, he grew up inspired by his father’s singing and began performing in local competitions from a young age. He started his professional journey in 2054 BS, later moving to Kathmandu to study Eastern Classical Music at Lalit Kala Campus, earning a BMus degree. In 2060 BS, he represented Nepal at Zee TV’s ‘Saregama World Series’ in Dubai, gaining exposure to musical legends such as Ghulam Ali and Jagjit Singh. A dedicated teacher, he now teaches music in multiple schools.

Subha Bahadur Sunam was a legendary Nepali music composer, saxophonist, and retired Brigadier General of the Nepal Army, celebrated for shaping modern Nepali music. Active for over five decades, he began composing at age 20 and became known for blending classical and contemporary styles. He co-composed the iconic song Parkhi Basey Aula Bhani with Sambhujeet Baskota under the name ShubhaSambhujeet. As a saxophone virtuoso, he was also the music mentor to Prince Dipendra. His contributions enriched Radio Nepal’s golden era and inspired generations of musicians. Sunam passed away in 2022 at age 74, leaving behind a profound musical legacy.

Tara Devi, revered as “The Nightingale of Nepal,” was one of the most influential and beloved voices in Nepali music. Born on 15 January 1945 in Indrachowk, Kathmandu, she began singing at Radio Nepal as a young teenager and soon emerged as the defining female voice of modern Nepali music. Over a career spanning four decades, she recorded more than 4,000 songs, ranging from modern melodies and patriotic anthems to devotional and folk compositions, shaping the emotional and cultural soundscape of an entire nation.Her voice—soft, expressive, and deeply emotive—became synonymous with Nepali identity. Songs like “Phool Ko Thunga,” “Udi Jaun Bhanne,” “Mann Ko Bandh,” “Bhimsen Thapa,” and countless others remain timeless classics, cherished across generations and the global Nepali diaspora. Tara Devi’s artistry elevated Nepali music to new heights, bringing refinement, dignity, and lyrical depth to the modern genre.In recognition of her extraordinary contribution, she received some of Nepal’s highest national honors, including the Jagadamba Shree Award (2050 B.S. / 1993 A.D.), the Indra Rajyalaxmi Pragya Puraskar, the Chhinnalata Puraskar, the Maina Puraskar, and the Nai Sur Samman. She was also decorated with the Prabal Gorkha Dakshin Bahu (First Class), the Mahendra Ratna Abhushan, the Gaddi Arohan Rajat Padak, and the Birendra Aishwarya Sewa Padak, along with numerous other national and international recognitions.Despite personal tragedies later in life, Tara Devi continued to embody grace, devotion, and artistic integrity. She passed away on 23 January 2006, leaving behind a monumental legacy that continues to inspire singers, musicians, and music lovers across the world. Her voice remains a cultural treasure—an enduring symbol of Nepal’s musical soul.

Prem Pariyar (born in Dhading District, Nepal) is a Nepali playback singer who rose to national fame as a child artist through the blockbuster film franchise Nai Nabhannu La. His emotionally resonant child voice made him one of the most recognizable young singers in Nepali cinema, earning him the nickname “Kid with a great voice.”He began singing at a very young age while living in a hostel, where his talent was first noticed. His breakthrough came when he was selected to sing for Nai Nabhannu La 2 (2014), followed by multiple successful recordings in later sequels.Prem Pariyar’s songs such as “Yi Aankhama Timi Chheu,” “Marne Kasailai,” “Feri Feri Nai Nabhannu La,” “Maina Raja Maina Rani,” and “Kasham Hamile Khayekai Thiyeu (Male Version)” became major hits, widely played across Nepal and the diaspora. All of his singles from the franchise achieved strong public reception.Despite early success, he later faced challenges when his child voice began to change during the recording of Nai Nabhannu La 3, affecting his vocal continuity.In recognition of his contribution as a young playback singer, he received the Online Filmykhabar Award 2071 (Best Singer) for Nai Nabhannu La 2.