Rojin Shakya

Sunita Karki is a Nepali singer and television program producer/presenter known for her active contribution to the Nepali music industry and her long-running association with Nepal Television. Her work spans modern Nepali songs, lok‑pop, devotional music, and television presentation, making her a multi‑platform media personality.As a singer, she has released numerous songs across genres—modern, lok‑pop, purbeli, and devotional—consistently appearing on YouTube channels under her own name. Her catalog includes songs such as “Mero Yo Jeewan Maya,” “Karnali Pari,” “Chyangba Ko Boli,” “Ghumna Laijau,” and several Shiva bhajans, reflecting a versatile vocal identity.Parallel to her singing career, Karki has been featured as a program presenter/producer on Nepal Television, most visibly through the musical program “Sur Sadhana”, where she appears on‑screen hosting, presenting, or performing. Multiple verified images show her in the NTV studio environment, confirming her role in national broadcast media.

Known as an established rock singer. He is famous for many songs. He is also a skilled voice over artist. He has also sung in many movies song.

Suraj Shrestha (March 10, 1975 – May 11, 2019) was a renowned Nepali radio and television personality, creative writer, director, editor, voice actor, RJ, and VJ. Originally from Dharan, Nepal, he served as Station Manager of Image FM 97.9 and previously worked as Managing Director of White Plus AV Production. Beginning his media career in 2002, he became widely respected for his creativity, distinctive voice, and significant contributions to Nepal's broadcasting and entertainment industry. Suraj Shrestha passed away on May 11, 2019 (corresponding to 2076 Baisakh 28).

Bijayratna Tuladhar is a Nepali film director, chief assistant director, and respected film‑based journalist whose career spans more than three decades across cinema, media, and cultural documentation. Active since the early 1990s, he is known for his disciplined on‑set leadership, his contributions to classic Nepali films, and his award‑winning work in film journalism.He entered the Nepali film industry as a Chief Assistant Director, contributing to notable films such as Priyasi (1993), Rajamati (1996), and Pachhyauri (1997)—projects that helped shape the visual and narrative style of 1990s Nepali cinema. His early work established him as a reliable creative collaborator with strong command over production, continuity, and actor‑director coordination.Transitioning into direction, Tuladhar helmed Bir Ganeshman (2003) and Man Ko Tukra (2004), both of which reflected his interest in socially rooted storytelling and character‑driven drama. His directorial work is marked by clarity, cultural grounding, and a commitment to authentic Nepali narratives.Parallel to filmmaking, Bijayratna Tuladhar built a respected identity as a film‑based journalist, writing analytical pieces, industry reports, and cultural commentary that contributed to the documentation and critique of Nepali cinema. His journalism earned him major national honors, including the NFDC National Film Award (2071) – Best Journalism Award and the D‑cine Award (2066) – Film Journalism Prize, recognizing his influence beyond the screen.With a career that bridges filmmaking and journalism, Tuladhar stands as one of the few Nepali creatives who have contributed to cinema both from within the production floor and from the lens of critical media. His work continues to represent dedication, discipline, and long‑term service to Nepali film culture.