Reshraj Acharya

Upendra Subba (born 26 September 1971, Angsarang, Panchthar) is a leading Nepali poet, lyricist, writer, and filmmaker, widely respected for his role in shaping modern Nepali literature and cinema. A co‑founder of the influential literary movement Srijanshil Arajakta (Creative Anarchy) with Rajan Mukarung and Hangyug Agyat, Subba’s work blends Limbu cultural identity with contemporary social themes.His acclaimed literary contributions include poetry collections such as Dada Mathi Ko Gham Jun Ra Gadtirka Raake Bhut Haru (2002), Hongrayo Bhog Ra Pangra (2004), Kholako Gita Ra Purana Kavitaharu (2013), and the celebrated short‑story collection Lato Pahad (2014), which later inspired the film Keba Kokma.In cinema, Subba is known for his long collaboration with director Ram Babu Gurung, contributing to hit films including Kabaddi, Kabaddi Kabaddi, and Kabaddi Kabaddi Kabaddi. He made his directorial debut with Jaari (2023), earning multiple national awards for screenplay, story, and direction. His recent works include Mansarra (2024) and Jaari 2 (2025).He has received major honors including the Padmashree Sahitya Puraskar for Lato Pahad and multiple national film awards for writing and dialogue.

Prakash Thapa is regarded as one of the legendary directors of Nepali cinema, known for shaping the visual and narrative style of the industry during its formative decades. Active primarily in the 1980s and 1990s, he directed several influential films that blended emotional storytelling with strong social themes, helping establish a more modern cinematic language in Nepal. Thapa earned respect for his disciplined direction, character‑driven narratives, and ability to bring out memorable performances from actors. Though less publicly documented than some of his contemporaries, his films remain admired for their craft and cultural resonance. His contribution continues to be recognized as an important chapter in the evolution of Nepali filmmaking

Prem Bahadur Basnet is a Nepali film director known for his contribution to the early development of Nepali cinema and for directing the culturally important film Kumari.After completing his B.Ed., Basnet received scholarships to study abroad, including one from a university in Hawaii, USA, and another to study scriptwriting at the Film and Television Institute of India in Pune, India. While many students at the time were going to the United States for higher education, Basnet chose to pursue film studies in Pune because of his strong interest in cinema.He studied there for two years, going to Pune in 1962 and returning to Nepal in 1964. After returning, he worked at Nepal’s Information Department, where he became involved in cultural and media-related activities.Having studied filmmaking, Basnet was more interested in creating original and artistic films rather than purely commercial cinema. During this period, when Nepal was invited to represent the country in international film festivals, he decided to make a film based on the living goddess Kumari tradition of the Newar community in Kathmandu.This idea eventually led to the creation of Kumari, which became an important cultural film portraying Nepal’s traditions and social life. Through his work, Prem Bahadur Basnet helped introduce culturally rooted and artistic storytelling to Nepali cinema.

Amar Rasaili is a Nepali film director, production designer, and writer known for his multidisciplinary contribution to contemporary Nepali cinema, working across story, screenplay, and visual design to shape emotionally grounded and visually coherent films. Active in direction and art‑department leadership, he is recognized for blending narrative clarity with strong production aesthetics, often developing his own story concepts and screenplays while overseeing the film’s visual world. His work reflects a collaborative, detail‑driven approach that connects performance, design, and storytelling, positioning him among the new‑generation creators contributing to the evolving craft of Nepali filmmaking.