Pankaj Singh

Sanjay Lama (Sanjay Lopchan Tamang) is the well known cinematographer in Nepali Film. Lama was born on 27 August 1977 in Lalitpur Nepal. Lama is the best cinematographer of Nepali film. He has been the recipient of 15 best cinematographer Awards Including three National Film Awards, two NFDC National Film Awards, NEFTA Film Awards, Kamana Film Awards, Inas Film Awards, Global Nepali Film Awards, Box Office Film Awards, FAAN Awards and LG Film Awards. After working on various technical roles for a long time, Lama has debuted as a cinematographer in the movie Kasle Choryo Mero Man in 2000. Since then, he has been successful in various movies like Bato Muniko Phool, Sayaad, A Mero Hajur 3, Moun, Dreams, Summer Love, Masan etc.

Shreshan Shrestha also known as s2s in Nepali music industry, is Singer/Song-Writer and Director. In 2007, featured in a collection album "Platform" under the banner of New Age Music Entertainment; which featured two of his songs: "Samjhana Aaucha featuring. 9 Double 7 and Naina" and "Bhanana". In 2009, he released his first solo album "Mirror-The Reflection Of Life" under the banner of Music.com. Later released his 2nd and 3rd EP Album "Timro Ra Mero (2016)" and "Approach (2018)" respectively under banner of Inline Creation Records. In 2022, released his 4th EP Album "Shristy" under the banner of New Age Music.As a lyricist, has contributed songs to several artists, including Visan Yonjan (Aama-A Tribute Song), Elvis Joshi (Ek Mauka and Junkiri), AK Gee (Angaalo) and new artist Saksham Shrestha (Chitra).As a director, has directed dozens of music videos which includes Sugam Pokharel’s Dashain Tihar, Antim Grahan's Funeral Lament, Sabin Rai’s Timi Nai Hau, Nabin K. Bhattarai's Timi Sanga Nai(Hardinchu Hai), Mingma Sherpa's Feri Arko Janma, AK Gee's Side Laag, Elvis Joshi’s Ek Mauka, Visan Yonjan’s Adrishya to name few from his founding company "Inline Creation Records".

Manju Kumar Shrestha is a Nepali cinematographer who played an important role in the early technical development of Nepal’s film industry. In 2029 B.S., he joined the Royal Nepal Film Corporation (then known as Shahi Nepali Chalchitra Sansthan).In 2030 B.S., he worked as a film photographer for the corporation’s first production, Man Ko Bandh. At that time, most technical experts in Nepali filmmaking—such as directors, cameramen, and lighting technicians—had to be brought from India due to the lack of local professionals.During the shooting of Man Ko Bandh, the Indian cinematographer fell ill, and Shrestha stepped in to operate the camera himself. Although he carried out much of the filming, he was credited only as an assistant cameraman when the film was released. This experience marked the beginning of his career as a cinematographer.He later went on to shoot many Nepali films, including Kumari, recognized as Nepal’s first color film, and Jeevan Rekha. Over the course of his career, Manju Kumar Shrestha has worked as a cinematographer on more than 70 films, making a significant contribution to the growth and technical progress of Nepali cinema.

Shyam Tamang is a Nepali cinematographer and Director of Photography (DOP) working across feature films, music videos, commercials, documentaries, and digital productions. Recognized for his strong visual storytelling, cinematic framing, and creative use of light and composition, he has steadily built a reputation as one of the emerging cinematographers in Nepal's film industry.Beginning his career behind the camera, Tamang has collaborated with filmmakers, producers, and production houses on a variety of cinematic and commercial projects. His work reflects a balance of technical expertise and artistic vision, with an emphasis on creating visually compelling imagery that supports narrative and emotional depth.As a Director of Photography, he made his mark in Nepali feature cinema with Nametine Ghau (2024), followed by Jwai Saab (2024). He later served as the cinematographer for Bob Dai, directed by Praveen Shrestha, further expanding his portfolio in mainstream Nepali cinema.In addition to feature films, Shyam Tamang has contributed to music videos, promotional films, and commercial productions, continuously refining his visual style and technical approach. His ability to adapt to different genres and production scales has made him a trusted collaborator for directors seeking distinctive and story-driven cinematography.