Mukunda Shrestha

Jitendra Mahat Abhilasi (1956–2004) was a pioneering Nepali stage, radio, television, and film actor known for his powerful voice, disciplined craft, and exceptional contribution to Nepali performing arts. Born on 11 September 1956 in Kabilas, Nuwakot, he began his artistic journey as a student with a deep interest in theatre and literature. Abhilasi wrote, directed, and acted in his first historical play “Shree 5 Ranabahadur Shah” (1969) and went on to perform in over 482 radio dramas, 460 radio scripts, and more than 60 stage plays. He appeared in around 40 telefilms and over three dozen feature films including Manko Baadh, Basudev, Anyaya, Koseli, Chino, Basanti, Lagangatho, and Simarekha. Renowned for his radio drama legacy and versatile screen presence, Abhilasi remained one of Nepal’s most respected multi‑disciplinary artists until his passing on 27 September 2004.

Narendra Kansakar is a Nepali film artist and producer closely associated with the legendary comedy banner Maha Sanchar, led by Madan Krishna Shrestha and Hari Bansha Acharya. He began working with the Maha team around the early 1990s, appearing in their stage shows, television programs, and comedy projects, and gradually became one of the familiar supporting faces in their productions.Building on this long collaboration, Kansakar later appeared in feature films connected to the Maha circle and mainstream Nepali cinema, including Ghumto, Aankha Lobhi Man Papi, Hasideu Ek Phera, Shatru Gate, Dal Bhat Tarkari, and Lakka Jawan. Over time he also took on responsibilities as a producer, contributing to the making of commercial hits like Shatru Gate and Dal Bhat Tarkari

Puran Joshi is a Nepali actor, director, and producer known for his steady contribution to contemporary Nepali cinema and television. Active across multiple creative roles, he has built a reputation for thoughtful storytelling, disciplined craft, and a strong command of both performance and direction. Joshi has worked on a range of projects—from feature films to TV serials—often focusing on socially grounded narratives and character‑driven drama. His involvement in production further highlights his commitment to strengthening Nepal’s film ecosystem, making him a versatile and respected figure in the industry.