Mukunda Shrestha

Samrat Thapa is a Nepali film actor active since 2001, known for his work across commercial and social‑drama cinema, appearing in more than three dozen films over two decades. His career includes notable roles in Sapoot (2007), Mister Don (2008), Dosti (2009), Swabhiman (2010), Phool (2012), Love in China Border (2013), Agni (2015), Refugee (2016), and the upcoming Sarang (2025). His filmography reflects a consistent presence in mainstream Nepali cinema, contributing as both an actor and occasional co‑producer.

Tika Niroula is a Nepali theatre artist and film character actor known for his grounded performances, expressive stage craft, and his ability to bring authenticity to socially rooted and emotionally layered roles. Active across stage and screen, he represents the generation of performers who bridge classical theatre discipline with the evolving language of Nepali cinema.

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Pawan Mainali is a Nepali film actor best known for his powerful portrayals of villainous characters, earning recognition for his intense screen presence and commanding performance style. Active across commercial and social‑themed cinema, he has built a reputation for bringing depth, aggression, and emotional weight to negative roles, making him one of the memorable खलनायक figures in Nepali films. His ability to shift between fierce antagonists and character‑driven supporting roles has established him as a versatile and reliable performer within the industry.