Lok Raj Adhikari

Viplob Pratik is a Nepali poet, lyricist, novelist, and editor known for his socially conscious poetry, modern Nepali lyrics, and editorial contributions to contemporary literature. Active since the late 1990s, he has published acclaimed poetry collections, novels, and lyrical works that explore themes of identity, politics, human emotion, and cultural transformation. His writing blends sharp observation with lyrical depth, establishing him as a distinctive voice in modern Nepali literature.

Kusum Gajmer was a celebrated Nepali lyricist who made a distinguished contribution to Nepali film music. Born in Darjeeling, India, in Asoj 2002 B.S., she became one of the most influential female songwriters in the industry. Her popular and evergreen songs include “Kasari Bhanu Ma Manko Kura Yo,” “Ke Sochen Malle Ke Bhayo Ahi,” “Mohani Lagla Hai,” “Chiyabarima,” “Reli Khola Bagar,” “Pirati Napap Hundo Raichha,” “Beertako Chino Veerko Santhan,” and “Maya Ke Hola.” Her lyrics enriched classic films such as Kusume Rumal, Lahure, Chino, Behuli, Basuri, and Darpan Chhaya. She was the wife of renowned musician Ranjit Gajmer and mother‑in‑law of filmmaker Tulsi Ghimire.Her memorial day is observed on 18 Jestha 2074 B.S.

Batukrishna Jwala (Nepali: बटुकृष्ण ज्वाला; 23 Falgun 1999 B.S. – 23 Magh 2025 B.S. / 1943–1969 A.D.) was a pioneering Nepali singer, composer, lyricist, music teacher, and stage performer who played a significant role in the evolution of modern Nepali music during the 1960s. Although his life and career were tragically brief, he left an extraordinary legacy through his timeless songs, innovative musical style, and charismatic performances. Widely regarded as one of the artists who transformed the image of Nepali modern music, Jwala introduced a fresh blend of melody, expression, and stagecraft that influenced generations of musicians.Born as Batukrishna Silwal in Kshetrapati, Kathmandu, he was the son of Rameshwor Krishna Silwal and Prabhavati Silwal. From an early age, he demonstrated exceptional musical ability and developed a deep passion for singing and composing. As his artistic career flourished, he adopted the stage name Batukrishna Jwala, a name that would become synonymous with Nepal's golden era of modern music.Before dedicating himself fully to music, Jwala served as a music teacher at Laboratory School, Kirtipur, where he nurtured young talent while continuing his own artistic pursuits. His background as an educator reflected his commitment to promoting music beyond the stage and recording studio.Batukrishna Jwala emerged as a leading voice in Nepali modern music during the 1960s. At a time when the country's music industry was still in its formative years, he brought a distinctive performance style that combined expressive singing with theatrical presentation. His energetic stage presence earned him recognition not only as a gifted vocalist but also as one of Nepal's earliest musical performers, captivating audiences through both his voice and his expressive interpretation of songs.His breakthrough came with the timeless classic "Ae Durka Sitara Mero Chandani Kaha Chha." The song, written by renowned lyricist Kiran Kharel, became one of the landmark recordings in Nepali music history. According to musical accounts, King Mahendra was deeply impressed after hearing Jwala perform the song live, leading to its recording in Kolkata, India. The recording marked an important milestone in his career and introduced his voice to audiences across Nepal.Jwala achieved nationwide fame with the evergreen hit "Chanchale Aankhale Ho Ho Chanchale Aankhale," a song that remains one of the most recognizable classics of Nepali modern music. His expressive vocal delivery, memorable melodies, and lively presentation helped redefine popular music at the time. Other notable songs associated with his career include "Phuleko Phool" and several other compositions that continue to be appreciated by lovers of classic Nepali music.Beyond singing, Batukrishna Jwala was also an accomplished composer and lyricist. His musical works blended traditional Nepali melodies with modern arrangements, creating a fresh sound that appealed to a new generation of listeners while preserving the emotional depth of Nepali music. His versatility allowed him to contribute creatively in multiple aspects of music production, making him one of the pioneering multi-talented artists of his era.Despite achieving immense popularity, Jwala's recording career remained relatively short due to the limited recording infrastructure available in Nepal during the 1960s. Many of his performances were witnessed live on stage rather than preserved through commercial recordings. Nevertheless, the songs he recorded became enduring classics and continue to be broadcast, performed, and celebrated decades later.Batukrishna Jwala passed away on 23 Magh 2025 B.S. (1969 A.D.) at the age of only 25, bringing an untimely end to one of the most promising careers in Nepali music. Although his life was brief, his artistic contributions left a lasting impact on the country's musical landscape.Today, Batukrishna Jwala is remembered as one of the pioneers of modern Nepali music—a gifted singer, composer, lyricist, teacher, and performer whose timeless songs and innovative artistry helped shape the identity of Nepali popular music. His classics, including "Chanchale Aankhale," "Ae Durka Sitara Mero Chandani Kaha Chha," and "Phuleko Phool," continue to inspire musicians and delight audiences, ensuring that his legacy remains an enduring part of Nepal's musical heritage.

Nagendra Thapa (नागेन्द्र थापा) is a Nepali lyricist and poet known for his significant contributions to Nepali music and literature. He has written numerous songs and poems that have resonated with audiences. Some of his notable works include songs like "Sangala Ghumtoharu", "Aankha Dekhi", and "Suntale Otha". Nagendra Thapa has also been recognized for his contributions to Nepali music, receiving honors such as the Natikaji Rastriya Bishishta Sangeet Samman 2080. Nagendra Thapa played a significant role in bringing together two legendary figures in Nepali music, Narayan Gopal and Gopal Yonjan. He was instrumental in establishing their collaboration, which resulted in many timeless songs that have left a lasting impact on Nepali music. Their partnership redefined the Nepali musical world, giving us evergreen songs that continue to resonate with audiences