Deshbhakta Khanal

Sushil Shrestha is Nepalese model and actor who works in Nepali cinema. He made his film debut with 2015 blockbuster film Hostel Returns which earned him Best new actor nomination in NFDC National Award. He then starred in Sunil Rawal's Saayad 2, sequel of Saayad which is all set to release.

Kiran KC, known popularly as Raata Makai (राता मकै), is a Nepalese actor, producer, television personality, singer, entrepreneur and philanthropist. He is known for his comic timing. He is also known for his performance in Je Bho Ramrai Bho (2003), Ta Ta Sarai Bigris Ni Badri (2000) and Jire Khursani (2003 – present). He has been actively associated with television since its early days in Nepal and has appeared in a handful of comedy pieces. He has been seen on the Nepali comedyTV Serial Jhire Khursani and became popular among Nepali viewers as Rata Makai (राता मकै).

Sita Ram Kattel popularly known by his serial name Dhurmus is a Nepalese actor, Comedian, scriptwriter, director and social worker. He was one of the main characters of the Nepali TV series Meri Bassai.

Subash Gajurel (सुवास गजुरेल) is a prominent Nepali actor, character artist, and film director known for his long, versatile career across films, serials, theatre, and music videos. Active since the early 1980s in stage drama and professionally since 2000, he has acted in 60+ films, 100+ television serials, and 40+ stage plays, becoming widely recognized for memorable characters such as “Shriram Baje” from the hit NTV serial Devi and “Kage Don” from Ulto Sulto.As a filmmaker, Gajurel has directed notable Nepali films including Basain (2006), Maya Baiguni (2000), Majdoor (2000), and Ko Hola Mero Mayalu (2008). His film Basain earned historic recognition as Nepal’s Official Entry to the 79th Academy Awards in the foreign‑language category.Across his career, he has portrayed a wide range of roles—from emotional drama to comedy, villain characters, and socially rooted storytelling—making him one of Nepal’s respected senior artists with a strong legacy in both acting and direction.