Dayaram Dahal

Laxman Sunar is a Nepali film director, scriptwriter, and editor known for his grounded visual style and commitment to character‑centered storytelling. Active across feature films, short films, and narrative projects, he brings a disciplined approach to structure, performance, and emotional realism. As the Founder of Kasturi Production Pvt. Ltd., Sunar has developed a creative space focused on socially rooted stories and technically polished filmmaking. His work reflects a blend of rural authenticity, psychological depth, and clean visual framing, positioning him among the thoughtful voices shaping contemporary Nepali cinema.

Sudarshan Thapa is a Director in Nepali films. He started his career in the Nepali film industry as a director of the hit movie Mero Euta Saathi Chha - a remake of Korean movie Millionaire's First Love in 2009. His first directorial was a blockbuster that set a new trend for the industry. Since then, there was no turning back and his filmography grew with movies like "Ke yo Maya Ho", "Mero Love Story", "Dhanda", etc. He is basically known for his romantic movies with strong emotional factor. Apart from directing, he also established himself as an actor in the movie "Saathi", Ajhai Pani, "Chankhe Shankhe Pankhe"etc

Prem Bahadur Basnet is a Nepali film director known for his contribution to the early development of Nepali cinema and for directing the culturally important film Kumari.After completing his B.Ed., Basnet received scholarships to study abroad, including one from a university in Hawaii, USA, and another to study scriptwriting at the Film and Television Institute of India in Pune, India. While many students at the time were going to the United States for higher education, Basnet chose to pursue film studies in Pune because of his strong interest in cinema.He studied there for two years, going to Pune in 1962 and returning to Nepal in 1964. After returning, he worked at Nepal’s Information Department, where he became involved in cultural and media-related activities.Having studied filmmaking, Basnet was more interested in creating original and artistic films rather than purely commercial cinema. During this period, when Nepal was invited to represent the country in international film festivals, he decided to make a film based on the living goddess Kumari tradition of the Newar community in Kathmandu.This idea eventually led to the creation of Kumari, which became an important cultural film portraying Nepal’s traditions and social life. Through his work, Prem Bahadur Basnet helped introduce culturally rooted and artistic storytelling to Nepali cinema.

Ashok Sharma is a veteran figure in Nepali cinema, known for his versatile contributions as an actor, director, producer, and screenwriter. Active since the late 1980s, he became one of the most commercially successful filmmakers of the 1990s and 2000s, shaping mainstream Nepali entertainment with family‑drama and social‑comedy hits. Sharma directed and produced popular films such as Dui Thopa Aansu, Allare, Dal Bhaat Tarkari, Mitini, and Jai Bhole, earning a reputation for clean storytelling, strong ensemble casting, and audience‑friendly humor. His work continues to influence new‑generation filmmakers, making him a respected pillar of the Nepali film industry.