Ashok Sharma

Thinley Lhamo (born circa 1997) is a Nepali-Tibetan actress best known for her powerful role as Pema in Shambhala (2024), Nepal’s Oscar entry and Berlinale selection. She previously starred in Naakaa (2017) and Hari (2018). Her performance in Shambhala earned her the Boccalino d’Oro Prize for Best Acting Performance at the 77th Locarno Film Festival. Lhamo’s journey began with the Nepal Tibet Opera Association, where she honed her stage presence. She trained under Anup Baral before landing the lead in Shambhala, a film shot in Dolpo’s rugged terrain

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.

Lawa Pyakurel, renowned in the Nepalese film industry under his birth name Bala Ram Pyakurel, stands as a luminary with an illustrious career spanning over 25 years. As a creative force and visionary documentary filmmaker and editor, his journey exemplifies a steadfast commitment to excellence, where each project is executed with precision, innovation, and unparalleled quality. His reputation as the go-to professional extends far and wide, earning trust from independent film companies, national and international agencies, development partners, and public-private partnerships alike. This trust is a testament to his exceptional multitasking abilities and his innate talent for leading projects to successful delivery, demonstrating expertise that transcends boundaries. Within Lawa Pyakurel's expansive portfolio, one finds a mosaic of achievements, each contributing to the rich tapestry of the Nepalese film landscape. His post-production mastery spans over a hundred documentary films, TV reports, talk shows, programs, PSAs, short films, and video advertisements. In each endeavor, his unique perspective and pioneering approach are palpable, leaving an indelible mark on the industry. Lawa Pyakurel's creative vision is not bound by convention; rather, it serves as a beacon for fresh thinking, styles, and technologies. Through his work, he ushers in a new era of storytelling, where narratives are imbued with authenticity and depth, resonating with audiences on a profound level. What sets Lawa Pyakurel apart is not only his technical prowess but also his ability to infuse every project with a sense of purpose and meaning. Each frame meticulously crafted, each edit purposefully chosen, his work reflects a deep understanding of the power of cinema to inspire, educate, and provoke change. Beyond his professional achievements, Lawa Pyakurel's impact extends to mentoring the next generation of filmmakers, nurturing talent, and fostering a culture of collaboration and innovation. His legacy is not just in the films he creates but in the lives he touches and the futures he helps shape. In a rapidly evolving industry, Lawa Pyakurel remains a guiding light, navigating the complex terrain with grace, resilience, and an unwavering commitment to excellence. His journey is a testament to the transformative power of storytelling and the enduring legacy of those who dare to dream and dare to create.

Starting from his early years in Nepali commercial cinema, Ravi Shah established himself as a dependable character actor known for his calm screen presence, expressive delivery, and versatility across drama, family, and social‑themed films. Active since 1985, he has contributed to more than 50 Nepali feature films, often portraying father figures, community elders, and emotionally grounded supporting roles.Shah’s career spans the golden era of 1990s Nepali cinema through the transitional 2000s, with memorable performances in films such as Kanyadaan (1991), Maya Preeti (1989), Pachhis Basanta (1989), Badal Paree (2001), Manmandir (2002), Pahuna (2003), Aankha Lobhi Man Papi (2003), and Godhuli (2003). His long filmography reflects steady, respected participation in mainstream Nepali filmmaking, and he is also credited as a legal advisor in the industry.