Avesh Bajracharya

Narendra Pradhan is a Nepali cinematographer and freelance visual artist known for his work across feature films, independent projects, and photography. Active since the early 1990s, he has contributed to Nepali cinema through a grounded visual style shaped by practical lighting, clean framing, and narrative-focused camerawork. His film credits include Arpan (1993) as script analyst and cinematographer roles in Aama Ko Maya (1996), Sakkali Nakkali (1996), Bandhan (1997), and Mato Bolcha (1999), reflecting his presence during a formative era of modern Nepali filmmaking.Alongside film work, Pradhan has built a parallel career as a freelance cinematographer and photographer, working on diverse visual assignments ranging from documentaries and music videos to still photography. His adaptability and hands-on technical approach have made him a reliable creative collaborator for directors seeking naturalistic, story-driven imagery.Recognized for his steady contribution across decades, Narendra Pradhan remains part of the generation that strengthened Nepali cinema’s visual identity through disciplined craft and quiet consistency.

Gopal Raya Chhetri is a Nepali cinematographer and camera operator known for his work on the feature film Sarang (2025) and the crime‑drama series Crime Files (2021–2022), where he served as Director of Photography across eight episodes. His work reflects a grounded visual style, focusing on clean framing and narrative‑driven camera movement.Active in Nepal’s evolving digital‑cinema space, Raya has contributed to both long‑form and episodic storytelling, building a reputation for reliability in camera and lighting execution. His growing portfolio positions him among the new generation of Nepali cinematographers expanding into OTT‑style productions and modern Nepali feature films.

Gauri Shanker Dhunju is a Nepali cinematographer known for his steady visual craftsmanship across feature films, music videos, and television productions. Active for many years in Nepal’s evolving film and broadcast landscape, he has been closely associated with the iconic comedy duo “Maha Jodi,” contributing to numerous awareness‑based TV serials, short films, and social‑message projects produced under Maha Sanchar. His long collaboration with the team strengthened his reputation for clean visuals, controlled lighting, and dependable on‑set execution. Alongside cinematography, Dhunju has also appeared on screen in select roles, reflecting his comfort both behind and in front of the camera.