Kumar Shah

Tara Thapa, popularly known as “Kimvhey” or “Kimbhe,” is a senior Nepali film editor active since 1999 and credited in more than 100 feature films. One of the most prolific editors in the industry, he has shaped the post‑production of major commercial, social‑drama, and action films across two decades. His notable works include Satya (2024), Tulki (2023), Jiwan Kanda Ki Phool (2019), Kale Dai (2019), Dr. Khatey (2017), Refugee (2016), Sushree (2015), Loafer (2013), Kina Kina (2013), and Jaya Hos (2012). Known for his speed, precision, and narrative clarity, Thapa remains one of Nepal’s most trusted editors in mainstream cinema.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.  

Sahara Sharma is an independent Nepali filmmaker, writer, producer, and media entrepreneur recognized for her socially grounded narratives and youth‑focused storytelling. After completing her Master’s of Science in Communication from Bangalore University, she founded Gauthali Entertainment in Kathmandu, where she began shaping her voice as a director and media creator.Starting her career as a journalist with Nepal Republic Media, Sahara transitioned into filmmaking with several short films before directing her first television film, Chasing Rainbows (2013) — a bold exploration of sexuality, migration, and depression among Nepali youth. The film opened the Kathmandu International Mountain Film Festival (KIMFF 2013), won the Nepal Panorama Award, and later received the Critics’ Award at the Toronto Nepali Film Festival (2014).She has since produced and directed two television series — Gauthali ka Kathaharu (2017–18) and Maya Bhanne Cheez Estai Ho (2018–19) — and hosts Gauthali Talks (2020–), a roundtable show on cinema and media. Her new feature‑length project, Ek Mutthi Badal, marks her return to narrative filmmaking.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.