Mahesh Dawadi

Pradeep Bhardwaj is a famous screenwriter, author, lyricist, music director, ad maker, director / producer & mathematician in Nepal. Prem Diwas, Bir Bikram 2, Changa Chet, Panchebaja, Kri were his story, screenplay, dialogue of the film.

Brazesh Khanal is a respected Nepali writer, columnist, actor, and novelist known for his diverse contributions to Nepal’s literary and entertainment fields. Born and raised in Kathmandu, he began writing early, publishing his first story in Gorkhapatra while in eighth grade and went on to write screenplays and dialogues for over 100 TV shows and films. He has authored two novels — Yayawar (2013) and Juneli (2016) — acclaimed for their depth and nuance. As an actor, he debuted in theatre with the lead role in Bathtub and has also been involved in film work including writing the screenplay for Gothalo (1996). Known for bridging literature and performance, Brazesh remains an influential creative figure in Nepali culture.

Samten Bhutia is a Nepali filmmaker, screenwriter, and theatre‑trained storyteller known for his visually grounded, character‑driven approach to cinema. Emerging from the eastern Himalayan creative community, he has directed and written several Nepali and regional films, often blending realism with emotional, socially rooted narratives. Bhutia’s work reflects a strong command of performance direction and atmospheric visual tone, making him a distinctive voice among contemporary Nepali directors.

Yam Thapa is a Nepali film writer and director known for his work across story, screenplay, dialogue, and direction in modern Nepali cinema. Active since 2014, he has contributed to several notable films, including Kohinoor (screenplay, dialogue), K Ma Timro Haina Ra (screenplay), and the acclaimed Blind Rocks (story). His breakthrough as a director came with Hurray (2018) and Rajja Rani (2018), followed by the emotional drama Meri Mamu, where he served as both writer and director.Thapa’s recent works include writing and directing the upcoming film Lalibazar (2026), and contributing story, screenplay, and dialogue to titles such as Paraan (2025) and Anjila (2025). His storytelling blends social realism with emotional depth, making him one of the consistently active multi‑disciplinary creators shaping contemporary Nepali cinema.