Everest Surya Bohara

Alish Karki is a talented Nepali composer, music director, and sound engineer. He has made significant contributions to the Nepali music and film industry with his exceptional skills and creativity. Career Highlights Composer: Alish is known for his work on films like "Prem Geet 3" (2022), "Prem Geet 2" (2017), and "Dhartiputra" (2014). Music Department: He has contributed to various projects, including "Nai Nabhannu La 6" (2023) and "Mangalam" (2018). Sound Department: Alish has worked on the background score for films like "Damaru Ko Dandibiyo" (2018) and "Mangalam" (2018)

Basanta Chhetri is recognized as a melodious vocalist, sensitive composer, and prolific music director in Nepali modern music. Active since the 1950s, he has devoted his life to musical practice and has directed music for hundreds of songs across folk, modern, and classical genres. His early works such as Premko Geet, Sapana, and Maya established his artistic identity. His compositions explore themes of love, life, society, nature, spirituality, and patriotism, enriched with deep emotional FEELING and AURA. As a mentor and inspiration to younger generations, Chhetri has played a vital role in expanding Nepali music at both national and international levels.

Manohari Singh (1931–2010), born in Kolkata to a Nepalese Bhusal family, is celebrated as one of South Asia’s finest woodwind and orchestral arrangers. Though globally known for his work with R.D. Burman, his Nepali heritage and musical upbringing in a Nepali household shaped his tonal sensibility, melodic phrasing, and emotional depth — qualities that strongly resonated with Nepali film composers.His mastery of alto saxophone, flute, piccolo, clarinet, mandolin, and bansuri made him a sought‑after session musician whose sound influenced the orchestral palette of Nepali film music in the 1980s–1990s. Many Nepali composers — especially those working in Mumbai and Kolkata studios — relied on his phrasing style, brass‑woodwind layering, and melodic counterlines as a reference point.Although he did not score many Nepali films directly, his arrangement style, brass band roots, and Nepali musical lineage helped shape the cross‑border sound that Nepali cinema adopted during its modern era. His work as part of the Basu–Manohari duo also inspired Nepali arrangers who studied Indian studio orchestration.

Shantiram Rai (also known as Pragya Shanti Ram Rai) is a highly respected Nepali music composer, singer, and songwriter originally from Khotang, Diktel. Active for over four decades, he is recognized as one of the most influential creators in modern Nepali folk and contemporary music. His official profile describes him as a “Renowned Music Composer, Singer, Songwriter in the Nepali Music Industry.”A prolific creator, Shantiram Rai has composed more than 2,000 songs, a milestone highlighted during his major solo concert covered by Kantipur Daily, which celebrated his lifelong contribution to Nepali music. His work spans folk, lok‑pop, patriotic, sentimental, and modern Nepali genres, and he is known for both studio compositions and powerful live performances.His albums such as Aagaman (2011), Musukkai Hasera (2011), and Dui Mutu (2010), along with singles like “Swadeshmai Rojagari” (2024) and “Shiraima Hamro Charatare Jhanda” (2025), reflect his evolving musical identity across decades.In recent years, he has been actively performing solo musical concerts (Ekal Saanjh) across Nepal, collaborating with respected artists such as Smita Pradhan, Shambhu Rai, Uday Sotang, Manila Sotang, Kankaisht Rai, Roshan Rai, and many others. His concerts feature both his classic hits and new compositions, often broadcast live on national platforms like NTV.