Veemsen Lama

Nabin Chauhan is a Nepali film director, storyteller, and founder of Artmandu, best known for his critically acclaimed feature film Unko Sweater (The Woolen Sweater). His filmmaking journey is rooted in theatre, years of creative exploration, and a transition from directing popular music videos to crafting emotionally rich, socially grounded cinema.Before entering feature films, Chauhan directed several hit music videos such as “Tinpate,” “Sunakhari,” “Baaf,” and “Batauli,” building a strong visual identity and narrative style. His shift to cinema culminated in Unko Sweater, a film celebrated for its warmth, cultural depth, and portrayal of rural Nepali life.Chauhan’s storytelling is shaped by his early years in Panchthar, his formative experiences in Shilpee Theatre, and his commitment to authentic, character‑driven narratives. His work reflects a blend of realism, emotional honesty, and cultural sensitivity, positioning him among the new generation of Nepali filmmakers redefining contemporary cinema.

Birendra Hamal is a theater artist, mentor and director. He has taught acting to hundreds of actors. Veteran actor and play director Birendra Hamal, who has been working in the theater for the past 35 years, has directed about 5 dozen plays, and has acted in hundreds of plays and a dozen films. Birendra, who became a hero in the film 'Godhuli', has already presented his acting skills in films like majadur, kaha bhetiyela, a mero hajur, shahid, sukha-dukha.

Shraddha Prasai is a Nepali creative director and media professional, known for her work in concept development, show direction, and production coordination within Nepal’s entertainment industry. She began her professional journey at Three Production Pvt. Ltd., where she gained hands‑on experience in studio workflow, content planning, and visual storytelling.After her marriage to filmmaker and comedian Bikey Agarwal, she became actively involved in the creative development of the comedy show Comedy Durbar. Working alongside him, Prasai contributes to the show’s concept, direction, and overall creative shaping, helping refine its format, character flow, and audience‑friendly presentation.Her work reflects a growing command of modern Nepali entertainment production, blending structured planning with a collaborative, performance‑driven approach. As part of a new generation of behind‑the‑scenes creators, she continues to build her identity as a thoughtful and emerging creative force in Nepali digital and television‑style programming.