Tej Rasaily

V. Balsara (Vistas Ardeshir Balsara) is revered as the first music director of Nepali cinema and the pioneering architect who shaped the earliest sound, rhythm, and emotional identity of Nepali film music. His compositions for Aama (1964), Nepal’s first feature film produced in Nepal, established the musical soul of an entire industry.Born in India and trained under legendary maestros such as Ustad Mushtaq Hussain, Master Ghulam Haider, and Khemchand Prakash, Balsara began his musical journey in 1942 with the Hindi film Badal. He became an independent music director with Circus Girl (1943) and went on to compose for 32 Bengali, 12 Hindi, and 3 Nepali films, along with more than 200 albums, showcasing mastery over piano, melodica, Univox, and several other instruments.His entry into Nepali cinema came when director Hira Singh Khatri decided to record the music of Aama in Calcutta. Balsara not only composed the first Nepali film songs but also introduced and shaped the voices of Shiv Shankar Manandhar, Tara Devi, and Pushpa Nepali in playback singing. His melodies for the lyrics of M.B.B. Shah and Laxman Lohani gave Nepali cinema its first musical fragrance.He returned for Hijo Aaja Bholi and later Parivartan, a landmark film that truly transformed Nepali film music. Through Parivartan, Balsara brought Narayan Gopal into playback singing, introduced Mira Rana, expanded Tara Devi’s musical range, and collaborated with writers like Chetan Karki and Tirtha Shrestha.The song “Bujhnai Sakenau Timile Mero Aankha Ko Bhaka” became an immortal milestone in Nepali film music, while “Bainiko Daya Chha Bhane Rodhigahr Dai Nachyo Nabhane” blended folk essence with cinematic sound in a groundbreaking way.Quiet, visionary, and deeply devoted to his craft, Balsara shaped not only melodies but also artists, opportunities, and the very direction of Nepali film music. His contribution remains foundational—etched in gratitude and golden memory.He passed away on 23 March 2005, but his melodies continue to echo as the first sweet remembrance of Nepali cinema’s musical journey.

Anmol K.C. born on March 30, 1994, in Kathmandu, Nepal, is a leading actor in the Nepali film industry and the son of veteran actor and filmmaker Bhuwan K.C. and actress Sushmita Bomjan. Known for his charming screen presence and romantic roles, Anmol made his acting debut in the blockbuster film Hostel (2013), which catapulted him to stardom. He followed up with a string of successful films such as Jerryy (2014), Dreams (2016), Gajalu (2016), Kri (2018), Captain (2019), and A Mero Hajur 3 and 4. After a brief lull, he made a strong comeback with the 2024 hit Farki Farki. Standing at 6 ft 2 in, Anmol is also one of the highest-paid actors in Nepal, reportedly charging up to 50 lakhs per film. Despite being born into a cinematic family, he has worked to establish his own identity in the industry, earning accolades like Best Debut Actor (2013) and NFDC Best Actor (2018).

Sushil Pokharel is a Nepali actor, director, and screenwriter known for his contributions to the Nepali film and television industry. He was born on February 28, 1966, in Lalitpur, Nepal. Sushil Pokharel completed his schooling at Durbar High School and later pursued a Bachelor of Arts and a Master of Arts from Trichandra College. His creative journey began in 1986, when he started working as an actor and director in Nepali theatre. He trained under renowned artists like Harihar Sharma, Sakuntala Sharma, and Sunil Pokharel. Sushil Pokharel has been active in the Nepali film industry for over three decades, contributing to both acting and directing. His work in theatre and cinema has made him a respected figure in Nepali entertainment.

Priya Rijal is a Nepali actress, model, and media personality known for her graceful screen presence and growing impact in contemporary Nepali cinema.She began her career as a model before transitioning into acting, appearing in music videos, short films, and feature projects that highlighted her expressive performance style. Over the years, she has built a reputation for versatility—balancing glamour roles with more grounded, character‑driven performances. Active in both film and digital media, she continues to expand her creative footprint while engaging with audiences through public events and social platforms. Her work reflects the emerging generation of Nepali actresses shaping the industry’s modern identity.