Sadhana Dangal

(Cinematographer • Director of Photography • Visual Storyteller) Dibya Raj Subedi is a Nepali cinematographer known for his versatile camera work across feature films, music videos, and commercial productions. Active since 1997, he has built a steady career moving through the full technical ladder—starting as a spot sound technician, then assistant cinematographer, co‑cinematographer, and eventually becoming a full‑fledged Director of Photography. His work is recognized for clean framing, naturalistic lighting, and a grounded visual style that supports emotional storytelling. Subedi’s most recent and high‑visibility credit is as the cinematographer for the 2025 feature film Cetamol, which has positioned him among the new‑generation DOPs gaining traction in Nepali cinema.

Santosh Shrestha (born February 3, 1981, Ghorahi, Dang) is a celebrated Nepali music director, composer, singer, and songwriter, widely recognized for his extraordinary linguistic versatility and prolific contribution to Nepali music. He is a Guinness World Record holder, honored for composing music in 12 world languages and later breaking his own record by writing music in 50 languages.Shrestha has composed over 700 film tunes and hundreds of folk songs, making him one of Nepal’s most recorded music directors. His works have been recorded in 14 languages, including Nepali, Hindi, Chinese, Japanese, English, Russian, Korean, French, Spanish, Italian, German, and Thai.His popular songs include “Timile Parai Thane Pachhi,” “Aauchhi Bhani Nisthuri Le,” “Timile Bhulna Sake Pani,” and “Timro Dilma Chot Lagda.”Shrestha has released numerous albums such as Chinaari (2062 BS), Sadhana (2066 BS), Sangam (2067 BS), Garima (2067 BS), Jhalak (2067 BS), Miteri (2068 BS), Gunjan (2070 BS), and Surakshya (2078 BS).

Shreedhar Khanal was a Nepali film personality associated with the early development of Nepali cinema. He is best remembered for his involvement in the 1968 Nepali film 'Hijo Aaja Bholi', where he contributed as one of the key creative figures in the production.Khanal belonged to the generation of artists and technicians who worked during the formative years of Nepal’s film industry. At a time when filmmaking resources and infrastructure were limited, he played a role in helping establish socially themed cinema that reflected Nepali culture, traditions, and changing social values.Although detailed documentation about his life and career is limited, Shreedhar Khanal is remembered as one of the early contributors who helped shape the foundation of Nepali filmmaking during the 1960s.