Rishi Lamichhane

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.

Jharana Thapa (born 28 March, Pyuthan) is a leading Nepali actress, producer, and director whose career has shaped mainstream Nepali cinema for more than two decades. Beginning her journey with the film Daijo in 1996, she quickly rose to prominence through her expressive screen presence and her acclaimed performance in Dharam Sankat, which established her as one of the defining actresses of the late 1990s and 2000s. Over the years she became a central figure in commercial Nepali films, appearing in more than seventy titles and becoming known for emotionally grounded roles in films such as Muglan, Jeevan Sathi, Purnima, Takdir, and the original A Mero Hajur. Her long career in front of the camera naturally evolved into filmmaking, and she transitioned into direction with A Mero Hajur 2 in 2017, later continuing the franchise with its third and fourth installments while introducing her daughter, Suhana Thapa, as a new-generation lead. She further expanded her directorial identity with Ek Bhagavad Ra Ek Geeta (2023), blending social themes with emotional storytelling. Married to producer Sunil Kumar Thapa since 1998, she has also been active behind the scenes as a producer, contributing to several successful films. Today, Jharana Thapa stands as one of the few Nepali women to achieve long-term stardom as an actress and then successfully transition into a commercially influential director, maintaining her position as a respected and enduring figure in Nepali cinema.

(Film Director • Screenwriter • Lyricist • Social‑Issue Filmmaker • Founder of FAITH) Roshan Miraz is a Nepali film director, screenwriter, and lyricist known for creating socially conscious cinema rooted in real‑life experiences. He is the writer and director of Laalimaa (2026), one of Nepal’s most talked‑about social‑drama films, based on the struggles, trauma, and lived realities of women forced into prostitution. His storytelling blends psychological depth, social justice themes, and character‑driven emotional arcs. Miraz is also the Founder‑Director of FAITH (Friends Affected & Infected Together in Hand), an organization established in 2005 that works in social advocacy and community‑based empowerment. He has been active as a filmmaker with 21 Filmdocs since 2012, producing both fiction and non‑fiction works across Kathmandu and Hamburg.

Madan Krishna Shrestha is a well known Nepali actor/producer/director/singer/ of Nepal Film Industry. Together with Mr. Hari Bamsha Acharya, he has achieved increasing popularity among Nepalese people in Nepal and around the world.