Rekha Joshi

Dharma Raj Thapa, honored with the title Jana Kabi Keshari, was a legendary Nepali folk singer and poet. Born in 1924 in Pokhara, Nepal, he became one of the most influential figures in Nepali folk music. His songs, such as Hariyo Danda Maathi and Nepali Le Maya Maaryo Barilai, captured the essence of Nepal’s landscapes and traditions. Thapa was not only a singer but also a poet and cultural historian. He collected and preserved folk songs, ensuring that Nepal’s musical heritage remained alive. His contributions earned him numerous awards, including the Madan Puraskar and Indrarajyalaxmi Puraskar. Some of his most popular songs include: Hariyo Danda Mathi – A classic folk song celebrating Nepal’s natural beauty. Nepali Le Maya Maaryo Barilai – A heartfelt song reflecting Nepali culture and emotions. Saili Rimai Chauri Gai – A traditional melody with deep cultural significance. Aaja Madal Bajeko Kina – A lively folk tune. Dhuru Dhuru Narou Aama – A song filled with emotion and nostalgia. Aai Pugyo Railaima – A well-loved song in Nepali folk music.

Jhuma Limbu is a talented Nepali singer, folk musician, and music researcher. She has made significant contributions to preserving and promoting Nepali folk music. Here’s more about her: Early Life and Education: Jhuma Limbu was born in Dhungesaghu VDC (now Maiwakhola rural municipality) in Taplejung district, Eastern Nepal. She grew up as the youngest child among six siblings. Jhuma started singing by participating in Dhan Nach, a traditional Limbu folk dance and music custom. After completing her SLC level education in 2001, she moved to Kathmandu, where she passed the voice test at Radio Nepal and decided to stay. She pursued her education at Lalit Kala Campus, a fine arts college . Music Career: Jhuma released her first album, “Eh Saila”, under the mentorship of classical musician Chandan Kumar Shrestha. She further honed her skills under the guidance of Amber Gurung, a renowned Nepali musician who composed the Nepali national anthem. Her second album, “Amber Sangeet”, was a tribute to her mentor. Most of the songs in this album were composed by Gurung himself. In 2014, she released an album titled “Khaasaam”, which features solo and ensemble performances based on Limbu culture. Jhuma Limbu actively participates in the Raithane Sangeet Abhiyan, a movement dedicated to conserving and promoting Nepali folk music. She has also researched and documented various singing methods used by indigenous communities and folk instruments throughout Nepal . Notable Work: Jhuma Limbu’s contributions extend beyond her albums. She has actively researched various Nepali folk music genres and instruments. Additionally, she received recognition from Yakhung Yuwa Manch, Lalitpur for her efforts in preserving folk music . Film Music: Jhuma, along with Ganga Thapa, composed the music for the 2022 Nepali film “Jaar”, based on a story by Indra Bahadur Rai. The film, directed by Phurba Tshering Lama, features actors Anoop Bikram Shahi, Geetanjali Thapa, and Saugat Malla . Jhuma Limbu’s dedication to preserving and celebrating Nepali folk music makes her a remarkable artist in the music scene. 🎵🇳🇵

Ustad Anand – Classical VocalistA prominent classical musician of BS 1985 (AD 1928/1929), Ustad Anand has 2 gramophone recordings from BS 1989 (AD 1932/1933) preserved in researcher archives. It is believed he recorded many more songs, but only two discs have been found. His influence in early Nepali ustadi tradition remains notable.

Jhalakman Gandharva (झलकमान गन्धर्व) was a pioneering Nepali folk singer who popularized Gaine Geet, giving voice to Nepal’s marginalized Gandharbha community. Born on July 29, 1935, in Batulochaur, Pokhara, Jhalakman began singing at age nine, traveling village to village with his sarangi. He became the first Gaine artist to record songs, transforming oral traditions into mass media. His haunting ballads, especially “Aamale Sodhlin Ni”, mourned the death of Nepali soldiers abroad and resonated deeply across generations. Active from 1965 until his death in 2003, he recorded over 100 songs, blending folk and classical styles. His music preserved indigenous narratives and challenged caste-based exclusion, earning him national reverence. Jhalakman’s legacy lives on as a cultural bridge—his voice remains a symbol of dignity, sorrow, and resilience.