Randhir Shrestha

Om Prateek Gurung is a versatile Nepali filmmaker known for his multi‑disciplinary contributions as a director, actor, writer, and production designer. Born in Khungri‑2, Rolpa, he entered Nepali cinema in the mid‑1990s and steadily built a reputation for emotionally grounded storytelling and strong visual sensibility.As a director, his notable works include Timro Maya 99 Mero Maya 100 (2002), Farki Aau (2011), Yo Katha Ho Timro Mero (2014), Butterfly (2018), and the upcoming Mohar (2025). His long-running collaboration with leading actors and his ability to handle story, screenplay, lyrics, and production design make him one of the industry’s most adaptable creative forces.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Subrat Raj Acharya is a Nepali media personality and director. He was associated with Kantipur Weekly for a long time. He has directed many music videos. He has also acted in movies and music videos. The first film he directed was ADHKATTI. The second film is Sushree Sampatti.

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.