Rajkumar Sharma

Jharana Thapa (born 28 March, Pyuthan) is a leading Nepali actress, producer, and director whose career has shaped mainstream Nepali cinema for more than two decades. Beginning her journey with the film Daijo in 1996, she quickly rose to prominence through her expressive screen presence and her acclaimed performance in Dharam Sankat, which established her as one of the defining actresses of the late 1990s and 2000s. Over the years she became a central figure in commercial Nepali films, appearing in more than seventy titles and becoming known for emotionally grounded roles in films such as Muglan, Jeevan Sathi, Purnima, Takdir, and the original A Mero Hajur. Her long career in front of the camera naturally evolved into filmmaking, and she transitioned into direction with A Mero Hajur 2 in 2017, later continuing the franchise with its third and fourth installments while introducing her daughter, Suhana Thapa, as a new-generation lead. She further expanded her directorial identity with Ek Bhagavad Ra Ek Geeta (2023), blending social themes with emotional storytelling. Married to producer Sunil Kumar Thapa since 1998, she has also been active behind the scenes as a producer, contributing to several successful films. Today, Jharana Thapa stands as one of the few Nepali women to achieve long-term stardom as an actress and then successfully transition into a commercially influential director, maintaining her position as a respected and enduring figure in Nepali cinema.

Nabin Chauhan is a Nepali film director, storyteller, and founder of Artmandu, best known for his critically acclaimed feature film Unko Sweater (The Woolen Sweater). His filmmaking journey is rooted in theatre, years of creative exploration, and a transition from directing popular music videos to crafting emotionally rich, socially grounded cinema.Before entering feature films, Chauhan directed several hit music videos such as “Tinpate,” “Sunakhari,” “Baaf,” and “Batauli,” building a strong visual identity and narrative style. His shift to cinema culminated in Unko Sweater, a film celebrated for its warmth, cultural depth, and portrayal of rural Nepali life.Chauhan’s storytelling is shaped by his early years in Panchthar, his formative experiences in Shilpee Theatre, and his commitment to authentic, character‑driven narratives. His work reflects a blend of realism, emotional honesty, and cultural sensitivity, positioning him among the new generation of Nepali filmmakers redefining contemporary cinema.

(Film Director • Writer • Story Developer • New‑Generation Commercial Filmmaker) Deewakar Bhattarai (born November 17, 1984) is a Nepali film director and writer known for shaping modern commercial Nepali cinema with visually polished, emotionally driven storytelling. Born in Sittalpati, Sindhuli, he entered the industry in the late 2000s and rose to prominence with films that blend romance, drama, and youth‑centric narratives. His works—Dreams (2016), Aishwarya (2017), and Captain (2019)—established him as one of the most bankable directors of his generation. Bhattarai is also recognized for his upcoming high‑profile projects Narasimha Avatar (2025) and Mayavi (2025), which position him among the leading commercial filmmakers in Nepal. He is married to actress Deepika Prasain, and the pair frequently collaborate on creative projects.

Chandra Pant is a prominent Nepali filmmaker and action director known for his work in both Nepali and Bhojpuri cinema. Starting his career as a stuntman around 2008, he moved into action direction with films like Raavan, Fanko, Dreams, Lazza, Kri, Lappan Chhappan, and many more, designing action for over 60 films. He made his directorial debut with the Bhojpuri hit Nirahua Chalal London, later directing Nepali features such as Rann, Hrashwo Deergha, and the emotional drama Aa Bata Aama, which became a major box‑office success. Pant is regarded as one of the leading action specialists shaping modern Nepali commercial cinema.