Raj Pangeni

Starting from his early life in Biratnagar, Prakash Pathak was born in 2001 B.S. (1944 AD) and later became a familiar face in Nepali cinema. He entered the Nepali film industry in the early 2040s B.S. (1980s AD), gradually establishing himself through steady, heartfelt performances in social and family‑oriented films.Over the course of nearly three decades, Pathak contributed to a wide range of Nepali feature films and telefilms. He appeared in several well‑known titles, including Mayalu, Tilahari, Gopikrishna, Tuhuro, and Bandhan, along with numerous other productions across the 1980s, 1990s, and early 2000s.Prakash Pathak was known for portraying grounded, relatable characters — often fathers, uncles, community figures, or emotionally layered supporting roles. His natural acting style, calm presence, and ability to reflect everyday Nepali life made him a respected contributor to the golden and transitional eras of Nepali cinema.

Samundra Bhatta is a Nepali filmmaker, director, and writer known for her bold storytelling and cultural depth. A graduate of Toronto Film School, she made her directorial debut with Aadha Page (2016), a romantic drama. Her breakthrough came with Gunyo Cholo: The Dress (2024), a powerful film exploring gender identity and social stigma, starring Najir Husen. The film was selected for the prestigious Photo Film Market in Seattle, USA, gaining international attention. Bhatta’s work blends traditional Nepali themes with contemporary narratives, reflecting her commitment to inclusive cinema. As a rising voice in South Asian film, she continues to challenge norms through visual storytelling.

Pragya Joshi is a Nepali film actress and television serial artist known for her expressive performances and her steady presence in both mainstream cinema and episodic storytelling. Active across multiple formats, she has built a reputation for portraying relatable, emotionally grounded characters that reflect everyday Nepali life.Her work spans feature films, TV serials, and special appearances produced under Pragya Films, where she has contributed to projects that blend social themes, family drama, and character‑driven narratives. Joshi’s screen presence is marked by natural dialogue delivery, strong emotional timing, and a commitment to authentic storytelling—qualities that have made her a respected performer among directors and audiences alike.With continued involvement in film and television, she represents the generation of Nepali artists who bridge traditional screen acting with the evolving landscape of modern Nepali media.

Tika Niroula is a Nepali theatre artist and film character actor known for his grounded performances, expressive stage craft, and his ability to bring authenticity to socially rooted and emotionally layered roles. Active across stage and screen, he represents the generation of performers who bridge classical theatre discipline with the evolving language of Nepali cinema.