Pratap . Subba

Hira Singh Khatri is regarded as one of the earliest architects of Nepali cinema, best known for directing Aama (1964), the first Nepali feature film produced in Nepal under the Royal Nepal Film Corporation. His work marked the formal beginning of Nepal’s national film industry, establishing narrative, technical, and production standards for future filmmakers. Khatri later directed Hijo Aaja Bholi (1967), further strengthening the foundation of Nepali storytelling on screen. His films emphasized patriotism, social values, and emotional realism, influencing a generation of emerging directors. As a pioneering figure who helped transition Nepal from stage and radio culture into cinematic expression, Hira Singh Khatri’s contribution remains a defining milestone in the history of Nepali filmmaking.

Sudarshan Thapa is a Director in Nepali films. He started his career in the Nepali film industry as a director of the hit movie Mero Euta Saathi Chha - a remake of Korean movie Millionaire's First Love in 2009. His first directorial was a blockbuster that set a new trend for the industry. Since then, there was no turning back and his filmography grew with movies like "Ke yo Maya Ho", "Mero Love Story", "Dhanda", etc. He is basically known for his romantic movies with strong emotional factor. Apart from directing, he also established himself as an actor in the movie "Saathi", Ajhai Pani, "Chankhe Shankhe Pankhe"etc

B.S. Thapa is recognized as one of the early pillars of Nepali cinema, contributing as a director, writer, and actor during the formative decades of the industry. He is best known for directing the acclaimed film Manko Baadh (1973), which earned strong appreciation for its emotional depth and social storytelling. Thapa also worked on several influential projects that helped shape the narrative style of Nepali films in the 1970s and 1980s, bringing literary sensitivity and dramatic realism to the screen. His commitment to character‑driven stories and disciplined filmmaking made him a respected figure among his contemporaries. Through his films, mentorship, and long-standing dedication to the craft, B. S. Thapa played a meaningful role in strengthening the foundation of Nepali cinema.  

Badri Adhikari is a senior Nepali theatre artist and film–television director known for his disciplined craft, social sensitivity, and long‑standing contribution to Nepal’s performing arts. Beginning his creative journey in theatre, he later became widely recognized for directing influential Nepali television serials such as Viral Bagdacha Indrawati, Maun Aakash, Sahayatri, and Koras. These works earned him a reputation for blending emotional realism with strong social themes, portraying the struggles, relationships, and cultural nuances of everyday Nepali life.As a filmmaker, Adhikari is respected for his ability to guide actors toward natural, grounded performances and for maintaining a thoughtful, character‑driven visual style. His career reflects a deep commitment to storytelling rooted in community, culture, and human experience. Beyond his own achievements, he is also known as the father of acclaimed Nepali actress Keki Adhikari, whose artistic discipline and sensibility are often attributed to his influence