Prajwal Lama

Rajendra Nepali, popularly known as “लट्टे (Latte)”, is a Nepali comedian and actor from Pokhara. He gained nationwide recognition through his memorable character in the popular television show Mundre Ko Comedy Club, where his unique expressions and comic timing made him a fan favorite.Before rising to television fame, he worked at Machhapuchchhre FM as a radio personality, which helped shape his communication skills and performance style.Today, Rajendra Nepali is known for his engaging comedy performances in television and live stage shows, establishing himself as a notable comedic artist in Nepal’s entertainment industry.

Narendra Khadka is a senior Nepali film editor with a career spanning more than three decades. Active since the late 1980s, he has edited over 36 feature films, shaping the narrative rhythm and visual language of modern Nepali cinema. Known for his disciplined, story‑driven editing style, he has contributed to notable films such as Rajamati, Seemana, Zameen, Basanti, and Prem Yuddha.Beyond editing, Khadka has also worked in story writing and served as a Chief Assistant Director, expanding his creative influence within the industry. He is also recognized for his contribution to film education as the Founding Principal of the College of Film Studies, helping train a new generation of Nepali filmmakers.He is an honoree of the 7th LG Cine Circle Awards, receiving the Lifetime Achievement Award for his long-standing contribution to Nepali cinema.

Umesh Pandey is a Nepali playback singer whose voice defined the popular film songs of the 2050s era, a time when audiences often went to cinema halls because of hit songs. Known for delivering melodies that instantly connected with listeners, Pandey rose to prominence with evergreen numbers such as “Rato Tika Nidharma Talkyo…”, which remain widely loved across generations.Pandey began his musical journey while studying at RR Campus in 2034 BS, where his close circle included singer Rabin Sharma and actor Bhuwan KC. Later, during his studies at Tri‑Chandra Campus, he became associated with noted musicians Shakti Ballav, lyricist Rajendra Paudel, and Prakash Shrestha. After passing the Radio Nepal test, he recorded his first song on 24 Poush 2036 BS, “Nai Bhanchhau Bhan…”, written by Vishwambhar Byakul and composed by Sambhujeet Baskota, at the age of 19.In 2039 BS, Pandey secured third place in the nationwide talent hunt “Pratibhāko Khoji,” organized by Ratna Recording Sansthan, earning him the opportunity to record professionally at a time when gramophone recording was considered a major achievement.His breakthrough came in the 2050s with Sambhujeet Baskota and director Ashok Sharma, who introduced him to film music through Nirmaya, where he sang “Meri Maya Saanchen Hai Ropi…” with Ramana Shrestha and Devika Pradhan. The massive success of “Rato Tika Nidharma Talkyo…” from Sharma’s film Allare established him as a leading playback voice. This success led to further hits, including “Goli Sisako…” (Gaunle), “Ma Bharma…” (Mr. Ramkrishna), and popular songs from films such as Aadhar, Naulothau Pari, Dharmaputra, Khatabah, Mitini, Jwalamukhi, and Saiyanji.Over his career, Umesh Pandey recorded songs for more than 25 films, with most becoming audience favorites. His expressive, melodic singing style made him one of the defining voices of Nepali cinema’s golden musical era.

Adrian Pradhan (born August 18) is an Nepali vocalist, composer and songwriter in Nepali music. He was born and raised in Kalimpong, India. He is the lead member of one of the most successful Nepali Band, 1974 AD.