Manice Gandharva

Dhana Bahadur was a leading advocate for sarangi preservation, a respected singer, and a dedicated lyric collector from Batulechaur, Pokhara. He is widely remembered as the creator of the evergreen songs “Naraunu Mayalu” and “Beli ra Chameli,” beautifully performed by singer Prabin Gurung. Committed to safeguarding Nepal’s folk heritage, he operated a Sarangi Pathshala, teaching children and youth and nurturing a new generation of sarangi players. He passed away on Magh 11, 2077, leaving behind a legacy that continues to inspire Nepali folk music and sarangi culture.

Lochan Rijal is a multi-instrumentalist, a singer, songwriter and a scholar of ethnomusicology. Born in the Panchthar district of Nepal, he grew up around music performed at festivals by the local people of that region. The experience influenced him to explore the potential of sound and develop his passion into his profession. While in college, he began teaching music to school children in Kathmandu while also working in the pop and rock music scene, producing award-winning albums, before moving onto something that fed his scholarly ambitions. In 2014, he graduated with a PhD in ethnomusicology from the University of Massachusetts and Kathmandu University. He also works as the associate professor and Head of Kathmandu University’s Department of Music.

Shisir Shrestha is a respected Nepali guitarist and music educator who trained under the legendary composer Ambar Gurung. Known for his refined technique and deep understanding of both Eastern and Western musical traditions, Shrestha contributed to numerous compositions and recordings during his time with Gurung’s team. He has performed in classical and contemporary ensembles, supporting the evolution of Nepali modern music. Beyond performance, Shrestha has mentored young musicians and promoted structured music education in Nepal. His work reflects the legacy of Ambar Gurung’s vision — blending tradition with innovation in Nepali music’s instrumental landscape.

Dashain and Malshree Dhun are deeply connected in Nepali culture. The sacred melody of Malshree is considered the musical soul of Dashain, and helping preserve this tradition is Nepal’s first and only female sarod player, Rupa Neupane. Rupa Neupane was born in Asar 2026 B.S. (1969 A.D.) in Mulpani, Kathmandu. She was married at the age of 12 in 2038 B.S. Despite early marriage and social responsibilities, her passion for music gradually found its way into her life. At the age of 24, in 2050 B.S. (1993 A.D.), she began learning the sarod, marking the beginning of her remarkable musical journey. She first trained under senior sarod maestro Mohan Sundar Shrestha in Kathmandu. Later, she continued her studies with Suresh Raj Bajracharya and further refined her skills under Dr. Anupama Kumari in India. Through dedication and continuous practice, she steadily established herself as a respected sarod instrumentalist. In a field traditionally dominated by men, Rupa Neupane broke barriers and created a historic identity as Nepal’s pioneering female sarod player. Her performances of Malshree Dhun during Dashain have strengthened the cultural connection between classical instrumental music and Nepal’s most celebrated festival. Today, she continues her journey as a committed sarod artist, inspiring women and young musicians across the country. Her life reflects perseverance, courage, and devotion to classical music, proving that passion and determination can overcome social and personal challenges.