Madhukar Basnet

Lawa Pyakurel, renowned in the Nepalese film industry under his birth name Bala Ram Pyakurel, stands as a luminary with an illustrious career spanning over 25 years. As a creative force and visionary documentary filmmaker and editor, his journey exemplifies a steadfast commitment to excellence, where each project is executed with precision, innovation, and unparalleled quality. His reputation as the go-to professional extends far and wide, earning trust from independent film companies, national and international agencies, development partners, and public-private partnerships alike. This trust is a testament to his exceptional multitasking abilities and his innate talent for leading projects to successful delivery, demonstrating expertise that transcends boundaries. Within Lawa Pyakurel's expansive portfolio, one finds a mosaic of achievements, each contributing to the rich tapestry of the Nepalese film landscape. His post-production mastery spans over a hundred documentary films, TV reports, talk shows, programs, PSAs, short films, and video advertisements. In each endeavor, his unique perspective and pioneering approach are palpable, leaving an indelible mark on the industry. Lawa Pyakurel's creative vision is not bound by convention; rather, it serves as a beacon for fresh thinking, styles, and technologies. Through his work, he ushers in a new era of storytelling, where narratives are imbued with authenticity and depth, resonating with audiences on a profound level. What sets Lawa Pyakurel apart is not only his technical prowess but also his ability to infuse every project with a sense of purpose and meaning. Each frame meticulously crafted, each edit purposefully chosen, his work reflects a deep understanding of the power of cinema to inspire, educate, and provoke change. Beyond his professional achievements, Lawa Pyakurel's impact extends to mentoring the next generation of filmmakers, nurturing talent, and fostering a culture of collaboration and innovation. His legacy is not just in the films he creates but in the lives he touches and the futures he helps shape. In a rapidly evolving industry, Lawa Pyakurel remains a guiding light, navigating the complex terrain with grace, resilience, and an unwavering commitment to excellence. His journey is a testament to the transformative power of storytelling and the enduring legacy of those who dare to dream and dare to create.

Badri Lamichhane is a Nepali film editor known for his extensive work in feature films, post‑production, and visual effects, active in the Nepali film industry since 2006. His editing career spans more than 16 films, with credits in major commercial and social‑drama projects. He is recognized for his clean narrative pacing, technical precision, and ability to shape emotional rhythm through editing.He began his professional journey in post‑production with NFDC (Nepal Film Development Board), where he worked for nearly nine years (2000–2009), gaining deep experience in film workflows. He later served as a film editor at Kindle Cine Studio (2009–2013) and eventually expanded his career internationally, working as a Visual Editor at Bodhi HD (USA) from 2018 onward. His global experience reflects his adaptability to modern digital editing platforms and evolving cinematic styles.Badri’s filmography includes notable titles such as Kathmandu (2010), Jiwan Mrityu (2008), Giraftar (2008), Akaal (2014), Aadhi Bato (2014), Samaya (2013), Soldier (2014), and Jaun Hida Pokhara (2015). He has also contributed VFX work to films like Maanish (2006) and served as a Chartered Accountant for projects such as Ho Yehi Maya Ho (2015) and Ram Balaram (2010)—showing his multidisciplinary involvement in Nepali cinema.

Tirtha Lal Shrestha is recognized as the first film editor of Nepali cinema, establishing his legacy with the landmark film ‘Man Ko Bandh,’ released on Falgun 7, 2030 BS, marking the beginning of credited film editing in Nepal. Working in the era of manual flatbed editing, he shaped the narrative rhythm, emotional tone, and cinematic structure of early Nepali films, earning the industry’s respect as the “second director” for his decisive role in transforming raw footage into cohesive storytelling. Shrestha edited notable films including Man Ko Bandh, Kumari, Ke Ghar Ke Dera, and dozens of other productions, contributing significantly to the foundation of Nepal’s post‑production craft and influencing generations of editors who followed.