Kumar Nagarkoti

Balkrishna Sama (1902 – 20 June 1981) was Nepal’s most influential modern playwright, poet, and literary reformer, widely honored as the Shakespeare of Nepal for his pioneering contribution to Nepali drama. Born in Gyaneshwor, Kathmandu, he began his literary career in the early 1920s, writing socially conscious plays that challenged tradition and expanded the artistic scope of Nepali theatre. His worksincluding Prem Pinda, Bhater, Tansen, and Amar Singh introduced psychological depth, historical imagination, and modern dramatic structure to Nepali literature. A former army officer turned full‑time writer, Sama received Nepal’s highest honors for his cultural impact, and his legacy continues to define the foundation of Nepali drama and stage literature.

Daulat Bikram Bista (1925–2002) was a renowned Nepali writer and novelist celebrated for his portrayal of social issues, culture, and the lives of ordinary people. Born in Bhojpur, Nepal, he authored several influential novels, including Chapaiyeka Anuhar and Jyoti Jyoti Mahajyoti, the latter earning him the prestigious Madan Puraskar. His works often highlighted discrimination, inequality, and human struggles in Nepali society. Bista’s literary contributions have influenced Nepali culture and cinema, with some of his stories adapted into films, such as Sindoor, for which he is credited with the story. 

Viplob Pratik is a Nepali poet, lyricist, novelist, and editor known for his socially conscious poetry, modern Nepali lyrics, and editorial contributions to contemporary literature. Active since the late 1990s, he has published acclaimed poetry collections, novels, and lyrical works that explore themes of identity, politics, human emotion, and cultural transformation. His writing blends sharp observation with lyrical depth, establishing him as a distinctive voice in modern Nepali literature.