Kamal Devkota

Ranjana Bhattarai is a Nepali theatre artist and film actress active in contemporary Kathmandu theatre and South Asian cinema. On stage, she has worked with groups like Katha Ghera and Kausi Theatre, performing in acclaimed productions such as “Wedding Album” (as bride Bidushi Koirala) and “Play the System” (as Namita), where she portrays complex, modern Nepali women navigating family and workplace pressures.On screen, Bhattarai appears in the Nepali‑language Indian film “Harry Ki Pyari” (2023) in the role of Urmila, and in the TV mini‑series “A Glass of Happiness” (2021), where she is credited both as an actress (Pari) and as part of the costume/wardrobe team (stylist). This dual presence in performance and behind‑the‑scenes work reflects her broader craft as a theatre‑trained artist who understands character, costume, and visual storytelling.

Prakash Dahal is a Nepali film and theatre artist from Bara, born on June 25, known for his naturalistic acting style, stage discipline, and his growing presence in contemporary Nepali cinema through films such as Halkara (2022), Lunga (2023), Feri Resham Filili (2025), and Abhimanyu Chapter 1 (2025).

Sushanta Kumar Shrestha is a veteran Nepali film actor best known for his powerful portrayals of negative and villain characters in Nepali cinema. Active for decades, he has appeared in dozens of feature films, earning recognition for his intense expressions, strong dialogue delivery, and commanding on‑screen presence.Shrestha belongs to the generation of actors who helped shape the classic era of Nepali commercial films, where villain roles demanded physicality, emotional weight, and dramatic impact. His performances often brought depth to antagonistic characters, making him a memorable face in many action‑drama and social‑themed movies.

Gita Adhikari is a Nepali actress with a career spanning theatre, mainstream cinema, and character‑driven films. She began her screen journey in 2008 and has since appeared in at least ten Nepali films, often portraying emotionally grounded, culturally rooted, or maternal roles.Born on 23 November in Ilam, she is recognized for her expressive acting style and her ability to carry both central and supporting characters with equal depth. Her performance in Dhauli (2015) is widely regarded as one of her strongest works, where she played a mother‑centric role that earned critical appreciation.Alongside film, Gita Adhikari has remained connected to theatre, contributing to stage productions and community‑based performing arts. Her consistent presence in Nepali cinema reflects a career built on discipline, versatility, and long‑term dedication to acting.