Junu Prasai (Moon)

Sharmila Bardewa is a celebrated Nepali playback and modern singer known for her soft, expressive voice and a career that spans some of the most beloved Nepali melodies of the 90s and 2000s. Her signature hits include “Phoolko Jawaf,” “Aankha Ma Jhaljhali,” “Mero Hajur Lai,” “Aaja Unle,” “Jindagi Yo,” “Duniya Ho,” “Baru Timile,” and “Maile Bhane Gurung Ni Nani.” Bardewa’s songs blend emotional depth with melodic clarity, making her a favorite among radio listeners and film audiences. Her contribution to Nepali pop and playback music remains influential across generations.  

Deeksha J Thapa (also credited as Diksha/Deeksha Thapa) is a Nepali singer, songwriter, and music artist known for her soulful voice, original compositions, and strong presence on digital platforms. Born 1 September 1996 in Dharan, she later completed a BBA in Lalitpur and built a parallel path in music, media, and education.She first came into the public eye as a radio jockey at Classic FM (2013–2015) and a freelance event host, before gaining national recognition by winning Pepsi Voice of Nepal (2014), which launched her into the professional music scene and live circuits in Nepal and abroad. She has since performed at major events including the Pepsi Big Indie Party powered by MTV India in Delhi and shows across India, Australia, China, and Hong Kong, establishing herself as a versatile live performer.As a recording artist, Deeksha is active on YouTube and streaming platforms, where she releases both originals and covers. Notable tracks include “Timro Mero” feat. BaajaBoy (vocal/lyrics/composition by Deeksha), “Indreni” (written, performed, and produced by her), and “Tabar” for the film Prenganj (2022). Her music blends pop, acoustic, and indie sensibilities, often centered around intimate storytelling and guitar‑driven arrangements.Beyond the stage, she is also an educator, involved with Star Kids Daycare/School / Star Kids Montessori, where she works with preschool children—extending her creative energy into early childhood learning.

Bharati Upadhyaya is a renowned Nepali singer and composer, celebrated for her contributions to Nepali music. She is best known for her melodious voice and her ability to blend traditional and modern styles in her songs. Bharati's music often reflects themes of love, life, and cultural pride. Some of her popular songs include: "Mai Chhori Sundari" – A timeless classic that remains a favorite among Nepali music enthusiasts. "Birsidinu Pardo Rahechha" – A soulful track that showcases her emotive singing style. "Mayako Chhayama Maya Rakhana" – A beautiful composition that resonates with listeners. "Karmaima Chhaina Mero Maya" – A song that highlights her versatility as a singer. "Kina Kina Mero Man" – A track that captures the essence of Nepali music. Her work has left an indelible mark on the Nepali music industry, and her songs continue to inspire and entertain audiences.

Kamala Shrestha is a celebrated Nepali singer known for her expressive voice and versatility across genres. She was born on Kartik 9, 2005 BS (approximately October 25, 1948 AD) in Kathmandu to Ram Bahadur Shrestha and Indra Maya Shrestha. Kamala began singing as a child and entered the professional music scene around 2024 BS (1967 AD) when she won first prize at a Radio Nepal anniversary competition for her song Naugediko Mala Mero. This marked the beginning of her active musical career, which flourished through the late 1960s, 1970s, and beyond. She was mentored by legendary composer Natikaji, who recognized her talent when she was just 13. Through Radio Nepal, she collaborated with iconic artists like Shiva Shankar and contributed to a wide range of musical styles—bhajans, Newari songs, Bhojpuri numbers, patriotic anthems, folk tunes, and adhunik (modern) songs. Over her career, she recorded more than 400 songs, many of which remain sadabahar (evergreen) classics. Kamala Shrestha also performed internationally, representing Nepal in India, China, Bangladesh, Hong Kong, Japan, and other countries. Her dedication to music continued even after marriage and motherhood, defying social expectations of the time.