JB Lama

Parashuram Bhandari is a Nepali master of the sarangi. He hails from the former Kingdom of Nepal, a country of dramatic beauty with a rich and appealing culture. His music ranges from the wildly exuberant to the hauntingly delicate, presented with the rhythmic power that is his signature. The sarangi, whose name means "hundred colors," is an instrument with a cello-like timbre, bowed on three melody strings, with thirty-six sympathetic strings underneath, giving it a haunting cello-like resonance and bright reverberating echo. It is best known for its emotional intensity and its uncanny similarity to the timbre and inflections of the human voice. Parashuram is the only sarangi musician in Nepal to play in the North Indian Classical style. He plays Nepali traditional music on the country's traditional sarangi. The Nepali sarangi is a small hand-carved version of the classical sarangi, an instrument equivalent to the traditional American fiddle. Born in the Kathmandu Valley and educated in India, Parashuram studied with guru Pandit Bacchalal Misra of Varanasi and Senior Musician Gopal Nath Yogi. He received his Master's Degree in Music from Prayag Sangit Samiti. An independent artist, Parashuram Bhandari has published the only textbook on sarangi and is the recipient of National music awards in Nepal. He has performed in numerous countries and released two solo CD's among others with the acclaimed musical group Om Shringara Nepal. When home in the Kathmandu Valley, Parashuram performs in Nepal television, radio, and theatre productions.

Ganesh Pariyar (1945 – 18 January 2021) was Nepal’s first music arranger, a pioneering composer, singer, and multi‑instrumentalist whose work laid the foundation of modern Nepali studio music. Beginning as a contractual instrumentalist at Radio Nepal in 2019 BS, he became a permanent musician in 2024 BS, introducing structured music arrangement to Nepali broadcasting for the first time.Before entering full‑time music, Pariyar served in the Nepal Army, rising to the rank of Havildar before resigning to pursue music professionally. A skilled violinist, saxophonist, guitarist, and folk instrumentalist, he played a central role in shaping the orchestral sound of early Nepali recordings.Across more than two decades at Radio Nepal, he contributed as an arranger, composer, vocalist, instrumentalist, and collector of lyrics and melodies. His disciplined musicianship and technical mastery helped elevate the quality of Nepali studio productions during a formative era.In 2050 BS, he joined Music Nepal as a Music Director and Arranger, influencing commercial music production and supporting countless singers and composers. His legacy remains foundational in the evolution of Nepali music arrangement.

The remarkable Nepalese guitarist, arranger Dinesh Shrestha, was born on 25th January 1978 A.D. in Putalisadak, Kathmandu, Nepal to father Kashi Bahadur Shrestha and mother Ram Kumari Shrestha. Dinesh Shrestha was an accomplished guitarist, and was best known there for his rock/blues playing and one of the founder members of “The Buds Band”. Dinesh Shrestha was taught initially by his guru Phiroj Shyangden (guitarist and founder member of 1974 A D Band) on ‘Do Re Mi Music Institute’ in Kathmandu, but it soon became apparent that the boy was a gifted guitarist. Dinesh Shrestha was appeared and performed at “Shikhar Beat Contest” for the first time at Katmandu about 1994 A.D. and making enough of an impression that the famous guitarist. His band also participated in other competition like “Tuborg Music Festival’99”whne they got the first position as “The Band Of the Year” and after they participated on other programs like “Mahashivaratri Music Festival’99”,”Kathmandu Utsav’99”, “Beat Competition’98” and more than fifty programs and concerts. He made his official debut from famous Nepalese band “The Buds” from 1994 A.D. as a lead guitarist including other band members Sudip Singh (Rhythm), Bijaya Karki (Bass/Vocal), Dipesh Shrestha (Drummer/Vocal), Sushil Shrestha (Rhythm), and received reviews that noted a strong, clean tone and a polished though undemonstrative technique. The first album titled “Birsana Sakdina” including nine songs titled “Birsana Sakdina”, ‘Bihani Ko Mirmirema” etc and Second album “Buds 2” which was popular amongst Nepalese people. He had performed by the early 1990's within the various parts of country and has since performed with outstanding success playing both solo and with Band and regularly on radio and television. Now with business and academic reasons he is separated with his band members and no new project will be plan for till now.

Bijay Baral is a Nepali drummer and live performer known for his energetic stage presence, tight rhythmic control, and versatility across modern, pop, rock, and fusion music. Active in Nepal’s live music circuit, he has performed with various bands, event lineups, and studio projects, contributing dynamic grooves and polished timing to both stage and recording environments. His adaptability in multi‑genre arrangements and his ability to elevate live performances have made him a reliable and in‑demand drummer within Nepal’s growing contemporary music scene.